Tag Archives: archive gems

Double Harness (1933)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Double Harness (1933)

Double Harness  1.jpg

Director: John Cromwell

Cast: Ann Harding, William Powell, Lucille Browne, Henry Stephenson, Lilian Bond, George Meeker, Reginald Owen, Kay Hammond, Leigh Allen, Irving Bacon, Lila Chevret, Wong Chung, Jean Malin

69 min 

Double Harness 4

Double Harness (1933) is an American Pre-Code film starring Ann Harding and William Powell. It was based on the play of the same name by Edward Poor Montgomery. A young woman maneuvers a lazy playboy into marrying her.

This was one of several films, all produced by Merian C. Cooper at RKO, that were out of distribution for more than 50 years as a result of a legal settlement that gave Cooper complete ownership of the films. Turner Classic Movies eventually acquired the rights to the films.

Plot

When spoiled younger sister Valerie Colby (Lucile Browne) becomes engaged to be married to Dennis Moore (George Meeker), a more level-headed Joan (Ann Harding) decides to do the same, not because she is in love, but in order to make something of herself. She chooses unambitious, wealthy playboy John Fletcher (William Powell), who owns a troubled shipping line.

She eventually spends the night in his apartment. To Joan’s annoyance, over the following months, she finds herself falling in love. When John shows no interest in marrying her, Joan forces the issue. She arranges for her father, Colonel Sam Colby (Henry Stephenson), to find them in a compromising position. John graciously agrees to do the honorable thing and marry Joan. However, on their honeymoon cruise, he lets her know that he expects her to grant him a divorce after a decent interval. They settle on six months.

Double Harness 2

Joan prods her husband into taking an interest in his family business. To his surprise, he finds that he enjoys it. As the new Postmaster General (Wallis Clark) is a good friend of her father’s, Joan invites him to dinner, hoping to land a government contract for John’s company.

Meanwhile, Valerie goes into debt due to her extravagant spending habits and borrows from her big sister over and over again. Joan gives Valerie all she can afford without touching John’s money. Finally, she pawns a ring for half the latest sum Valerie needs, but tells her that it is the last time.

Double Harness 3

That same day, John finally realizes that he loves his wife. However, when he goes home, Valerie goes to John behind Joan’s back and cons him into giving her a check. Joan finds out and tears up the check. In her anger, Valerie blurts out how Joan trapped John into marriage.

Disillusioned, he turns to his former paramour, Mrs. Monica Page (Lilian Bond). Joan follows them to Monica’s apartment and confesses all, including the fact that she has fallen in love with him, to no avail. She then tries to salvage her dinner party. To her delight, John shows up and makes it clear that he believes and forgives her.

Double Harness 6

Cast

Double Harness 5

Preservation status

This is one of the “lost RKO films” owned by Merian C. Cooper and only re-released in April 2007 when Turner Classic Movies acquired the rights and showed all six films on TCM.

Cooper accused RKO of not paying him all the money contractually due for the films he produced in the 1930s. A settlement was reached in 1946, giving Cooper complete ownership of six RKO titles:

Double Harness 7

According to an interview with a retired RKO executive, shown as a promo on TCM, Cooper withdrew the films, only allowing them to be shown on television in 1955–1956 in New York City.

TCM, which had acquired the rights to the six films after extensive legal negotiations, broadcast them on TCM in April 2007, their first full public exhibition in over 70 years. TCM, in association with the Library of Congress and the Brigham Young University Motion Picture Archive, had searched many film archives throughout the world to find copies of the films in order to create new 35mm prints.[2][3][4]

Double Harness 8

Reception

According to RKO records, the film made $10,000 in profit.[1]

References

  1. Jump up to:a b c Richard Jewel, ‘RKO Film Grosses: 1931-1951’, Historical Journal of Film Radio and Television, Vol 14 No 1, 1994 p39
  2. Jump up^ Fristoe, Roger. “Rafter Romance” (TCM article)
  3. Jump up^ Osborne, RobertTurner Classic Movies broadcast on April 4 and 11, 2007.
  4. Jump up^ Eder, Bruce “Rafter Romance” (AMG review)

Double Harness 9

Double Harness 10

Film Collectors Corner

Watch Double Harness Now – You Tube Instant Video

Blu Ray

Not released on Blu Ray

 

DVD

 

Advertisements

Once in A Lifetime (1932)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Once In A Lifetime (1932)

Once in A Lifetime  1.jpg

Director: Russell Mack

Cast: Jack Oakie, Sidney Fox, Aline MacMahon, Russell Hopton, Louise Fazenda, Zasu Pitts, Gregory Ratoff, Jobyna Howland, Onslow Stevens, Gregory Gaye, Frank LaRue, Walter Brennan, Alan Ladd

91 min

Once in a Lifetime is a 1932 American pre-Code comedy film based on Once in a Lifetime by George S. Kaufman and Moss Hart.[1] The film was produced and distributed by Universal Pictures, directed by Russell Mack and stars Jack OakieSidney Fox and Aline MacMahon.[2]

It is preserved at the Library of Congress.[3]

Plot

Once in A Lifetime  2.jpg

The immense success of The Jazz Singer, the first all-talking picture, results in the cancellation of a booking for three song-and-dance vaudeville performers: Jerry Hyland, May Daniels and George Lewis. Jerry, convinced that talkies are the future, decides they will head to Hollywood to break into the fledgling movie industry before others get the same notion.

