Tag Archives: 1930s hollywood

Double Harness (1933)


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Double Harness (1933)

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Director: John Cromwell

Cast: Ann Harding, William Powell, Lucille Browne, Henry Stephenson, Lilian Bond, George Meeker, Reginald Owen, Kay Hammond, Leigh Allen, Irving Bacon, Lila Chevret, Wong Chung, Jean Malin

69 min 

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Double Harness (1933) is an American Pre-Code film starring Ann Harding and William Powell. It was based on the play of the same name by Edward Poor Montgomery. A young woman maneuvers a lazy playboy into marrying her.

This was one of several films, all produced by Merian C. Cooper at RKO, that were out of distribution for more than 50 years as a result of a legal settlement that gave Cooper complete ownership of the films. Turner Classic Movies eventually acquired the rights to the films.

Plot

When spoiled younger sister Valerie Colby (Lucile Browne) becomes engaged to be married to Dennis Moore (George Meeker), a more level-headed Joan (Ann Harding) decides to do the same, not because she is in love, but in order to make something of herself. She chooses unambitious, wealthy playboy John Fletcher (William Powell), who owns a troubled shipping line.

She eventually spends the night in his apartment. To Joan’s annoyance, over the following months, she finds herself falling in love. When John shows no interest in marrying her, Joan forces the issue. She arranges for her father, Colonel Sam Colby (Henry Stephenson), to find them in a compromising position. John graciously agrees to do the honorable thing and marry Joan. However, on their honeymoon cruise, he lets her know that he expects her to grant him a divorce after a decent interval. They settle on six months.

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Joan prods her husband into taking an interest in his family business. To his surprise, he finds that he enjoys it. As the new Postmaster General (Wallis Clark) is a good friend of her father’s, Joan invites him to dinner, hoping to land a government contract for John’s company.

Meanwhile, Valerie goes into debt due to her extravagant spending habits and borrows from her big sister over and over again. Joan gives Valerie all she can afford without touching John’s money. Finally, she pawns a ring for half the latest sum Valerie needs, but tells her that it is the last time.

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That same day, John finally realizes that he loves his wife. However, when he goes home, Valerie goes to John behind Joan’s back and cons him into giving her a check. Joan finds out and tears up the check. In her anger, Valerie blurts out how Joan trapped John into marriage.

Disillusioned, he turns to his former paramour, Mrs. Monica Page (Lilian Bond). Joan follows them to Monica’s apartment and confesses all, including the fact that she has fallen in love with him, to no avail. She then tries to salvage her dinner party. To her delight, John shows up and makes it clear that he believes and forgives her.

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Cast

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Preservation status

This is one of the “lost RKO films” owned by Merian C. Cooper and only re-released in April 2007 when Turner Classic Movies acquired the rights and showed all six films on TCM.

Cooper accused RKO of not paying him all the money contractually due for the films he produced in the 1930s. A settlement was reached in 1946, giving Cooper complete ownership of six RKO titles:

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According to an interview with a retired RKO executive, shown as a promo on TCM, Cooper withdrew the films, only allowing them to be shown on television in 1955–1956 in New York City.

TCM, which had acquired the rights to the six films after extensive legal negotiations, broadcast them on TCM in April 2007, their first full public exhibition in over 70 years. TCM, in association with the Library of Congress and the Brigham Young University Motion Picture Archive, had searched many film archives throughout the world to find copies of the films in order to create new 35mm prints.[2][3][4]

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Reception

According to RKO records, the film made $10,000 in profit.[1]

References

  1. Jump up to:a b c Richard Jewel, ‘RKO Film Grosses: 1931-1951’, Historical Journal of Film Radio and Television, Vol 14 No 1, 1994 p39
  2. Jump up^ Fristoe, Roger. “Rafter Romance” (TCM article)
  3. Jump up^ Osborne, RobertTurner Classic Movies broadcast on April 4 and 11, 2007.
  4. Jump up^ Eder, Bruce “Rafter Romance” (AMG review)

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Four Frightened People (1934)


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Four Frightened People (1934)

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Director: Cecil B DeMille

Cast: Claudette Colbert, Herbert Marshall, Mary Boland, William Gargan, Leo Carillo, Nella Walker, Tetsu Komai, Delmar Costello

78 min

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Four Frightened People is a 1934 American Pre-Code adventure film directed by Cecil B. DeMille and starring Claudette ColbertHerbert MarshallMary Boland, and William Gargan. It is based on the novel by E. Arnot Robertson.

Plot

The film tells the story of two men (Marshall and Gargan) and two women (Colbert and Boland), who leave from a plague-ridden ship and reach the Malayan jungle. The relationships between the four people before they enter the jungle are examined and are transformed as they interact with natural phenomena and the natives who populate the jungle. The film also relates how each of the four people carried on in life after they emerged from the jungle.

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Cast

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Filming locations

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Production crew

  • Executive producer (uncredited) – Emanuel Cohen
  • Art Direction – Roland Anderson
  • Production Manager (uncredited) – Roy Burns
  • Assistant Director (uncredited) – Cullen Tate, James Dugan
  • Sound Mixer (uncredited) – Harry Lindgren
  • Double (uncredited) – Mildred Mernie as Claudette Colbert, Bruce Warren as Herbert Marshall, Leota Lorraine as Mary Boland, Carl Mudge as William Gargan, Curley Dresden as Leo Carrillo

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Reception

The film was a box office disappointment for Paramount.[1]

Home Video Release

This film, along with The Sign of the CrossCleopatraThe Crusades and Union Pacific, was released on DVD in 2006 by Universal Studios as part of The Cecil B. DeMille Collection.

References

  1. Jump up^ By, D. W. (1934, Nov 25). TAKING A LOOK AT THE RECORD. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/101193306?accountid=13902

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I Cover the Waterfront (1933)


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I Cover the Waterfront (1933)

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Director: James Cruze

Cast: Ben Lyon, Claudette Colbert, Ernest Torrence, Hobart Cavanaugh, Maurice Black, Purnell Platt, Harry Beresford, Wilfred Lucas,  Rosita Marstini

75 min

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I Cover the Waterfront is a 1933 American Pre-Code romantic drama film directed by James Cruze and starring Ben LyonClaudette ColbertErnest Torrence, and Hobart Cavanaugh.

Based on the book of the same name by Max Miller, the film is about a reporter who investigates a waterfront smuggling operation, and becomes romantically involved with the daughter of the man he is investigating.

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Plot

San Diego Standard reporter H. Joseph Miller (Ben Lyon) has been covering the city’s waterfront for the past five years and is fed up with the work. He longs to escape the waterfront life and land a newspaper job back East so he can marry his Vermont sweetheart. Miller is frustrated by the lack of progress of his current assignment investigating the smuggling of Chinese people into the country by a fisherman named Eli Kirk (Ernest Torrence). One morning after wasting a night tracking down bad leads, his editor at the Standard orders him to investigate a report of a girl swimming naked at the beach. There he meets Julie Kirk (Claudette Colbert), the daughter of the man he’s been investigating.

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Meanwhile, Eli Kirk and his crew are returning to San Diego with a Chinese passenger when the Coast Guard approaches. Not wanting to be caught with evidence of his smuggling operation, Kirk orders his men to weigh down the Chinaman and lower him overboard to his death. The Coast Guard, accompanied by Miller, board the boat but find nothing. The next day, Miller discovers the Chinaman’s body which was carried in with the tide, and takes it as evidence to his editor, who still remains skeptical of Kirk’s guilt. To get conclusive evidence, Miller tells him he plans to romance Kirk’s daughter Julie in order to break the smuggling operation.

When Kirk returns, he informs Julie that they will need to move on soon—maybe to Singapore—as soon as he can put together enough money for the voyage. One night, Julie discovers her father drunk at a boarding house. Miller, who was there investigating Kirk, helps Julie take her father home. Julie does not discourage Miller’s flirtations, and during the next few weeks they fall in love. She is able to help Miller see the beauty of the waterfront, and inspires him to improve the novel he’s been working for the past five years. While visiting an old Spanish galleon on a date, he playfully restrains her in a torture rack and kisses her passionately—and she returns his passion.

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Julie and Miller spend a romantic evening together on the beach, where she reveals that she and her father will be sailing away in the next few days. After spending the night in Miller’s apartment, Julie announces the next morning that she’s decided to stay, hoping that he will stay with her. When Miller learns from her that her father is due to dock at the Chinese settlement that night, he notifies the Coast Guard. At the dock, while the Coast Guard searches the vessel, Miller discovers a Chinaman hidden inside a large shark. When the Coast Guard attempt to arrest Kirk, he flees the scene but is wounded during his escape.

The next morning, Miller’s breaking story is published on the Standard’s front page. When a wounded Kirk makes his way back home, Julie learns that it was Miller who helped the Coast Guard uncover her father’s smuggling operation (of which she was unaware), and that she unknowingly revealed to him his landing location. Soon after, Miller, feeling guilty over the story’s impact to Julie’s life, arrives at her home and apologizes for the hurt he’s caused her, and announces that he loves her. Feeling used by his actions, an angry Julie sends him away.

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Later that night, Miller locates Kirk, who shoots him in the arm. Julie arrives to help her father escape, and seeing Miller wounded, she tells her father she cannot leave Miller to die. Seeing that she loves him, Kirk helps her take Miller to safety, after which Kirk dies. Later from his hospital bed, Miller acknowledges in his newspaper column that Kirk saved his life before he died. Sometime later, Miller returns to his apartment, where Julie is waiting to greet him. Noticing that she cleaned and transformed his place into a cozy home, he tells her he finally wrote the ending to his novel, “He marries the girl”. Julie acknowledges, “That’s a swell finish”, and the two embrace.