May comes up with the idea to open a school of elocution to teach actors how to speak on film. On the train there, May encounters an old friend, Helen Hobart, an influential, nationally syndicated columnist. She offers to put them in touch with Herman Glogauer, the head of a major movie studio. George is smitten with another passenger, aspiring young actress Susan Walker.

They discover the movie world to be an eccentric place. George is unexpectedly appointed by Glogauer as supervisor of production, allowing him to promote Susan’s career. Despite his incompetence (or rather because of it), his first picture turns out to be a critical and commercial smash hit, and Susan becomes a star.

Later, a very persuasive salesman gets George to buy 2000 airplanes, which causes Glogauer to fire him. However, air movies become very popular, and George has inadvertently cornered the market. The other studios are desperate to get airplanes from Glogauer at any price, and George is once again considered a genius.

Once in A Lifetime  4.jpg

Cast

Once in A Lifetime 4

Reception

Mordaunt Hall, film critic of The New York Times, gave the film a favorable review, calling it a “merry diversion”.[1] He praised all the main performers, as well as ZaSu Pitts as the studio’s obtuse receptionist.[1]

References

  1. Jump up to:a b c Mordaunt Hall (October 29, 1932). “Jack Oakie, Aline MacMahon and Others in a Film of the Hart-Kaufman Satire on Hollywood.”The New York Times.
  2. Jump up^ The American Film Institute Catalog Feature Films: 1931-40 by The American Film Institute, c.1993
  3. Jump up^ Catalog of Feature Films The American Film Institute Collection and The United Artists Collection at The Library of Congress by The American Film Institute, c.1978

Once in A Lifetime 6

 

Film Collectors Corner

Watch Once In A Lifetime Now – You Tube Instant Video

 

 

Blu Ray

Not released on Blu Ray

 

DVD

Not released on DVD

High Voltage (1929)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

High Voltage (1929)

High Voltage 6

Director: Howard Higgin

Cast: Carole Lombard, William Boyd, Diane Ellis, Owen Moore, Phillips Smalley, Billy Bevan

63 min

High Voltage 2

High Voltage (1929) is an American pre-Code film produced by Pathé Exchange and directed by Howard Higgin.[1][2]The film stars William BoydDiane EllisOwen MoorePhillips SmalleyBilly Bevan, and Carole Lombard in her feature-length “talkie” debut, billed as “Carol Lombard.”

This film is in the public domain.[3]

High Voltage 4

Plot

The film begins with a bus driving along a snow-covered roadway in the Sierra Nevada between Nevada City, California, and Reno, Nevada.[4][5] Soon the vehicle gets hopelessly stuck in deep snow forty miles from the nearest town.

Needing shelter, the driver “Gus” (Billy Bevan) and his four passengers find refuge in an isolated one-room log church. The passengers include “Billie” (Carole Lombard), who is an escaped criminal being escorted back to jail in New York by a deputy sheriff, “Dan Egan” (Owen Moore); a young woman, “The Kid,” (Diane Ellis) on her way to Chicago to meet her boyfriend; and “Hickerson,” a pompous, ill-tempered banker. In the church the group finds “Bill” (William Boyd), a self-described “hobo,” who had found shelter there earlier. Tensions quickly arise in the group over their general plight, petty jealousies, and concerns about how six people are going to share the small supply of food that Bill had brought with him.

High Voltage 3

Tensions quickly arise in the group over their general plight, petty jealousies, and concerns about how six people are going to share the small supply of food that Bill had brought with him.

After a few days being stranded, the group sees a passing mail plane high in the sky. They try to attract the pilot’s attention, but he is too far away to see them. More days pass, and the group continues to ration their dwindling supplies and battle the subfreezing temperatures. To keep warm they begin to break up the church’s pews and other furnishings to use as firewood in the room’s potbelly stove.

The group’s desperation intensifies, as does a romance between Bill and Billie. Soon Bill confides to her that he too is a wanted criminal, a fugitive from Saint Paul, Minnesota. As conditions worsen, The Kid collapses from hunger and become delirious; and the church’s interior becomes almost bare as more furnishings–even the church’s pulpit and pump organ–are consigned to the stove. Bill and Billie finally commit to leaving to avoid being imprisoned if the group is somehow rescued. They quietly depart during the night, hoping to reach a ranger station ten miles away.

High Voltage 5

Everyone else is sleeping except Dan, the deputy sheriff, who sees the two leaving; but he does nothing to stop them. After walking a short distance through snowdrifts, Bill and Billie hear and then see a search plane slowly circling overhead at low altitude. Realizing that the others inside the church will not hear the plane’s engine, they rush back and awaken them. The group hurriedly builds a signal fire, which the plane’s pilot sees. He parachutes a box of provisions to them with a note saying that help will be sent immediately.

The next day the group sees a rescue party heading toward the church. While awaiting their rescuers, Dan observes Bill and Billie sitting together on the floor. From his coat pocket Dan pulls out Billie’s extradition papers and a “wanted” notice that includes a photograph of Bill and information about his being a fugitive from Saint Paul. Dan walks over to the stove, now cold from no fires, and tosses both papers into it. Bill and Billie see him discard the papers, and they look at one another. Bill then gets up, retrieves the papers from the stove, gives them back to Dan, and asks him to drop him off in Saint Paul on his way back to New York with Billie.

High Voltage 7

Cast

William Boyd as “The Boy” (Bill)

“Carol” Lombard as “The Girl” (Billie Davis)

Owen Moore as “The Detective” (Dan Egan)

Phillips Smalley as “The Banker” (J. Milton Hendrickson)

Billy Bevan as “The Driver” (Gus)

Diane Ellis as “The Kid”

High Voltage 8

Cast notes

  • The opening credits of High Voltage give Carole Lombard’s first name as “Carol,” her preferred spelling for her name up until that time. However, the year after the release of High Voltage she performed in Paramount Pictures‘ production Fast and Loose. In her credits for that film, the studio mistakenly added an “e” to Carol. Lombard liked the spelling, so she decided to keep “Carole” permanently as her screen name.[6]
  • In the screen credits of High Voltage, Owen Moore’s character “Dan Egan” is identified as “The Detective”; but early in the film Dan shows Bill his badge, which actually identifies him as a New York deputy sheriff.[8]
  • Diane Ellis, who portrays “The Kid” in High Voltage, would die tragically the year after her performance in this film. In October 1930, she married Stephen C. Millett, a fellow American, in Paris, France. While on their extended honeymoon in India, she contracted an infection and died a week later in Chennai (then Madras) on December 15, 1930, just five days before her twenty-first birthday.[9][10]

High Voltage 9

References

  1. Jump up^ “High Voltage”The New York Times.
  2. Jump up^ The AFI Catalog of Feature Films: High Voltage
  3. Jump up^ High Voltage, “Free Public Domain Movies” listing; May 23, 2008. iMovies. Retrieved March 10, 2017.
  4. Jump up^ Several full 63-minute copies of High Voltage are available for viewing on YouTube.
  5. Jump up^ In the opening minutes of the film, the exterior signage and route destinations displayed on the bus identify the storyline’s setting as the Sierra Nevada.
  6. Jump up^ Gehring, Wes D. (2003). Carole Lombard: The Hoosier Tornado. Indianapolis, Indiana Historical Society Press, 78-79. ISBN 978-0-87195-167-0.
  7. Jump up^ “William Boyd,”, Internet Movie Database (IMDb). Retrieved March 10, 2017.
  8. Jump up^ The full 63-minute film High Voltage is available for viewing on YouTube.
  9. Jump up^ “Diane Ellis,” IMDb. Retrieved March 10, 2017.
  10. Jump up^ “Diane Ellis,” Redirectify. Retrieved March 10, 2017.

High Voltage 10

High Voltage 12

High Voltage 13

High Voltage 12

Film Collectors Corner

Watch High Voltage Now – You Tube Instant Video

Blu Ray

Not released on Blu Ray

DVD

Behind Office Doors (1931)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Behind Office Doors (1931)

Behind Closed Doors 6

Director:  Melville W Brown

Cast: Mary Astor, Robert Ames, Ricardo Cortez, Catherine Dale Owen, Kitty Kelly, Edna Murphy, Charles Sellon, William Morris, George McFarlane, Mary Foy

82 min

Behind Closed Doors 1

Behind Office Doors is a 1931 Pre-Code American drama film directed by Melville W. Brown, from a screenplay by Carey Wilson and J. Walter Ruben, based on Alan Schultz’s novel, Private Secretary. It starred Mary AstorRobert Ames and Ricardo Cortez, and revolved around the premise of “the woman behind the man”. While not well-received by critics, it did well at the box office.

Plot

Mary Linden (Mary Astor) is a receptionist at a paper milling company, who is secretly in love with one of the salesmen, James Duneen (Robert Ames).