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Cast

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Production

Screenplay

Rights to the novel were bought by Edward Small and his partner Harry Goets in 1932. They made it through the Reliance Picture Corporation as the first of a six-film deal with United Artists.[2] Reliance co-produced the film with Joseph Schenck’s Art Cinema Corporation.[1]

Filming

I Cover the Waterfront was filmed from mid-February to early March 1933.[1]

Soundtrack

The film’s title song, “I Cover the Waterfront“, appears in the film only as an instrumental.[3] Written by Johnny Green and Edward Heyman, the song went on to become a jazz standard recorded by many artists, including Billie HolidayLouis ArmstrongFrank SinatraThe Ink Spots, and Ella Fitzgerald, among others.[4]

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Critical response

In his review for The New York Times, film critic Mordaunt Hall called the film “a stolid and often grim picture”.[5] While Hall felt the drama was not as good as some of director James Cruze’s previous work, the “clever acting of the principals”—especially that of Ernest Torrence—offset some of the film’s shortcomings.[5]

Hall found some of the scenes “more shocking than suspenseful” and felt a broader adaptation of Max Miller’s book may have been more interesting than the focus on the melodramatic series of incidents related to a sinister fisherman.[5]

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While acknowledging that “Colbert does well as Julie”, Hall did not find her convincing as a fisherman’s daughter because she does not look the type.[5] Hall reserved his highest praise for Ernest Torrence in his final screen performance.[5] Torrence died on May 15, 1933, shortly after the film was completed.

John Mosher of The New Yorker described the adaptation as a “commonplace screen romance,” but also praised the performance of the late Torrence, writing that he “was at the height of his power … One can foresee that many pictures will be empty things for lack of him.”[6] Variety called it “a moderately entertaining picture … The late Ernest Torrence has the meat part and his performance is in keeping with the standard he had set for himself. A pretty tough assignment they gave him, one in which it was necessary to capture sympathy in face of the worst sort of opposition from the script. He’ll be sorely missed on the screen.”[7]

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Remakes

I Cover the Waterfront was remade in 1961 by Edward Small as Secret of Deep Harbor.[3]

See also

References[edit]

  1. Jump up to:a b c “I Cover the Waterfront”American Film Institute. Retrieved June 10, 2016.
  2. Jump up^ Babcock, Muriel (September 24, 1932). “Notable Novel to be Filmed”. The New York Times. p. A7.
  3. Jump up to:a b “I Cover the Waterfront: Notes”. Turner Classic Movies. Retrieved May 18, 2014.
  4. Jump up^ “I Cover the Waterfront”. Discogs. Retrieved May 18, 2014.
  5. Jump up to:a b c d e Hall, Mordaunt (May 18, 1933). “The Late Ernest Torrence in His Last Picture…”The New York Times. Retrieved May 18, 2014.
  6. Jump up^ Mosher, John (May 27, 1933). “The Current Cinema”. The New Yorker. New York: F-R Publishing Corp. p. 49.
  7. Jump up^ “I Cover the Waterfront”. Variety. New York: Variety, Inc. May 23, 1933. p. 15.

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Big Pond, The (1930)


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The Big Pond (1930)

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Director: Hobart Henley

Cast: Maurice Chevalier, Claudette Colbert, George Barbier, Marion Ballou, Andree Corday, Frank Lyon, Nat Pendleton, Elaine Koch

72 min

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The Big Pond is a 1930 American Pre-Code romantic comedy film based on a 1928 play of the same name by George Middleton and A.E. Thomas.[1] The film was written by Garrett Fort, Robert Presnell Sr. and Preston Sturges, who provided the dialogue in his first Hollywood assignment, and was directed by Hobart Henley.

The film stars Maurice Chevalier and Claudette Colbert, and features George Barbier, Marion Ballou, and Andrée Corday, and was released by Paramount Pictures.

The Big Pond was nominated for the Academy Award for Best Actor for Maurice Chevalier, and also provided Chevalier with his first American hit song “Livin’ in the Sunlight, Lovin’ in the Moonlight” written by Al Sherman and Al Lewis.[2]

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Plot

Pierre Mirande (Maurice Chevalier), is a Venetian tour guide from a poor French family who falls in love with Barbara Billings (Claudette Colbert), a wealthy American tourist whose father (George Barbier). Although Barbara loves Pierre as well, her suitor, Ronnie (Frank Lyon) and her father see him as a fortune-hunter. Barbara’s mother (Marion Ballou) persuades her husband to give Pierre a job in his chewing-gum factory in the States. Despite living in a dingy boardinghouse and being given the hardest job in the plant, he manages to captivate his landlady (Andrée Corday) and the maid (Elaine Koch) with his humorous songs. Unfortunately, he falls asleep on the night he is to attend Barbara’s party, and is then fired when he is wrongly accused of spilling rum on some chewing gum samples. He wins back his job, and is promoted as well, when he sells liquor-coated chewing gum as a sales gimmick. Barbara disapproves, and plans to marry Ronnie, but Pierre whisks her away in a speedboat.

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Cast

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Songs

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Production

The Big Pond and its French language version La grande mare[6] were shot simultaneously at the Paramount Astoria Studios in AstoriaQueensNew York City.[7][8]Maurice Chevalier, Claudette Colbert, Andrée Corday and Nat Pendelton played the same roles in both versions.[6]

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Awards

Maurice Chevalier was nominated for a 1930 Academy Award for “Best Actor in a Leading Role” for his performance in The Big Pond as well as his performance in The Love Parade (1929).[8]

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French version

The French language version of The Big Pond, which was filmed simultaneously with the English version, was called La grande mare. The cast was:

  • Maurice Chevalier as Pierre Mirande
  • Claudette Colbert as Barbara Billings
  • Henry Mortimer as Mr. Billings
  • Maude Allen as Mrs. Billings
  • Andrée Corday as Toinette
  • William B. Williams as Ronnie
  • Nat Pendleton as Pat O’Day
  • Loraine Jaillet as Jennie

Writer Preston Sturges was fluent in French, but additional dialogue was provided by Jacques Bataille-Henri. The technical credits for the two versions are the same, except the editing for the French version was done by Barney Rogan.[6]

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Notes

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Safety In Numbers (1930)


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Safety In Numbers (1930)

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Director: Victor Schertzinger

Cast: Charles Buddy Rogers, Kathryn Crawford, Josephine Dunn, Carole Lombard, Roscoe Karns, Richard Tucker, Francis McDonald, Raoul Paoli, Virginia Bruce, Tom London

80 min

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Safety in Numbers is a 1930 American Pre-Code musical comedy film. Directed by Victor Schertzinger, it stars Buddy Rogers, and features Kathryn CrawfordJosephine Dunn, and Carole Lombard (in one of her early roles).

Plot

William Butler Reynolds, a 20-year-old San Franciscan with a penchant for dancing and song-writing, is about to inherit a sizable fortune.

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His guardian uncle decides to send him to New York to be educated in the “ways of the world” by three lady friends–Jacqueline, Maxine, and Pauline, Follies girls, who agree not to vamp him though he falls for Jacqueline and is jealous of her admirer, Phil Kempton.

Bill’s inept attempt to promote a song with a producer results in the firing of all three girls; and when Jacqueline then resists his advances, he picks up Alma, a telephone operator, and becomes attentive to Cleo, a Follies vamp, but the girls save him from her wiles. Luckily, the producer accepts the song and rehires the girls; Jacqueline, realizing the sincerity of the boy’s love for her, embarks for Europe with Phil; but Phil realizes the appropriateness of the match and sees to it that the lovers are united.

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Cast

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Reception

The reviewer for the Motion Picture Herald wrote, “Here’s that rare combination of intelligent direction, brilliant dialogue, and rich humor. The result is a picture that is entertainment plus.” Mordaunt Hall of The New York Times was less enthusiastic, but praised the musical numbers.[1]

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References

  1. Jump up to:a b Ott, Frederick W. (1972). The Films of Carole Lombard. Secaucus, New Jersey: Citadel Press. pp. 75–77. ISBN 978-0806502786.

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White Woman (1933)


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White Woman (1933)

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Director: Stuart Walker

Cast: Carole Lombard, Charles Laughton, Charles Bickford, Kent Taylor,  Percy Kilbride, James Bell, Charles Middleton, Claude King, Ethel Griffies

68 min

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White Woman is a 1933 American pre-Code drama film directed by Stuart Walker and starring Carole LombardCharles Laughton, and Charles Bickford.[1] A young widow remarries and accompanies her husband to his remote jungle rubber plantation. The film was based on the Broadway play Hangman’s Whip by Norman Reilly Raine and Frank Butler.[2]

One of hundreds of Paramount films held in limbo by Universal Studios. Universal gained ownership of Paramount features produced between 1929 and 1949. Paramount remade the film in 1939 as Island of Lost Men, with Anna May WongJ. Carrol Naish and Broderick Crawford in the roles originated by Lombard, Laughton and Bickford. It was directed by Kurt Neumann.[3]

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Plot

Judith Denning, a beautiful cafe singer in Malay, has been forced to leave town after town because of gossip that says her husband’s suicide was on account of her infidelity. Upright British lawyer C. M. Chisholm accuses Judith of being a “loose white woman” who is tempting the natives and forces her to leave town by getting her fired.

Horace H. Prin, “King of the Jungle,” then offers to marry her. Prin takes Judith to his jungle home on the river, where he has been running a trading outfit for twenty years. Prin’s white management crew consists largely of criminal exiles whose secret pasts he uses as leverage to get them to remain under his ruthless tyranny.

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When Hambly, who runs a station up the river, insists that the poor diet Prin has been feeding the native workers is breeding insurrection among them, Prin has him killed. Overseer David von Elst, who has not seen a white woman in ten years, quickly falls in love with Judith. A month after Judith’s arrival, she and David decide to run away, but when they confront Prin, he refuses to give them a boat and sends David up the river to take Hambly’s place at Gubar.

David, meanwhile, has told Judith he deserted his regiment after natives decapitated his partner and threw his head through David’s window. Since then he has lacked the courage to fight Prin and return to society. Ballister, the new tough overseer, then arrives and immediately asks Judith for a “tumble,” undaunted by Prin’s eccentric tyranny. When two tribal chiefs request the right to deal with other traders, Prin foolishly refuses them, and they prepare for war against him.

The natives kill Connors, one of Prin’s men, and throw his head through David’s window, after which David finally regains his nerve and travels through the dangerous jungle to warn Judith. David and Judith prepare to leave, but Prin drains their boat of gas. Ballister, sympathetic to the lovers, warns them to take another boat. When Prin shoots his pet baby ape, “Duke,” Jakey, Prin’s most faithful white servant, throws his machine guns in the river and leaves with David and Judith. Ballister and Prin play poker and drink as the natives approach, armed with spears. After Ballister is killed, Prin declares he is forever king of the jungle and walks out into the onslaught of spears.