Her extensive knowledge of the paper industry, the mill and its clients allows her to have input in company operations far outweighing her level as a receptionist. As the current president of the company, Ritter (Charles Sellon), approaches retirement, Mary uses her knowledge and skill of company politics to enable James to make some important sales coups, after which she begins a fifth-column attempt to get him named as the next president. James, for his part, is grateful to her for her help, but is completely oblivious to her romantic interest in him, preferring more of the party girl type.

Behind Closed Doors 4

When Ritter does retire, James wins the position, and Mary is promoted to be his personal secretary. Still unaware of her feelings, he hires his latest party girl, Daisy (Edna Murphy), to work in the office, and report to Mary. Mary is upset by this turn of events, but remains faithful to James, assisting him with running the company. In fact, it is her knowledge and acumen which makes the company successful. Mary even spurns the advances of several men, including the wealthy Ronnie Wales (Ricardo Cortez), who, although married, is estranged from his wife and wishes to pursue an affair with Mary.

However, when James becomes engaged to the daughter of a wealthy banker, Ellen May Robinson (Catherine Dale Owen), that is the straw which breaks Mary’s resolve. She resigns from the company, and eventually agrees to go away with Ronnie for an assignation in Atlantic City. Between the time of her resignation, and her agreeing to go away with Ronnie, the paper mill is already suffering terribly from a lack of good

Between the time of her resignation, and her agreeing to go away with Ronnie, the paper mill is already suffering terribly from a lack of good management, since most of James’ success was due to Mary’s guidance. James tracks her down before she can give in to the libidinous advances of Ronnie, and begs Mary to return. She is reluctant, until she discovers that James has broken off the engagement with Ellen, and upon her return to the company she is not only met with a job offer, but also a marriage proposal from James.

Behind Closed Doors 2

Cast

(Cast list as per AFI database)[3]

Behind Closed Doors 3

Soundtrack

  • “Three Little Words”, music by Harry Ruby, lyrics by Bert Kalmar – played as dance music in the nightclub

Reception

While the public seemed to like the film,[4] critics like Mordaunt Hall of The New York Times were less kind, stating that the film “is a witless and interminably dull exhibition on which three capable players, Mary Astor, Robert Ames and Ricardo Cortez, have been sacrifi[c]ed to very little purpose.[5]

Notes

In 1959, the film entered the public domain in the USA due to the copyright claimants failure to renew the copyright registration in the 28th year after production.[6]

The working title for this film was the title of the novel on which it was based, Private Secretary.[3]

Behind Closed Doors 5

References[edit]

  1. Jump up^ “Behind Office Doors, Credits”. Turner Classic Movies. Archived from the original on August 18, 2014. Retrieved August 17, 2014.
  2. Jump up to:a b “Behind Office Doors: Technical Details”. theiapolis.com. Retrieved August 17, 2014.[permanent dead link]
  3. Jump up to:a b c d e f “Behind Office Doors: Detail View”. American Film Institute. Archived from the original on April 2, 2014. Retrieved September 2, 2016.
  4. Jump up^ Jewell, Richard B.; Harbin, Vernon (1982). The RKO Story. New York: Arlington House. p. 34. ISBN 0-517-546566.
  5. Jump up^ Hall, Mordaunt (March 21, 1931). “Behind Office Doors: A Noble Stenographer”New York TimesArchived from the original on March 21, 2014. Retrieved September 2,2016.
  6. Jump up^ Pierce, David (June 2007). “Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain”. Film History: an International Journal19 (2): 125–43. ISSN 0892-2160JSTOR 25165419OCLC 15122313doi:10.2979/FIL.2007.19.2.125. See Note #60, pg. 143.

Behind Closed Doors 7

Film Collectors Corner

Watch Behind Closed Doors Now – You Tube Instant Video

Blu Ray

Not released on Blu Ray

 

DVD

Midnight AKA Call It Murder (1934)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Midnight 1

Midnight 2

Director: Chester Erskine

Cast: Humphrey Bogart, Sidney Fox, OP Heggie, Henry Hull, Margaret Wycherly, Lynne Overman, Katherine Wilson, Richard Whorf

76 min

Midnight is a 1934 American drama film directed by Chester Erskine and starring Sidney FoxO.P. HeggieHenry Hulland Margaret Wycherly. The film was produced for Universal and was shot on a modest budget of $50,000 at Thomas Edison Studios, which producer/director Chester Erskine had re-opened specifically for the shoot.[1]

Humphrey Bogart had a small supporting role. The film was re-released as Call It Murder by Screen Guild Productions in 1949 after Bogart became a star; he was given top billing, although he was credited eighth in the original release.

Midnight 3

Plot

The movie begins at the murder trial of Ethel Saxon, a woman who shot her lover in a crime of passion. During the trial, Edward Weldon, the jury foreman, asks the defendant a question, which essentially leads to a guilty verdict and a death sentence for her.

Midnight 10

The rest of film takes place on the evening of the execution, mostly in the Weldon home. Edward is dealing with the consequences of his role as foreman, and his daughter Stella is upset by the departure of her gangster boyfriend, Gar Boni, whom she met during the trial.

The evening culminates at midnight as the switch is pulled at the death house and a gun is fired in a parked car. Moments later, Stella returns home, admitting that she has shot Gar Boni.

Midnight 7

Cast

References

 Allen Eyles, Bogart, Macmillan, 1975 p 32
Midnight 9
Midnight 8
Midnight 5
Midnight 4

Film Collectors Corner

Watch Midnight Now – You Tube Instant Video

Blu Ray

Not released on Blu Ray 

 

DVD

Bad Sister, The (1931)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Bad Sister 1

Bad Sister 2

Bad Sister 13

Bad Sister is a 1931 American Pre-Code drama film directed by Hobart Henley. The screenplay by Edwin H. Knopf, Tom Reed, and Raymond L. Schrock is based on the 1913 novel The Flirt by Booth Tarkington, which had been filmed in 1916 and 1922.

The film marks the screen debut of Bette Davis and Sidney Fox, who was billed over Davis. It also features Humphrey Bogart and ZaSu Pitts in supporting roles. This film has been preserved in the Library of Congress collection.[1] [2]

Bad Sister 4

Plot

Naive Marianne Madison, bored with her routine life, falls for dashing con artist Valentine Corliss, who has come to her small town looking for fresh marks to swindle.

He soon charms her into faking her wealthy and prominent father’s name on a letter of endorsement, which he presents to the other local merchants, who willingly give him merchandise. He prepares his escape, but not before conning Marianne into becoming his wife.

Following their wedding night in a sleazy hotel, Valentine abandons Marianne. She returns home and begs forgiveness from her jilted fiancé Dick Lindley, but having seen Marianne for who she really is, he turns his attention to her shy younger sister Laura.

Bad Sister 3

Production

The film originally was called What a Flirt and then Gambling Daughters before being changed to Bad Sister just prior to its theatrical release.[3]
Bad Sister 10

Bette Davis, nervous about her appearance in her first film, consulted with studio makeup chief Jack Pierce, who “surveyed me critically, almost resentfully,” she recalled for an interview in the April 1938 issue of Good Housekeeping. “Your eyelashes are too short, hair’s a nondescript color, and mouth’s too small.

A fat little Dutch girl’s face, and a neck that’s too long,” he told her. He suggested a different shade of lipstick and advised her to use eye shadow, but their meeting left Davis feeling anxious and lacking self-confidence.

Bad Sister 17

After seeing the completed film, producer Carl Laemmle, Jr. commented, “Can you imagine some poor guy going through hell and high water and ending up with her at the fade-out?” [3]

Davis was required to change a baby in one scene, and the fact the infant was a boy was kept secret from her. When she undid the diaper and saw male genitals for the first time in her life, she was so embarrassed her face reddened enough to look deep gray on screen.[3]

Davis and her mother attended a preview of the film in San Bernardino. The actress was reportedly so distressed by her performance that they left before the final credits. Certain her Hollywood career was over, she cried all the way home.[3]

Bad Sister 8

Cast

Bad Sister 6

References

  1. Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress p.11 c.1978 by The American Film Institute
  2. Jump up^ The AFI Catalog of Feature Films:Bad Sister, afi.com; accessed September 23, 2015.
  3. Jump up to:a b c d Stine, Whitney, and Davis, Bette, Mother Goddam: The Story of the Career of Bette Davis. New York: Hawthorn Books 1974. ISBN 0-8015-5184-6, pp. 8-11

Bad Sister 5

Bad Sister 12

Bad Sister 16

Bad Sister 9

Bad Sister 14

Bad Sister 11

Film Collectors Corner

Watch The Bad Sister Now – You Tube Instant Video

Blu Ray

Not released on Blu Ray

DVD

Up The River (1930)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Up the River 1

Up the River 2

Ford John young 1

John Ford

Up the River (1930) is a pre-Code comedy film about escaped convicts, directed by John Ford and starring Spencer Tracy and Humphrey Bogart in their feature film debuts. The movie was remade by 20th Century-Fox in 1938, also entitled Up the River, with Preston Foster and Tony Martin respectively in the Tracy and Bogart roles.

Plot

Two convicts, St. Louis (Spencer Tracy) and Dannemora Dan (Warren Hymer) befriend another convict named Steve (Humphrey Bogart), who is in love with woman’s-prison inmate Judy (Claire Luce). Steve is paroled, promising Judy that he will wait for her release five months later. He returns to his hometown in New England and his mother’s home.