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Cast

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References

  1. Jump up^ The American Film Institute Catalog Feature Films: 1931-40 published by The American Film Institute c.1993
  2. Jump up^ Hangman’s Whip, St. James Theatre, February 24, 1933, IBDb.com; accessed August 5, 2015.
  3. Jump up^ The American Film Institute Catalog Feature Films: 1931-40 published by The American Film Institute, c. 1993

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Before Morning (1933)


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Before Morning (1933)

Before Morning 1

Director: Arthur Hoerl

Cast: Leo Carillo, Lora Baxter, Taylor Holmes, Blaine Cordner, Louise Prussing, Russell Hicks, Louis Jean Heydt, Jules Epailly

56 min

Before Morning is a 1933 American Pre-Code crime drama directed by Arthur Hoerl, and starring Leo Carrillo, Lora Baxter, and Taylor Holmes. The film was adapted for the screen by Arthur Hoerl, from the 1933 Broadway play of the same name by Edward and Edna Riley.[1]

Synopsis

Actress Elsie Manning (Lora Baxter) is engaged to Horace Baker (Blaine Cordner), but has also been in a romantic relationship with James Nichols (Russell Hicks) who has named her as the beneficiary in his will. Not knowing about her engagement, Nichols asks his wife for a divorce and is refused. Nichols dies in Manning’s apartment after she tells him she’s engaged to Baker. When Baker arrives on the scene, he agrees to help her dispose of the body by having Nichols moved to a sanitarium. The owner, Dr. Gruelle (Leo Carrillo), tells them Nichols was murdered by poison and attempts to extort money from Manning for his statement that the death was of natural causes. Gruell tries the same scam on the widow of Nichols (Louise Prussing), who eventually agrees when the poison is found in her purse. It is revealed that Gruell is really a corrupt police inspector named Mr. Maitland.[2]

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Cast

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References

  1. Before Morning at the Internet Broadway Database
  2. Jump up^ “Before Morning”AFI Catalog of Feature Films. AFI. Retrieved July 20, 2015.

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Lena Rivers (1932)


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Lena Rivers AKA The Sin Of Lena Rivers (1932)

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Director: Phil Rosen

Cast: Charlotte Henry, Morgan Galloway, Beryl Mercer, James Kirkwood, John St Polis, Betty Blythe, Joyce Compton, Russell Simpson, Clarence Muse, The Kentucky Singers

67 min

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Lena Rivers, aka The Sin of Lena Rivers, is a 1932 American pre-Code drama film directed by Phil Rosen based on the 1856 novel by Mary Jane Holmes. Filmed on several occasions throughout the silent era.[1]

Plot

Lena Rivers’ mother dies in childbirth, and the child is left to be reared by her grandparents. Years later, her grandfather is reported lost at sea, and Lena and her grandmother go to live in Canterville, Kentucky with John Nichols, Lena’s uncle, despite the objections of John’s wife Mathilda and his daughter Caroline, who think that Lena is illegitimate.

Henry R. Graham, the owner of the plantation next to the Nichols’, seems bothered when he meets Lena. One day, Lena plays with a bunny on the Graham property, and she is horrified when Graham’s ward, Durrie Belmont, shoots it. Although she calls him a murderer, Durrie, who is courting Caroline, becomes attracted to Lena.

Graham takes a personal interest in Lena because she reminds him of a woman with whom he was in love, but who died while he was away, believing he had deserted her. When Lena shows a gift for calming the excitable horse Brimstone, Graham gives her the horse. After Graham introduces her to Durrie, the boy promises never to shoot another bunny and walks her home. Graham throws a party at his manor, but Lena does not come because she does not have a fancy dress, so Durrie goes to her house.

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They take a walk, and he kisses her before she goes in. Caroline sees them together and calls Lena an “ungrateful sneak,” then says she takes after her mother, who never married. Lana slaps her and runs crying to her grandmother, who assures her that her mother was married, but that her father left her to die. Graham enters Brimstone in the races for Lena because she has made astonishing progress with the previously unmanageable horse.

When Lena’s grandmother has an attack, Graham, worried about the effect her possible death might have on Lena, mentions to Durrie that he would like to adopt her. Durrie’s jealousy is aroused, as Caroline had earlier implied that Graham and Lena were having an illicit affair. In reality, Graham is Lena’s father. He had married her mother in secret because of his tyrant father, using his middle name “Rivers” as their surname.

His father “shanghaied” Graham to Europe, and when he returned, he learned that his wife had died. Until Lena recently appeared, he had been unaware that he had a daughter. Brimstone wins the race, and Lena is awarded $5,000, but Durrie discovers that Graham told the jockey of his competing horse to let Brimstone win.

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Still unaware of Graham’s real relationship to Lena, Durrie, jealous, angry and drunk, proposes to Caroline, who agrees to marry him. Lena’s grandmother dies after realizing that Lena now has enough money to support herself. Shaken by the death, Lena learns about Durrie and Caroline’s elopement and leaves town to make a new life for herself elsewhere after forgiving Graham, who has revealed his secret to her.

Meanwhile, Durrie drives recklessly and his car goes over an embankment. When Graham finds out that Durrie and Caroline are in the hospital, he sends for Lena. While Caroline flirts with a doctor, Durrie learns that Graham is Lena’s father and leaves the hospital to find her and marry her. He gets into a car to find Lena inside, and they hug and kiss.

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Cast

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References

  1. Jump up^ The AFI Catalog of Feature Films:..Lena Rivers

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Millie (1931)


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Millie (1931)

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Director: John Francis Dillon

Cast: Helen Twelvetrees, Lilyan Tashman, Robert Ames, James Hall, John Halliday, Joan Blondell, Anita Louise, Edmund Breese, Frank McHugh, Charlote Walker, Franklin Parker, Marie Astaire, Carmelita Geraghty

85 min

Millie 1

Millie (1931) is a pre-Code drama film directed by John Francis Dillon from a screenplay by Charles Kenyon and Ralph Morgan, based on a novel of the same name by Donald Henderson Clarke. The film was an independent production by Charles R. Rogers, distributed by RKO Radio Pictures, after their acquisition of Pathé Exchange. It starred Helen Twelvetrees in one of her best roles, with a supporting cast which included Lilyan TashmanJames HallJoan BlondellJohn Halliday and Anita Louise.

Plot

Millie (Helen Twelvetrees) is a naive young woman who marries a wealthy man from New York, Jack Maitland (James Hall). Three years later, unhappy in her marriage due to her husband’s continued infidelity, she asks for and receives a divorce. Because of her pride, she does not want his money, but she also does not want to deprive her daughter of a comfortable lifestyle. She allows Jack and his mother (Charlotte Walker) to retain custody of Millie’s daughter Connie (Anita Louise).

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Focusing on her career, she rises through the hierarchy of the hotel where she is employed, shunning the attention of the rich banker Jimmy Damier (John Halliday), preferring the attentions of the reporter Tommy Rock (Robert Ames), although, due to her prior sour relationship, she refuses to marry him. Eventually, Millie is promoted to the head of operations for the hotel.

At the same time, Tommy is offered a lucrative position at the bank by Damier as a favor to Millie. However, at the celebration party, Millie discovers that Tommy, just like Maitland, is cheating on her.

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Betrayed a second time, Millie becomes very bitter. With her female cohorts, Helen and Angie (Lilyan Tashman and Joan Blondell, respectively), she becomes a woman who loves a good time, floating from man to man. This goes on for several years, until she hears that Damier has taken an interest in her teen-age daughter, Connie, who bears a striking resemblance to her.

Millie warns Damier to leave her daughter alone, but, although he promises to stay away from Connie, he ignores Millie’s warning and takes Connie to a remote lodge to seduce her. Millie is tipped off, goes to the lodge with a gun, confronts Jimmy and kills him.

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In the ensuing murder trial, Millie tries to keep her daughter’s name out of the press and claims not to remember why she shot Jimmy. She says that another woman ran out of the lodge after the shot, but claims that she did not see who the woman was and has no idea as to her identity.

The prosecution thus claims that Millie’s motive was jealousy of Jimmy’s romantic relationship with this unknown other woman. Millie’s friends, however, help to bring out the truth, and when the jury finds out that Millie’s true motive was to protect her daughter from Jimmy’s lascivious intentions, they acquit her. In the end, Millie is reunited with her daughter and her estranged husband’s family.

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Cast

(Cast as per AFI‘s database)[2]

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Production

Donald Henderson Clarke finished his novel, Millie, during summer 1930.[4] The novel was first offered to Metro-Goldwyn-Mayer, who passed on it due to its racy content.[5] In August of that year, it was reported that Charles R. Rogers had purchased the film rights to the novel, and had signed Charles Kenyon to adapt it into a screenplay, as well as selecting John Francis Dillon to direct.[6]

Although Rogers had signed an agreement to distribute his independent films through RKO, it was reported that he would be overseeing the production on the Universal lot.[7] Even though he was incorrectly identified as “Ralph Murphy”, Ralph Morgan was signed to collaborate with Kenyon on the screenplay adaptation in September.[8]

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Less than a week later, Helen Twelvetrees signed on for the titular role;[9] and it was reported that the screenplay adaptation had been completed.[5] Rogers would choose Ernest Haller to shoot the film and sign him for the project in the beginning of October.[10]

In January RKO announced the film would be released in February,[11] and it was released on February 8, 1931.[2]

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Notes

The film was an independent production by Charles Rogers, but became the property of RKO when he agreed to become their production chief.[12]

The theme song, “Millie”, had words and music by Nacio Herb Brown.[2]

In 1959, the film entered the public domain in the USA due to the copyright claimants failure to renew the copyright registration in the 28th year after publication.[13]

The film’s tagline was “Torn From Her Arms … Child Of Love A Woman Can Give But Once.”[1]

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References

  1. Jump up to:a b “Millie: Technical Details”. theiapolis.com. Retrieved August 11, 2014.
  2. Jump up to:a b c d e f g “Millie: Detail View”. American Film Institute. Archived from the original on September 20, 2015. Retrieved December 30, 2016.
  3. Jump up to:a b “Millie, Credits”. Turner Classic Movies. Archived from the original on August 11, 2014. Retrieved August 11, 2014.
  4. Jump up^ Daly, Phil M. (April 17, 1930). “Along the Rialto”The Film Daily. p. 5.
  5. Jump up to:a b “Rogers Chances “Millie””Variety. September 24, 1930. p. 5.
  6. Jump up^ “Hollywood Flashes”The Film Daily. August 30, 1930. p. 3.
  7. Jump up^ “Don Clarke’s Story To Be First Rogers Film”Motion Picture News. August 23, 1930. p. 26.
  8. Jump up^ “Hollywood Activities”The Film Daily. September 21, 1930. p. 29.
  9. Jump up^ “Hollywood Happenings”The Film Daily. September 24, 1930. p. 6.
  10. Jump up^ Wilk, Ralph (October 12, 1930). “A Little from “Lots””The Film Daily. p. 4.
  11. Jump up^ “”Cimarron” and “Millie” Releases”The Film Daily. January 22, 1931. p. 3.
  12. Jump up^ Jewell, Richard B.; Harbin, Vernon (1982). The RKO Story. New York: Arlington House. p. 32. ISBN 0-517-546566.
  13. Jump up^ Pierce, David (June 2007). “Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain”. Film History: An International Journal19 (2): 125–43. ISSN 0892-2160JSTOR 25165419OCLC 15122313doi:10.2979/FIL.2007.19.2.125. See Note #60, pg. 143.