Up the River 6

However, he is followed there by Judy’s former “employer”, the scam artist Frosby (Gaylord Pendleton). Frosby threatens to expose Steve’s prison record if the latter refuses to go along with a scheme to defraud his neighbors. Steve goes along with it until Frosby defrauds his mother.

Fortunately, at this moment St. Louis and Dannemora Dan have broken out of prison and come to Steve’s aid, taking away a gun he planned to use on the fraudster, instead stealing back bonds stolen by Frosby. They return to prison in time for its annual baseball game against a rival penitentiary. The film closes with St. Louis on the pitcher’s mound with his catcher, Dannemora Dan, presumably ready to lead their team to victory.[1][2]

Up the River 3

Cast

Up the River 4

Casting

Tracy had starred in three shorts earlier the same year and Bogart had been an unbilled extra in a silent movie a decade before, as well as starring in two short films in the past two years, but this is the first credited feature film for both actors.

This was the only feature film that Tracy and Bogart ever made together. They tried to make The Desperate Hours in 1955, but neither would consent to second billing, so the role intended for Tracy went to Fredric March instead. It was the only film Bogart made with director John Ford, and Tracy wouldn’t work with Ford again until The Last Hurrah (1958).

Claire Luce (1903–1989) made very few films, but was on Broadway in many plays from 1923–1952. She should not be confused with author/playwright/political activist Clare Boothe Luce (1903–1987).

Up the River 8

References

  1. Jump up^ Up the River at TCM Movie Database
  2. Jump up^ Hall, Mordaunt. “Movies: About Up the River”The New York Times. Retrieved May 27, 2010.

Bibliography

  • New England Vintage Film Society, Inc. (2008). Spencer Tracy: The Pre-Code Legacy of a Hollywood Legend. Newton, MA: New England Vintage Film Society. ISBN 978-1-4363-4138-7.

Up the River 9

Up the River 10

Up the River 11

Film Collectors Corner

Watch Up The River Now – Amazon Instant Video

Blu Ray

Not released on Blu Ray

DVD

Four Frightened People (1934)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Four Frightened People (1934)

Four Frightened People 1

Four Frightened People 2

Four Frightened People 3

Director: Cecil B DeMille

Cast: Claudette Colbert, Herbert Marshall, Mary Boland, William Gargan, Leo Carillo, Nella Walker, Tetsu Komai, Delmar Costello

78 min

Four Frightened People 4

Four Frightened People is a 1934 American Pre-Code adventure film directed by Cecil B. DeMille and starring Claudette ColbertHerbert MarshallMary Boland, and William Gargan. It is based on the novel by E. Arnot Robertson.

Plot

The film tells the story of two men (Marshall and Gargan) and two women (Colbert and Boland), who leave from a plague-ridden ship and reach the Malayan jungle. The relationships between the four people before they enter the jungle are examined and are transformed as they interact with natural phenomena and the natives who populate the jungle. The film also relates how each of the four people carried on in life after they emerged from the jungle.

Four Frightened People  6.jpg

Cast

Four Frightened People 7

Filming locations

Four Frightened People 8

Production crew

  • Executive producer (uncredited) – Emanuel Cohen
  • Art Direction – Roland Anderson
  • Production Manager (uncredited) – Roy Burns
  • Assistant Director (uncredited) – Cullen Tate, James Dugan
  • Sound Mixer (uncredited) – Harry Lindgren
  • Double (uncredited) – Mildred Mernie as Claudette Colbert, Bruce Warren as Herbert Marshall, Leota Lorraine as Mary Boland, Carl Mudge as William Gargan, Curley Dresden as Leo Carrillo

Four Frightened People 9

Reception

The film was a box office disappointment for Paramount.[1]

Home Video Release

This film, along with The Sign of the CrossCleopatraThe Crusades and Union Pacific, was released on DVD in 2006 by Universal Studios as part of The Cecil B. DeMille Collection.

References

  1. Jump up^ By, D. W. (1934, Nov 25). TAKING A LOOK AT THE RECORD. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/101193306?accountid=13902

Four Frightened People 10

Four Frightened People 11

Four Frightened People 12

Four Frightened People 13

Four Frightened People 14

Four Frightened People 15

Four Frightened People 16

Four Frightened People 17

Film Collectors Corner

Watch Four Frightened People Now – Instant Video on You Tube

Blu Ray

Not released on Blu Ray

DVD

Big Pond, The (1930)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

The Big Pond (1930)

Big Pond The 1

Director: Hobart Henley

Cast: Maurice Chevalier, Claudette Colbert, George Barbier, Marion Ballou, Andree Corday, Frank Lyon, Nat Pendleton, Elaine Koch

72 min

Big Pond The 3

The Big Pond is a 1930 American Pre-Code romantic comedy film based on a 1928 play of the same name by George Middleton and A.E. Thomas.[1] The film was written by Garrett Fort, Robert Presnell Sr. and Preston Sturges, who provided the dialogue in his first Hollywood assignment, and was directed by Hobart Henley.