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Topaze (1933)


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Topaze (1933)

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Director: Harry D’Abbadie D’Arrast

Cast: John Barrymore, Myrna Loy, Reginald Mason, Jobyna Howland, Jackie Searl, Albert Conti, Frank Reicher, Luis Alberini, Lowden Adams

78 min

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Topaze is a 1933 American Pre-Code film based on the French play of the same name by Marcel Pagnol. Another film version of Topaze, this one made in the original French was also released that year, starring Louis Jouvet in the title role. Subsequently Pagnol himself directed a 1936 adaptation.

Plot

Prof. Auguste A. Topaze (John Barrymore), an honest, naive chemist and schoolteacher at the –  Stegg Academy in Paris, loses his job when he refuses to accede to a demand by the Baroness de La Tour-La Tour to alter the grades of her bratty son, Charlemagne.

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On the same day, Friday the 13th, Topaze calls on the Baron de La Tour-La Tour’s mistress, Coco (Myrna Loy), who is looking for a tutor for her sister’s son, Alphonse, and had gotten Topaze’s name from La Tour. Upon meeting and listening to the sincere remarks of Topaze, the baron, head of the La Tour Chemical Works, decides to employ him as a scientific front for his phony curative water.

After an encounter at a cafe, where the Baron narrowly avoids a scene with his wife by calling Coco “Madame Topaze”, Coco reveals the true nature of her relation to the Baron to the naive Professor. When they arrive late back to Coco’s apartment, the Baron is jealous, but soon realizes Topaze is entirely innocent.

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Unaware that the water, “Sparkling Topaze,” which is being sold all over Paris, does not contain the medicinal formula he invented for it, Topaze is shocked when Dr. Bomb (who had turned down the “honor” of having the fradulent water named for him) shows up, demanding 100,000 francs from the Baron or he will expose the fradulent product. But the Baron blackmails him in return with information about his previous identity, and Bomb is dragged out.

After confirming for himself, in the lab and in a local restaurant, that “Sparkling Topaze” is in fact phony, a dazed Topaze returns to Coco’s apartment the next morning, where Coco fusses over him. At first, he is ready to be arrested, but the men who are shown in are instead a delegation from the Bureau of Awards and Merits, who award him the Academic Palms. All are friends and business associates of the Baron, and the scales begin to fall from Professor Topaze’s eyes.

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His naivete thoroughly destroyed, declaring “Topaze lies dead in an alley”, Topaze decides to fight back by becoming more corrupt than his mentors. He remakes his image and, with Bomb as his assistant, he opens his own office, where he makes dignitaries wait to see him. One is Dr. Stegg, who now wants Topaze to preside at the graduation at the school. Topaze succeeds in blackmailing the Baron into a partnership in his company with a complete account of his relationship with Coco, which he threatens to show to the Baroness, whose name the shares in the company are in.

At the Stegg Academy graduation, Topaze, who has also garnered the romantic attention of Coco, is to distribute the prize, which he is told is to go to his former nemesis, Charlemagne de La Tour-La Tour. He gives a little speech about his experiences in the great world, that honesty isn’t always rewarded and that villainy often receives more applause than virtue. Declaring that he will not reward wrongdoers, he shows up Charlemagne’s ignorance relative to all his classmates, then awards the prize to them instead.

He is last seen escorting Coco into the cinema.

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Cast

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Reception

Topaze won the 1933 National Board of Review Award for Best Film.

Mordaunt Hall said “[I]t is an agreeable and effective film, and Mr. Barrymore lends no little artistry to the rôle of the benign Professor Auguste Topaze, a part played with rare skill on the stage by Frank Morgan.”[1]

In 1935, a planned reissue was rejected by Joseph Breen as the Production Code was now being strictly enforced and the relationship between Coco and Philippe lacked compensating moral values.[2]

 

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References

  1. Jump up^ New York Times review by Mordaunt Hall
  2. Jump up^ The Dame in the Kimono by Leonard Leff and Jerold Simmons (Weidenfeld and Nicolson: 1990)

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Ten Cents a Dance (1931)


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Ten Cents a Dance (1931)

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Directors: Lionel Barrymore, Edward Buzzell

Cast: Barbara Stanwyck, Ricardo Cortez, Monroe Owsley, Sally Blane, Blanche Friderici, Phyllis Crane, Olive Tell, Victor Potel, Al Hill, Jack Byron

75 min

Ten Cents a Dance 2

Ten Cents a Dance is a 1931 American pre-Code romance-drama film directed by Lionel Barrymore and starring Barbara Stanwyck as a married taxi dancer who falls in love with one of her customers. The film was inspired by the popular song of the same name, which is sung over the title sequence.[1]

Plot

A beautiful streetwise taxi dancer named Barbara O’Neill (Barbara Stanwyck) works at a New York City dance hall called Palais de Dance. One of the dance hall’s wealthy patrons, Bradley Carlton (Ricardo Cortez), comes to the hall and gives Barbara $100.

Concerned about her unemployed friend and neighbor Eddie Miller (Monroe Owsley), Barbara asks Bradley to give him a job, and he agrees. That night they have dinner together.

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When Barbara gets home, Eddie is in the process of packing his bags; he can no longer afford to pay his rent. Barbara gives him the $100 she received from Bradley and tells him about his new job. Later, Eddie and Barbara meet in the park and realize that they are in love.

The next night at the dance hall, Barbara receives a gift of a new dress, but is disappointed when she sees that it was sent by Bradley. Eddie arrives at the dance hall and asks Barbara to marry him. Barbara accepts his proposal and soon quits her job.

Five months later, Eddie meets an old friend Ralph Sheridan and his sister Nancy, and does not reveal that he is now married. They play cards together and Eddie loses $240, something he does not tell his wife.

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He claims to be at a convention, but in fact he meets a woman named Nancy. Later, Eddie returns to find the rent and utilities past due because he has spent his pay gambling. Meanwhile, Barbara returns to work at the dance hall, where she sees Bradley occasionally.

Later, Barbara returns home and discovers Eddie packing his bags. Admitting that he stole $5,000 from Bradley’s office safe, he tells her that he lost that money playing the stock market. Barbara is able to talk him into staying, and she visits Bradley and asks him for a $5,000 loan. Bradley agrees because he is in love with her.

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The next morning, Barbara presents the money to Eddie who accepts it immediately. When Eddie returns from work, he and Barbara engage in a jealous fight. Soon after, she packs her belongings and returns to the dance hall, where she is met by Bradley who has two tickets for the Ile de France, where Barbara can obtain a divorce and marry him.

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Cast

(Cast list as per AFI‘s database[2])

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References[edit]

  1. Jump up^ Hall, Mordaunt (March 7, 1931). “The $10,000 Kiss. Strange Temperaments. In a Dance Hall. Screen Notes.”The New York Times. Retrieved February 13, 2014.
  2. Jump up^ “Ten Cents a Dance: Detail View”. American Film Institute. Retrieved December 15, 2014.

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Borrowed Wives (1930)


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Borrowed Wives (1930)

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Director:  Frank R Strayer

Cast: Rex Lease, Vera Reynolds, Nita Martan, Paul Hurst, Robert Livingston, Charles Sellon, Dorothea Wolbert, Sam Hardy, Harry Todd, Tom London

62 min

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Borrowed Wives is a 1930 American Pre-Code film directed by Frank R. Strayer.

Plot summary

Peter Foley (Rex Lease) is a beneficiary of his grandfather, who leaves him $800,000 in his will. The condition for Peter getting the money is that he gets married. Peter is very interested in getting the money, especially since he has debts, and plans to marry Alice Blake (Vera Reynolds) as soon as she arrives from Kansas City.

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He plans to take her to his Uncle Henry’s (Charles Sellon) home before midnight to actually get the inheritance. The uncle needs to see the girl whom Peter is about to marry before he releases the money.

Alice’s airplane is delayed, though. The man to whom Peter is in debt, Parker (Sam Hardy), insists that his own girl friend, Julia (Nita Martan), pose as Peter’s wife in the meantime. Alice is informed by Joe Blair (Robert Livingston), a man who is secretly interested in marrying Alice himself, that Peter is actually married to Julia. Alice agrees to marry Joe if this is true.

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Peter and Julia are pursued by Bull (Paul Hurst), a motorcycle policeman who loves Julia. Further complications arise at Uncle Henry’s, when Lawyer Winstead (Harry Todd), who is found bound and gagged, agrees to marry them. The uncle, revealed to be posing as a paralytic, is exposed as a villain, but Peter and Alice are ultimately married before the last hour appointed in the will.[1]

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Cast

  • Borrowed Wives 9

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Sensation Hunters (1933)


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Sensation Hunters (1933)

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Director: Charles Vidor

Cast: Arline Judge, Preston Foster, Marion Burns, Kenneth MacKenna, Juanita Hansen, Creighton Hale, Cyril Chadwick, Nella Walker, Harold Minjir, Finis Barton, Zoila Conan

73 min

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Sensation Hunters is a 1933 American Pre-Code B-movie directed by Charles Vidor and released by Monogram Pictures.

Plot

Dale Jordon is on her way to Panama with Trixie Snell and Her Hotcha Girls to be a cabaret singer at the Bull Ring Cafe. Traveling by ship, Dale meets and falls in love with Tom Baylor, who owns copper interests near Panama. Baylor is concerned about Dale and they quarrel after he asks her to promise not to start drinking. Baylor sends Dale a bracelet with a note saying that they should part.

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After three months, Dale, who is rooming with friend and fellow singer Jerry Royal, is tired and frustrated with her job. She attracts the attention of a wealthy flier, Jimmy Crosby, who wants a more permanent relationship, but Dale is still in love with Baylor and refuses. After a fight with Trixie, Dale asks Crosby to take her away and promises to marry him. Crosby agrees and Dale spends her savings on a hotel room and clothes.

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Baylor returns to Panama and, meeting Dale in the hotel lobby, assumes that she is Crosby’s mistress. Dale, angered by his assumption, pretends it is true and Baylor leaves for San Francisco. Before they can leave for New York, Crosby makes a last test run. His wife has refused to give him a divorce to marry Dale, and, distraught, he commits suicide in a plane crash.

Trixie refuses to give Dale her old job back and also fires Jerry when she tries to intercede. The girls go to work in a seedy saloon to earn enough money for passage home. They almost have enough when Jerry is stabbed in a barfight. Dale spends all their money for Jerry’s medical expenses but still desperately short, prepares to become a prostitute; instead, Baylor arrives, summoned by a telegram from Jerry, and he and Dale reconcile.

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Cast

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Soundtrack

  • Arline Judge and chorus – “If It Ain’t One Man” (Written by Bernie Grossman and Harold Lewis)
  • Marion Burns – “There’s Something In the Air” (Written by Bernie Grossman and Harold Lewis)

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Trouble in Paradise (1932)


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Trouble in Paradise (1931)

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Director: Ernst Lubitsch

Cast: Miriam Hopkins, Kay Francis, Herbert Marshall, Charles Ruggles, Edward Everett Horton, C Aubrey Smith, Robert Greig, Luis Alberini

83 min

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Kay Francis & Miriam Hopkins-The Trouble in Paradise 1932

Trouble in Paradise is a 1932 American Pre-Code romantic comedy film directed by Ernst Lubitsch, starring Miriam HopkinsKay Francis, and Herbert Marshall and featuring Charles Ruggles and Edward Everett Horton.

Based on the 1931 play The Honest Finder (A Becsületes Megtaláló) by Hungarian playwright László Aladár,[2] the film is about a gentleman thief and a lady pickpocket who join forces to con a beautiful perfume company owner.

In 1991, Trouble in Paradise was selected for preservation by the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.[3]

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Plot

In Venice, Gaston Monescu (Herbert Marshall), a master thief masquerading as a baron, meets Lily (Miriam Hopkins), a beautiful thief and pickpocket also pretending to be of the nobility, and the two fall in love and decide to team up.

They leave Venice for Paris, and go to work for the famous perfume manufacturer Madame Mariette Colet (Kay Francis), with the intention of stealing a great sum of money from her safe, which Monescu, as her secretary, arranges to be diverted there. In the course of things, Colet begins to flirt with Monescu, and he begins to have feelings for her.

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Unfortunately, the plan develops a hitch when François Filiba (Edward Everett Horton), one of Colet’s suitors, sees Monescu at a garden party. He is unable to remember where he knows him from, but when another of Colet’s suitors, The Major (Charles Ruggles), tells Filiba that he once mistook Monescu for a doctor, Filiba suddenly remembers that he knows Monescu from Venice, where the thief robbed him, pretending to be a doctor. Monescu and Lily plan an immediate getaway that night, after they take all the money in the safe.

Colet prepares to leave for a dinner party given by the Major, but cannot decide whether to go or to stay and have sex with Monescu. Eventually she goes, but not before Lily catches on that Monescu has fallen for her rival, and wants to back out of the plan – so she robs the safe herself after confronting her partner.

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At the Major’s, Filiba tells Colet about Monescu, but she refuses to believe it’s true. She returns home and suggestively probes Monescu, who admits that the safe has been cleaned out, but claims that he himself took the cash. He also tells her that the manager of her business, Adolph J. Giron (C. Aubrey Smith), who has been suspicious of Monescu all along, has stolen millions of dollars from the firm over the years.

Lily then confronts Colet and Monescu, reporting that it was she who stole the money from the safe. An argument ensues, in which, eventually, Colet allows the two thieves to leave together. As a parting shot, Monescu steals a necklace from Colet that Lily had her eye on, and, in turn, Lily steals it from him, displaying it to him as the taxi takes them away, hugging each other.

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Cast

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Production

Working titles for Trouble in Paradise included “The Honest Finder,” “Thieves and Lovers,” and “The Golden Widow”; the latter was publicly announced to be the intended release title.[4] As with all the Lubitsch-Raphaelson collaborations, Lubitsch contributed to the writing and Raphaelson contributed ideas to the directing.[5]

Lubitsch did not receive screen credit for his writing, and Grover Jones, who was credited with the adaptation, did not contribute significantly:[5] although he was in the room, his credit was based on a contractual obligation, and he did little more than tell stories.[5][6]

Further, although supposedly based on László Aladár’s 1931 play The Honest Finder, Lubitsch suggested that Raphaelson not read the play, and instead the main character, Herbert Marshall’s master thief, was based on the exploits of a real person, George Manolescu, a Romanian con man whose memoir was published in 1905, and became the basis for two silent films.[5]

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Made before effective enforcement of the Production Code, the film is an example of pre-code cinema containing adult themes and sexual innuendo that was not permitted under the Code. In 1935, when the Production Code was being enforced, the film was not approved for reissue[4] and was not seen again until 1968.[7]Paramount was again rejected in 1943, when the studio wanted to make a musical version of the film.[4]

The Art Deco sets for Trouble in Paradise were designed by the head of Paramount’s art department, Hans Dreier, and the gowns were designed by Travis Banton.[5]

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Reception

Trouble in Paradise was the film that first had people talking about “the Lubitsch touch,” and it was, in fact, one of the director’s favorites.[5] Critic Dwight Macdonaldsaid of the film that it was “as close to perfection as anything I have ever seen in the movies.”[5]

The New York Times named the film as one of the ten best films of 1932. In 1998, Roger Ebert added it to his Great Movies collection.[8] Wes Anderson and Ralph Fiennes both said the movie was an inspiration for The Grand Budapest Hotel (2014). Review aggregation site Rotten Tomatoes reports 91% approval based on 23 critics.[9]

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Awards and honors

Trouble in Paradise was named by the National Board of Review as one of the top ten films of 1932.[3][10]

References

  1. Jump up to:a b “Trouble in Paradise” at Kay Francis Films. Accessed 16 March 2014
  2. Jump up^ “Screenplay info” on TCM.com. Accessed=August 24, 2012
  3. Jump up to:a b “Awards”Allmovie.com. Retrieved August 24, 2012.
  4. Jump up to:a b c “Notes”TCM.com. Retrieved August 24, 2012.
  5. Jump up to:a b c d e f g Nixon, Rob. “Trouble in Paradise (article)”TCM.com. Retrieved August 24, 2012.
  6. Jump up^ Raphaelson, Samson. Three Screen Comedies Madison, Wisconsin: University of Wisconsin Press, 1983. ISBN 0-299-08780-8
  7. Jump up^ Osborne, Robert. Outro to the Turner Classic Movies showing of Trouble in Paradise (March 31, 2011)
  8. Jump up^ Ebert, Roger“Trouble in Paradise”. Retrieved July 30, 2013.
  9. Jump up^ Trouble in Paradise (1932)”. Rotten Tomatoes. Retrieved April 23, 2016.
  10. Jump up^ “Awards”Internet Movie Database. Retrieved August 24, 2012.

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Stolen Jools, The (1931)


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The Stolen Jools AKA The Slippery Pearls (1931)

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Directors: 

William C. McGannJohn G. Adolfi…(uncredited)Thomas Atkins…(uncredited)Harold S. Bucquet…(uncredited)Victor Heerman…(uncredited)Russell Mack…(uncredited)

Cast: 