The film stars Maurice Chevalier and Claudette Colbert, and features George Barbier, Marion Ballou, and Andrée Corday, and was released by Paramount Pictures.

The Big Pond was nominated for the Academy Award for Best Actor for Maurice Chevalier, and also provided Chevalier with his first American hit song “Livin’ in the Sunlight, Lovin’ in the Moonlight” written by Al Sherman and Al Lewis.[2]

Big Pond The 5

Plot

Pierre Mirande (Maurice Chevalier), is a Venetian tour guide from a poor French family who falls in love with Barbara Billings (Claudette Colbert), a wealthy American tourist whose father (George Barbier). Although Barbara loves Pierre as well, her suitor, Ronnie (Frank Lyon) and her father see him as a fortune-hunter. Barbara’s mother (Marion Ballou) persuades her husband to give Pierre a job in his chewing-gum factory in the States. Despite living in a dingy boardinghouse and being given the hardest job in the plant, he manages to captivate his landlady (Andrée Corday) and the maid (Elaine Koch) with his humorous songs. Unfortunately, he falls asleep on the night he is to attend Barbara’s party, and is then fired when he is wrongly accused of spilling rum on some chewing gum samples. He wins back his job, and is promoted as well, when he sells liquor-coated chewing gum as a sales gimmick. Barbara disapproves, and plans to marry Ronnie, but Pierre whisks her away in a speedboat.

Big Pond The 12

Cast

Big Pond The 13

Songs

Big Pond The 8

Production

The Big Pond and its French language version La grande mare[6] were shot simultaneously at the Paramount Astoria Studios in AstoriaQueensNew York City.[7][8]Maurice Chevalier, Claudette Colbert, Andrée Corday and Nat Pendelton played the same roles in both versions.[6]

Big Pond The 7

Awards

Maurice Chevalier was nominated for a 1930 Academy Award for “Best Actor in a Leading Role” for his performance in The Big Pond as well as his performance in The Love Parade (1929).[8]

Big Pond The 4

French version

The French language version of The Big Pond, which was filmed simultaneously with the English version, was called La grande mare. The cast was:

  • Maurice Chevalier as Pierre Mirande
  • Claudette Colbert as Barbara Billings
  • Henry Mortimer as Mr. Billings
  • Maude Allen as Mrs. Billings
  • Andrée Corday as Toinette
  • William B. Williams as Ronnie
  • Nat Pendleton as Pat O’Day
  • Loraine Jaillet as Jennie

Writer Preston Sturges was fluent in French, but additional dialogue was provided by Jacques Bataille-Henri. The technical credits for the two versions are the same, except the editing for the French version was done by Barney Rogan.[6]

Big Pond The 10

Notes

Big Pond The 8

Big Pond The 9

Film Collectors Corner

Watch The Big Pond Now – Instant Video on You Tube

Blu Ray

Not released on Blu Ray

DVD

Safety In Numbers (1930)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Safety In Numbers (1930)

Safety in Numbers 1

Safety in Numbers 2

Director: Victor Schertzinger

Cast: Charles Buddy Rogers, Kathryn Crawford, Josephine Dunn, Carole Lombard, Roscoe Karns, Richard Tucker, Francis McDonald, Raoul Paoli, Virginia Bruce, Tom London

80 min

Safety in Numbers 3

Safety in Numbers is a 1930 American Pre-Code musical comedy film. Directed by Victor Schertzinger, it stars Buddy Rogers, and features Kathryn CrawfordJosephine Dunn, and Carole Lombard (in one of her early roles).

Plot

William Butler Reynolds, a 20-year-old San Franciscan with a penchant for dancing and song-writing, is about to inherit a sizable fortune.

Safety in Numbers 4

His guardian uncle decides to send him to New York to be educated in the “ways of the world” by three lady friends–Jacqueline, Maxine, and Pauline, Follies girls, who agree not to vamp him though he falls for Jacqueline and is jealous of her admirer, Phil Kempton.

Bill’s inept attempt to promote a song with a producer results in the firing of all three girls; and when Jacqueline then resists his advances, he picks up Alma, a telephone operator, and becomes attentive to Cleo, a Follies vamp, but the girls save him from her wiles. Luckily, the producer accepts the song and rehires the girls; Jacqueline, realizing the sincerity of the boy’s love for her, embarks for Europe with Phil; but Phil realizes the appropriateness of the match and sees to it that the lovers are united.