Wallace Beery Wallace Beery
Police Sergeant
Buster Keaton Buster Keaton
Policeman
Jack Hill Jack Hill
Policeman
J. Farrell MacDonald J. Farrell MacDonald
Policeman
Edward G. Robinson Edward G. Robinson
Gangster (as Edward Robinson)
George E. Stone George E. Stone
Gangster
Eddie Kane Eddie Kane
Inspector Kane
Stan Laurel Stan Laurel
Policeman
Oliver Hardy Oliver Hardy
Police Driver
Allen 'Farina' Hoskins Allen ‘Farina’ Hoskins
Farina (as Farina)
Matthew 'Stymie' Beard Matthew ‘Stymie’ Beard
Stymie (as Stymie)
Norman 'Chubby' Chaney Norman ‘Chubby’ Chaney
Chubby (as Chubby)
Mary Ann Jackson Mary Ann Jackson
Shirley Jean Rickert Shirley Jean Rickert
Shirley Jean
Dorothy DeBorba Dorothy DeBorba
Echo (as Echo)
Bobby 'Wheezer' Hutchins Bobby ‘Wheezer’ Hutchins
Wheezer (as Wheezer)
Pete the Dog Pete the Dog
Pete (as Pete the Pup)
Polly Moran Polly Moran
Norma Shearer’s Maid
Norma Shearer Norma Shearer
Owner of Stolen Jewels
Hedda Hopper Hedda Hopper
Hedda – Norma’s Friend
Joan Crawford Joan Crawford
William Haines William Haines
Bill Haines
Dorothy Lee Dorothy Lee
Autograph Signer
Victor McLaglen Victor McLaglen
Edmund Lowe Edmund Lowe
El Brendel El Brendel
Swedish Waiter
Charles Murray Charles Murray
Kelly (as Charlie Murray)
George Sidney George Sidney
Cohen
Winnie Lightner Winnie Lightner
Winnie
Fifi D'Orsay Fifi D’Orsay
Fifi D’Orsay
Warner Baxter Warner Baxter
Irene Dunne Irene Dunne
Irene Dunne
Bert Wheeler Bert Wheeler
Bert Wheeler
Robert Woolsey Robert Woolsey
Robert Woolsey
Richard Dix Richard Dix
Richard Dix
Claudia Dell Claudia Dell
Claudia Dell
Lowell Sherman Lowell Sherman
Movie Director
Eugene Pallette Eugene Pallette
Reporter
Stuart Erwin Stuart Erwin
Reporter
Richard 'Skeets' Gallagher Richard ‘Skeets’ Gallagher
Reporter (as Skeets Gallagher)
Gary Cooper Gary Cooper
Newspaper Editor
Wynne Gibson Wynne Gibson
Reporter
Charles 'Buddy' Rogers Charles ‘Buddy’ Rogers
‘Buddy’ Rogers (as Buddy Rogers)
Maurice Chevalier Maurice Chevalier
Douglas Fairbanks Jr. Douglas Fairbanks Jr.
Douglas Fairbanks Jr.
Loretta Young Loretta Young
Loretta Young
Richard Barthelmess Richard Barthelmess
Richard Barthelmess
Charles Butterworth Charles Butterworth
Claiming to Be Louise Frazenda
Bebe Daniels Bebe Daniels
Mrs. Ben Lyon
Ben Lyon Ben Lyon
Ben Lyon
Barbara Stanwyck Barbara Stanwyck
Mrs. Frank Fay
Frank Fay Frank Fay
Frank Fay
Jack Oakie Jack Oakie
Jack Oakie
Fay Wray Fay Wray
Fay Wray
George 'Gabby' Hayes George ‘Gabby’ Hayes
Projectionist (as George Hayes)
'Little Billy' Rhodes ‘Little Billy’ Rhodes
Film Delivery Boy (as Little Billy)
Mitzi Green Mitzi Green
Little Mitzi – Mystery Solver
Rest of cast listed alphabetically:
Joe E. Brown Joe E. Brown
Robbery Suspect
Robert Ames Robert Ames
Robert Ames (uncredited)
Bert Lytell Bert Lytell
Bert Lytell (uncredited)

Stolen Jools 3

The Stolen Jools (1931) is a short comedy film produced by the Masquers Club of Hollywood, featuring many cameo appearances by film stars of the day. The stars appeared in the film, distributed by Paramount Pictures, to raise funds for the National Vaudeville Artists Tuberculosis Sanitarium. The UCLA Film and Television Archive entry for this film says—as do the credits—that the film was co-sponsored by Chesterfield cigarettes to support the “fine work” of the NVA sanitarium.

When the film was shown in theaters in 1931, a person would appear after the film to ask the audience for donations. Because the film was made for charity, it has an unusually large cast of actors from various studios in addition to Paramount, such as Warner Bros.RKOMGM, and Hal Roach Studios.

This film was retitled The Slippery Pearls in the United Kingdom. It was thought to have been lost until a print was found in the UK in the 1990s. Another print was later found in the US under the alternative title.

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Plot

At the “Screen Stars Annual Ball”, Norma Shearer‘s jewels are stolen. The police must find them and return them to her.

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Cast, as listed in end credits

The Detective
Under the Tree
Couples at Home
In a Movie Scene
Projectionist
The Midget
(Uncredited)
 Stolen Jools 4

See also

References

1. Transcribed from the DVD Best of Laurel & Hardy, Volumes 2–3. Brentwood Home Video, 2004.
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Tangled Destinies (1932)


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Tangled Destinies AKA Who Killed Harry Forbes? (1932)

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Director: Frank R Strayer

Cast: Gene Morgan, Doris Hill, Glen Tryon, Vera Reynolds, Ethel Wales, Moanei Lindley, Syd Saylor, Sidney Bracey

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Tangled Destinies is a 1932 American film directed by Frank R. Strayer.

The film is also known as Who Killed Harvey Forbes? in the United Kingdom.

Plot summary

When a transcontinental airplane is forced to land in the desert in a thick fog, the crew and ten passengers find refuge in a deserted house, where they start up an electric generator and turn on the lights.

After the lights go out unexpectedly, one of the passengers is killed. Another passenger, a detective, claims he was guarding the deceased, who was carrying valuable diamonds, which are then discovered to be paste. Later, another person is murdered. Eventually, the murderer is found in the guise of a clergyman.

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Cast

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Tangled Destinies 4

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Framed (1930)


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Framed (1930)

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Director: George Archainbaud

Cast: Evelyn Brent, Regis Toomey, Ralf Harolde, William Holden, Maurice Black, Robert Emmet O’Connor, Eddie Kane

65 min

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Framed is an 1930 American pre-Code crime action film, directed by George Archainbaud, based on a screenplay by Paul Schofield and Wallace Smith. It starred Evelyn Brent, William Holden (no relation to the Oscar-winning actor, William Holden), Regis Toomey and Ralf Harolde.

Plot summary

When Rose Manning’s father is killed during a robbery by Inspector McArthur, Manning vows to avenge his death. Five years elapse, and Rose is now the owner of a nightclub, and her liquor supplier, the bootlegger Chuck Gaines is interested in her. Still plotting her revenge, she meets Jimmy McArthur, who she does not realize is the son of the inspector. Spurning Gaines’ advances, Rose becomes romantically involved with Jimmy. Her motivations waver as her emotional attachment to the young McArthur grows, until her relationship takes precedence over her revenge.

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Chuck, jealous of the growing relationship between Rose and Jimmy, plots with his cohort, Bing Murdock, to murder both the inspector and his son. Uncovering the plan, Rose is attempting to warn Jimmy, when his father raids her club. In the ensuing chaos, Jimmy kills Gaines in order to protect Rose, after Gaines attacked her in a fit of jealous rage. When the inspector finally realizes that what Rose and Jimmy have is real affection for one another, he removes any objections over their relationship.

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Cast

Framed 3

References

  1. Jump up to:a b c Framed: Detail View”. American Film Institute. Retrieved June 7, 2014.

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Money Means Nothing (1934)


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Money Means Nothing (1934)

Money Means Nothing 1

Director: Christy Cabanne

Cast: Wallace Ford, Edgar Kennedy, Gloria Shea, Vivien Oakland, Maidel Turner, Betty Blythe, Eddie Tamblyn, Richard Tucker, Tenen Holtz, Ann Brody

70 min

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Plot

When Julie Ferris, a wealthy young woman searching for excitement, goes slumming at Joe’s Roadside Inn, she notices a group of shady men and follows them in her car. After trailing them for a distance, Julie crashes into their car as they are hijacking two trucks carrying tires. In the ensuing scuffle, the thieves shoot one of the trucks’ drivers, Red Miller, and threaten Julie. Ken McKay, the other driver, protects and rescues Julie, and she immediately falls in love with him. Although her sister Helen and rich brother-in-law George disapprove, Julie marries Ken and moves to Brooklyn.

While determined to make the marriage work, Julie is nonetheless unprepared for her new neighbors, the boorish, nosy Greens. After the Greens crash Julie’s birthday dinner, Herbert Green, who is Ken’s boss at the auto parts store, is told by his overbearing wife that Julie’s snobbish family insulted him. As revenge, Herbert lies to his district manager that Ken has been tipping off the still active hijackers.

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Fired, Ken has no luck in finding another job and contemplates making the now pregnant but devoted Julie return to her family when Red Miller, who has opened his own tire store, hires him. In cahoots with the hijackers, Red forces an unsuspecting Ken to help him steal more tire shipments, but Herbert, on a tip from Julie, figures out the plan and calls the police. In the end, the thieves are caught, and a repentant Herbert promises Ken a new job. Thus saved, the newlyweds reaffirm their belief that money means nothing.

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Cast 

Wallace Ford Wallace Ford
Gloria Shea Gloria Shea
Julie Ferris McKay
Edgar Kennedy Edgar Kennedy
Herbert Green
Vivien Oakland Vivien Oakland
Helen Whitney (as Vivian Oakland)
Maidel Turner Maidel Turner
Mrs. Kerry Green
Betty Blythe Betty Blythe
Mrs. Ferris
Eddie Tamblyn Eddie Tamblyn
Robert ‘Robby’ Ferris (as Edward Tamblyn)
Richard Tucker Richard Tucker
George Whitney
Tenen Holtz Tenen Holtz
Mr. Silverman
Ann Brody Ann Brody
Mrs. Silverman
Rest of cast listed alphabetically:
Irving Bacon Irving Bacon
Navy Secretary (scenes deleted)
Ernie Adams Ernie Adams
Lead Hijacker (uncredited)
Sam Flint Sam Flint
Police Sergeant (uncredited)
Douglas Fowley Douglas Fowley
Red Miller (uncredited)
Olaf Hytten Olaf Hytten
Parsons – the Butler (uncredited)
Jack Kenney Jack Kenney
Hijacker-Driver (uncredited)
Jack Norton Jack Norton
Jack – Hijacker (uncredited)
Lee Phelps Lee Phelps
Chauffeur (uncredited)
Harry Semels Harry Semels
Toy Vendor (uncredited)
Bert Young Bert Young
Jim – Driver Shot in Leg (uncredited)

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Reaching for the Moon (1930)


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Reaching for the Moon (1930)

Reaching For The Moon 1

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Director: Edmund Goulding

Cast: Douglas Fairbanks, Bebe Daniels, Edward Everett Horton, Claud Allister, Jack Mulhall, Walter Walker, June MacCloy, Bing Crosby

91 min

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Reaching for the Moon is a 1930 American Pre-Code black and white musical film. Originally released at 91 minutes; surviving versions are usually cut to 62 minutes. A 74-minute version aired in 1998 on USA cable channel AMC. The DVD version runs just under 72 minutes. The film’s working title was Lucky Break and is known as Para alcanzar la Lunain Spain. It is not to be confused with the Fairbanks silent film, Reaching for the Moon (1917).

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Background

The film was originally intended to be a musical with songs written by Irving Berlin but problems soon developed. From the start, Berlin found Edmund Goulding, the director, difficult to work with. Also by mid-1930 the studio realized that the public’s demand for musicals had disappeared. So Goulding jettisoned many of Berlin’s songs from the score.

Although just five Berlin songs had been recorded, the film, even in its scaled-down form, proved very expensive to make. By the time the filming was complete, the costs had come to about a million dollars, a huge budget for the times, and one that virtually ruled out the possibility of the film returning a profit.[1]

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The one song that was retained was “When the Folks High Up Do the Mean Low Down” introduced by Bing Crosby who had filmed it late at night after completing his work at the Cocoanut Grove.[2] Variety commented on this song specifically, saying: “None of the Berlin songs is left other than a chorus of hot numbers apparently named “Lower Than Lowdown” [sic]. Tune suddenly breaks into the running in the ship’s bar when Bing Crosby, of the Whiteman Rhythm Boys, gives it a strong start for just a chorus which, in turn, is ably picked up by Miss Daniels, also for merely a chorus, and then in an exterior shot to the deck where June MacCloy sends the lyric and melody for a gallop of half a chorus.[3]

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Plot

Wall Street wizard, Larry Day, new to the ways of love, is coached by his valet. He follows Vivian Benton on an ocean liner, where cocktails, laced with a “love potion”, work their magic. He then loses his fortune in the market crash and feels he has also lost his girl.

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Cast

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Soundtrack

  • “When the Folks High-Up Do the Mean Low-Down”
Written by Irving Berlin
Sung by Bing Crosby, Bebe Daniels, June MacCloy and chorus.
Written by Irving Berlin
(heard instrumentally over the opening credits, as background music for a love scene, then briefly at the end)

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References

  1. Jump up^ Bergreen, Laurence (1990). As Thousands Cheer. London: Hodder and Stoughton. pp. 291–293. ISBN 0-340-53486-9.
  2. Jump up^ Giddins, Gary (2001). A Pocketful of Dreams. New York: Little, Brown and Company. p. 233. ISBN 0-316-88188-0.
  3. Jump up^ “Variety”. Variety. January 7, 1931.

Bebe Daniels

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World Gone Mad, The (1933)


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The World Gone Mad AKA The Public Be Hanged (1933)

World Gone Mad The 1

Director: Christy Cabanne

Cast: Pat O’Brien, Evelyn Brent, Neil Hamilton, Mary Brian, Louis Calhern, J Carrol Naish, Buster Phelps, Richard Tucker, Edward Van Sloan

80 min

The World Gone Mad (also released as The Public Be Hanged) is a 1933 American Pre-Code crime film directed by Christy Cabanne and starring Pat O’BrienEvelyn Brent and Neil Hamilton.[1] It was made on a low-budget by the independent Majestic Pictures, a Poverty Row forerunner of Republic Pictures.[2]

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Plot

When a district attorney who has been investigating a utility company’s directors for fraud is suddenly killed, his wisecracking newspaperman friend (Pat O’Brien) gets curious. He and the upstanding new district attorney (Neil Hamilton) separately pursue the case. Cultivated but sinister businessmen, a shady nightclub owner specializing in “import and export”, several beautiful young women always seen in evening gowns, a “Latin lover” type who reads Casanova and an abundance of suave men in evening dress provide eye-candy for the duration.

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Cast

World Gone Mad The 5

References

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X Marks The Spot (1931)


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X Marks The Spot (1931)

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Director: Erle C Kenton

Cast: Lew Cody, Sally Blane, Wallace Ford, Mary Nolan, Fred Kohler, Charles Middleton, Virginial Lee Corbin, Joyce Coad, Richard Tucker, Hank Mann, Helen Parrish

72 minutes

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X Marks the Spot is a 1931 American pre-Code crime drama film, directed by Erle C. Kenton and released by Tiffany Pictures, which operated from 1921 to 1932.

The story concerns a newspaper reporter indebted to a gangster for raising the money to save his little girl’s life. The source material was remade into a 1942 film of the same name. Helen Parrish appeared in both versions.

Plot

Ted Lloyd, a reporter for a small-town newspaper, follows an ambulance to the scene of an accident where he discovers that his young sister Gloria is the victim. Gloria’s doctor tells Ted that if she is ever to walk again, Ted must find the money to send her to Germany for an operation.

Ted asks all his friends, including his editor George Howard, for help, but although they are sympathetic, none has the necessary money. Desperately, Ted approaches Riggs, a local gangster. At first, Riggs flatly refuses to make the loan. Ted then offers to exchange secret information about the District Attorney for the money. Riggs angrily denounces Ted as an informer, then unexpectedly decides to give him the money for the operation. Ted promises never to forget Riggs’ kindness.

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Eight years later, George has become the editor of the New York Gazette and Ted works as the Broadway gossip columnist. When Ted writes an item about showgirl Vivyan Parker, implying that she is being kept by a wealthy man, she sues the paper for libel. Eager to avoid the suit, George sends Ted to Vivyan’s apartment to obtain a release. Ted sneaks into her apartment with the help of the doorman, but Vivyan refuses to sign the release and orders him out of her apartment. When she is later found murdered, Ted is the primary suspect.

In order to clear his name, Ted, who believes that robbery was the motive for Vivyan’s murder, obtains a list of her jewelry from her lover, E. T. Barnes. He contacts several fences and, with the help of one of them, discovers that the murderer is Riggs. Remembering that Riggs once did him a favor, Ted does not reveal his name, but George, suspecting that Ted knows who committed the murder, follows him to his meeting with Riggs and Riggs is arrested.

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Believing that Ted betrayed him, Riggs swears vengeance. During the trial, one of Riggs’ cronies tapes a gun beneath the table where Riggs waits for sentencing. When a guilty verdict is returned, Riggs uses the gun to shoot a guard and abduct one of the jurors. Riggs holds the man hostage, insisting that he will release him in exchange for Ted. Ted agrees, entering the room where Riggs waits at the same time the police release a smoke bomb. In the following gun battle, Riggs is killed and Ted is wounded. While Ted is in the hospital, George takes over his column. His final effort announces Ted’s engagement to his secretary, Sue.

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Cast

X Marks the Spot 3

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Vampire Bat, The (1933)


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The Vampire Bat (1933)

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The Vampire Bat is a 1933 American pre-Code horror film starring Lionel AtwillFay WrayMelvyn Douglas, and Dwight Frye.

Plot outline

When the villagers of Kleinschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism, but police inspector Karl Breettschneider remains skeptical. Scientist Dr. Otto von Niemann, who cares for the victims, visits a patient who was attacked by a bat, Martha Mueller.

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Martha is visited by a mentally challenged man named Herman, who claims he likes bats because they are “soft like cat” and “nice”. On the doctor’s journey home, he meets Kringen, one of the townsfolk, who claims to have been attacked by the vampire in the form of a bat, but withheld his story from the town to not spread fear. Dr. von Niemann encourages Kringen to tell the townsfolk of his story.

Kringen becomes suspicious that Herman Glieb may be the vampire due to his obsession with bats. Herman lives with bats and collects them off the street.

Dr. von Niemann returns to his home, which also houses Breettschneider’s love Ruth Bertin, Ruth’s hypochondriac aunt Gussie Schnappmann, and servants Emil Borst and Gorgiana. Fear of the vampire and suspicion of Glieb quickly spread around the town, and people start fearing him.

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Ms Mueller is killed that night. The analyses of Dr. von Niemann and another doctor, Dr. Haupt, conclude that the death is the same as all of the previous deaths – blood loss, with two punctures in the neck caused by needle-sharp teeth. Gleib enters the examination, and upon seeing the dead body, runs away screaming.

Next morning, Glieb enters Dr. von Niemann’s garden, where Dr. von Niemann, Breettschneider, and Bertin are discussing vampires inside the house. The town fathers enter the house and announce that Kringen is dead and Gleib is missing. An angry mob hunts down Gleib and chases him through the countryside and into a cave, where he falls to his death.

That night, Dr. von Niemann is seen telepathically controlling Emil Borst, as he picks up sleeping Gorgiana and takes her down to Dr. von Niemann’s laboratory, where a strange organism is seen. They then drain her blood from her neck.

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Schnappmann then discovers Gorgiana’s body in her bed. Dr. von Niemann and Breettschneider investigate and find Ms Mueller’s crucifix, which Glieb handled the night Dr. von Niemann visited her. Breettschneider is becoming more convinced of the presence of vampires in the village as no other plausible explanations for the deaths can be found. As Glieb was seen in the garden that morning, the two conclude he is guilty.

Upon hearing of Glieb’s death, however, Breettschneider’s conviction is erased. Dr. von Niemann tells Breettschneider to go home and take sleeping pills, but gives him poison instead, intent on draining his blood. Bertin discovers Dr. von Niemann telepathically controlling Borst, who is at Breettschneider’s house.

It is revealed that Dr. von Niemann has created life, and is using the blood to fuel his organism. He ties Bertin up in his lab. Borst supposedly enters with Breettschneider’s body on a trolley. Dr. von Niemann walks over to Borst, who is revealed to be Breettschneider (who did not take the pills) in costume, with the real Borst on the trolley. Breettschneider pulls a gun on Dr. von Niemann, and walks over to untie Bertin. Dr. von Niemann then wrestles Breettschneider, who drops the gun. As the two fight, Borst picks up the gun and shoots Dr. von Niemann.

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Production

Fay Wray and Lionel Atwill had been in the successful film Doctor X the previous year, and had already wrapped up work on Mystery of the Wax Museum for Warner Bros. This was quite a large-scale release and would have a lengthy post-production process. Seeing a chance to exploit all the advance press, poverty row studio Majestic Pictures Inc. contracted Wray and Atwill for their own “quickie” horror film, rushing The Vampire Bat into production and releasing it in January 1933.

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Majestic Pictures had lower overheads than the larger studios, which were struggling at the time during the Great Depression. Part of the reason that The Vampire Batlooked almost as good as any Universal Pictures horror film is because Majestic leased James Whale‘s castoffs, the “German Village” backlot sets left over from Frankenstein (1931) and the interior sets from his film The Old Dark House (1932), plus some location shooting at Bronson Caves.

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Completing the illusion that this was a film from a much bigger studio, Majestic hired actor Dwight Frye to populate scenes with Wray and Atwill. A stock musical theme by Charles Dunworth, “Stealthy Footsteps”, was used to accompany the opening credits.[1]

The Vampire Bat ruse worked well for Majestic, which was able to rush the quickie film into theaters less than a month before Warner’s release of Mystery of the Wax Museum. According to The Film Daily (January 10, 1933), the film’s running time was 63 minutes, like most extant prints.

Cast

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See also

References

  1. Jump up^ Larson, Randall D. (1985). Musique fantastique: a survey of film music in the fantastic cinema. Scarecrow Press. p. 32; ISBN 0810817284.
  2. Jump up^ “Scientific Horror”. New York Times. January 23, 1933. Retrieved 2013-05-14

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Twin Husbands (1933)


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Twin Husbands (1933)

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Director: Frank R Strayer

Cast: John Miljan, Shirley Grey, Monroe Owsley, Hale Hamilton, Robert Elliott, Wilson Benge, Maurice Black, Robert Walker

68 min

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Twin Husbands is a 1933 American Pre-Code film directed by Frank R. Strayer.

Plot summary

After he wakes from a deep sleep in a strange Long Island mansion, a dazed man finds a calendar dated 1938, four years later than his last recollection, and evidence that his name is Jerome “Jerry” Peyton Werrenden. Greyson, a butler, tells Jerry that he is the mansion’s owner and that he has been ailing mentally for months.

Jerry, however, quickly deduces that he has been kidnapped and drugged and that Greyson was hired to pose as a longtime servant as part of a scheme to convince him that he is suffering from amnesia.

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Curious about the scheme, Jerry pays Greyson to continue his part, while he pretends to be Werrenden with Chloe, his supposed wife, and with Colton Drain, his supposed secretary. When Chloe and Colton realize that Jerry is wise to the plot, they offer him $10,000 to impersonate Werrenden, who is living in Europe, in a meeting with Colonel Gordon Lewis, the estate trustee, who has been asked to deliver $200,000 in bonds. Jerry accepts the offer and, while waiting for the colonel, overhears Chloe and Colton discussing plans to leave for South America.

After requesting a signed receipt, Lewis, apparently fooled by the impersonation, gives Jerry the bonds, which Jerry then places in a safe, the combination to which only the real Werrenden knows. Later that night, Colton and Chloe discover two thugs, Feets and Chuck, breaking into the safe.

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When the thugs see Jerry, they identify him as The Sparrow, a master “cracksman,” and as a favor to his fellow crooks, Jerry allows them to escape before the police arrive. After a confused interrogation of Chloe, Colton, Lewis and Greyson about Jerry’s identity, Sergeant Kerrigan orders Jerry and Chloe to police headquarters. To Chloe’s surprise, however, Jerry takes her to his house, explaining that Greyson had telephoned his minion, Kerrigan, with orders to impersonate a police sergeant.

After Jerry determines that Chloe was actually trying to save her ne’er-do-well husband from the financial scheming of Colton, he confronts Lewis about the bonds. Cornered, Lewis confesses that he had hired Feets and Chuck to steal the bonds because he needed the money to cover his own overdraughts.

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Jerry then breaks into Colton’s private vaults and unearths several documents that reveal that Colton had covered up news of Werrenden’s death and had stolen his securities. Jerry returns to the Werrenden mansion and shows Chloe, with whom he has fallen in love, his evidence. Supported by Chloe, a repentant Lewis and Greyson, Jerry convinces the police that he is Werrenden and that Colton is suffering a nervous breakdown.

Unable to expose Colton to the police because of his own criminal activities, Jerry nonetheless satisfies Chloe by forcing Colton to agree to leave immediately for South America. Chloe then convinces a reformed Jerry not to run away, but to stay with her indefinitely.

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Cast

External links

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East of Borneo (1931)


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East of Borneo (1931)

East of Borneo 1

East of Borneo 3

Director: George Melford

Cast: Rose Hobart, Charles Bickford, Georges Renavent, Lupita Tovar, Noble Johnson, Tom London

77 min

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East of Borneo (1931) is an American Pre-Code adventure film directed by George Melford, co-written by Edwin H. Knopf and Dale Van Every, starring Rose HobartCharles BickfordGeorges RenaventLupita Tovar, and Noble Johnson, and released by Universal Studios.

In 1936, artist Joseph Cornell edited this feature film into his short experimental film Rose Hobart which runs about 19 minutes.

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Plot

Linda Randolph (Hobart) looks for her husband on the island of Marado just east of Borneo. Although Linda is warned that Marado’s jungles are “entirely too dangerous” for a woman, she persists through dangerous raft rides and wild crocodiles. She discovers that her husband is now the personal physician to the island’s enigmatic prince. The prince lusts for Linda, and a love triangle ensues.

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Production

The film was shot largely at Universal Studios. Despite being essentially a b-picture, East of Borneo featured elaborate sets. Props and set dressing used in the film were reportedly valued at $100,000; this figure includes a large $25,000 Buddha statue, a very rare small white Buddha and a long mother-of-pearl inlaid bench, silver dinner utensils and Oriental rugs and drapery.[1]

References

  1. Jump up^ “East of Borneo” Set Cost $100,000. The Florence Times Vol VIII. Number 252. 29 April 1932. p 6. Retrieved 29 February 2016

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Kept Husbands (1931)


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Kept Husbands (1931)

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Director: Lloyd Bacon

Cast: Dorothy Mackaill, Joel McCrea, Ned Sparks, Mary Carr, Clara Kimball Young, Robert McWade, Bryant Washburn, Florence Roberts, Freeman Wood, Lita Chevret

76 min

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Kept Husbands is a 1931 American pre-Code drama film directed by Lloyd Bacon, starring Dorothy Mackaill and Joel McCrea, with major supporting roles filled by Robert McWadeFlorence Roberts and Mary Carr.

The original story was written by the film’s associate producer, Louis Sarecky, and adapted for the screen by Forrest Halsey and Alfred Jackson. Although primarily a drama, the film has many comedic touches to it.

The film centers around the class struggles and stereotypes between the working class and the wealthy, which was particularly striking during the Depression era when this film was made. The film also points out the stereotypical gender roles which were prevalent at that time.

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Plot summary

Arthur Parker (Robert McWade) is a wealthy steel magnate who is relating the story to his snobbish wife and spoiled daughter of one of his plant supervisors who fearlessly rushed in and saved the lives of two of his fellow co-workers.

When his wife, Henrietta (Florence Roberts), asks if he rewarded the young man, Parker shows his astonishment by saying that the hero had refused the thousand dollars he had offered.

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When the daughter, Dot (Dorothy Mackaill), remarks that she would like to meet a man like that, the father tells her not to worry, she will, for he is coming to dinner that very evening. Henrietta is aghast at having to socialize with someone not of their class, but Parker, who is a better judge of character, assures her that all will be well.

During dinner, Dot is smitten with the young man, Dick Brunton (Joel McCrea). So smitten she makes a bet with her father that she can get him to marry her within four weeks, by December 20. The father takes that bet, and lo and behold she wins Dick’s heart and gets him to accept her proposal of marriage by the deadline, despite his fears of their different social circumstances.

After the wedding, Parker sends the newlyweds on an expensive honeymoon to Europe, after which they return to their lavish home, also supplied by Parker. Parker also promotes Dick, but within six months, his new lifestyle threatens to emasculate Dick, who loses interest in his career and finds himself dominated by Dot’s vapid, social whirl of bridge games, cocktail parties and passive acceptance of life as a “kept husband”.

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This does not sit well with the proud husband, and when Parker offers him a chance to prove himself with a new position in St. Louis, he jumps at the chance. When told of the opportunity however, Dot is less than enthusiastic, not wanting to leave her friends and social circle. She refuses to agree to accompany Dick.

Dick decides to go to St. Louis, with or without Dot, making her incredibly upset. Not knowing what to do, he goes to ask advice from his mother (Mary Carr), who tells him that he needs to reconcile with Dot before he leaves for St. Louis. Meanwhile, Dot has agreed to meet with a former beau, Charles Bates (Bryant Washburn), who attempts to seduce her.

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When she returns to their house the following morning, Dick questions her regarding her whereabouts. She lies to him, and he knows it, since he had seen her with Washburn the prior evening. Furious, he storms out, saying their marriage is over, and intending to resign from Parker’s company.

Realizing her love for him, Dot eventually finds Dick at the rail station, about to leave for St. Louis. He has decided to take Parker’s position after all. The husband and wife reconcile, with Dot agreeing to live within the means that Dick’s salary can provide.

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Cast

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(Cast list as per AFI database)[2]

Soundtrack

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Notes

In 1959, the film entered the public domain in the USA due to the copyright claimants failure to renew the copyright registration in the 28th year after publication.[5]

The tag line for the film was “Every Inch a Man – Bought Body and Soul by His Wife”.[6]

This film marked the debut in sound films of Clara Kimball Young, who had been a major star during the silent film era. She came back after a six-year hiatus from making films.[7]

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References

  1. Jump up to:a b “Kept Husband: Details”New York Times. Archived from the original on August 16, 2014. Retrieved August 16, 2014.
  2. Jump up to:a b c d Kept Husbands: Detail View”. American Film Institute. Archived from the original on March 6, 2013. Retrieved October 5, 2016.
  3. Jump up^ “Max Steiner: Film Scores”. Songwriter Hall of Fame. Retrieved April 1, 2016.
  4. Jump up to:a b c “Kept Husbands, Technical Details”. theiapolis.com. Retrieved August 16, 2014.[permanent dead link]
  5. Jump up^ Pierce, David (June 2007). “Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain”. Film History: An International Journal19 (2): 125–43. ISSN 0892-2160JSTOR 25165419OCLC 15122313doi:10.2979/FIL.2007.19.2.125. See Note #60, p. 143.
  6. Jump up^ Jewell, Richard B.; Harbin, Vernon (1982). The RKO Story. New York: Arlington House. p. 34. ISBN 0-517-546566.
  7. Jump up^ “Kept Husbands, Notes”. Turner Classic Movies. Archived from the original on August 16, 2014. Retrieved August 16, 2014.

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Film Collectors Corner

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