Safety in Numbers 14

 

Cast

Safety in Numbers 21

Safety in Numbers 24

Reception

The reviewer for the Motion Picture Herald wrote, “Here’s that rare combination of intelligent direction, brilliant dialogue, and rich humor. The result is a picture that is entertainment plus.” Mordaunt Hall of The New York Times was less enthusiastic, but praised the musical numbers.[1]

Safety in Numbers 5

References

  1. Jump up to:a b Ott, Frederick W. (1972). The Films of Carole Lombard. Secaucus, New Jersey: Citadel Press. pp. 75–77. ISBN 978-0806502786.

Safety in Numbers 6

Safety in Numbers 7

Safety in Numbers 9

Safety in Numbers 8

Safety in Numbers 10

Safety in Numbers 11

Safety in Numbers 13

Safety in Numbers 15

Safety in Numbers 16

Safety in Numbers 19

Safety in Numbers 20

Safety in Numbers 23

Safety in Numbers 22

Safety in Numbers 18

 

Film Collectors Corner

Watch Safety in Numbers Now – Instant Video on You Tube

 

Blu Ray

Not released on Blu Ray

 

DVD

Not released on DVD

 

White Woman (1933)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

White Woman (1933)

White Woman 1

White Woman 4

Director: Stuart Walker

Cast: Carole Lombard, Charles Laughton, Charles Bickford, Kent Taylor,  Percy Kilbride, James Bell, Charles Middleton, Claude King, Ethel Griffies

68 min

White Woman 5

White Woman is a 1933 American pre-Code drama film directed by Stuart Walker and starring Carole LombardCharles Laughton, and Charles Bickford.[1] A young widow remarries and accompanies her husband to his remote jungle rubber plantation. The film was based on the Broadway play Hangman’s Whip by Norman Reilly Raine and Frank Butler.[2]

One of hundreds of Paramount films held in limbo by Universal Studios. Universal gained ownership of Paramount features produced between 1929 and 1949. Paramount remade the film in 1939 as Island of Lost Men, with Anna May WongJ. Carrol Naish and Broderick Crawford in the roles originated by Lombard, Laughton and Bickford. It was directed by Kurt Neumann.[3]

White Woman 3

Plot

Judith Denning, a beautiful cafe singer in Malay, has been forced to leave town after town because of gossip that says her husband’s suicide was on account of her infidelity. Upright British lawyer C. M. Chisholm accuses Judith of being a “loose white woman” who is tempting the natives and forces her to leave town by getting her fired.

Horace H. Prin, “King of the Jungle,” then offers to marry her. Prin takes Judith to his jungle home on the river, where he has been running a trading outfit for twenty years. Prin’s white management crew consists largely of criminal exiles whose secret pasts he uses as leverage to get them to remain under his ruthless tyranny.

White Woman 6

When Hambly, who runs a station up the river, insists that the poor diet Prin has been feeding the native workers is breeding insurrection among them, Prin has him killed. Overseer David von Elst, who has not seen a white woman in ten years, quickly falls in love with Judith. A month after Judith’s arrival, she and David decide to run away, but when they confront Prin, he refuses to give them a boat and sends David up the river to take Hambly’s place at Gubar.

David, meanwhile, has told Judith he deserted his regiment after natives decapitated his partner and threw his head through David’s window. Since then he has lacked the courage to fight Prin and return to society. Ballister, the new tough overseer, then arrives and immediately asks Judith for a “tumble,” undaunted by Prin’s eccentric tyranny. When two tribal chiefs request the right to deal with other traders, Prin foolishly refuses them, and they prepare for war against him.

The natives kill Connors, one of Prin’s men, and throw his head through David’s window, after which David finally regains his nerve and travels through the dangerous jungle to warn Judith. David and Judith prepare to leave, but Prin drains their boat of gas. Ballister, sympathetic to the lovers, warns them to take another boat. When Prin shoots his pet baby ape, “Duke,” Jakey, Prin’s most faithful white servant, throws his machine guns in the river and leaves with David and Judith. Ballister and Prin play poker and drink as the natives approach, armed with spears. After Ballister is killed, Prin declares he is forever king of the jungle and walks out into the onslaught of spears.

White Woman 9

Cast

White Woman 11

References

  1. Jump up^ The American Film Institute Catalog Feature Films: 1931-40 published by The American Film Institute c.1993
  2. Jump up^ Hangman’s Whip, St. James Theatre, February 24, 1933, IBDb.com; accessed August 5, 2015.
  3. Jump up^ The American Film Institute Catalog Feature Films: 1931-40 published by The American Film Institute, c. 1993

White Woman 13

White Woman 8

White Woman 12

White Woman 14

White Woman 7

White Woman 15

White Woman 16

White Woman 17

White Woman 18

White Woman 19

White Woman 20

Film Collectors Corner

Watch White Woman Now – Instant Video on You Tube

Blu Ray

Not released on Blu Ray

DVD

Lena Rivers (1932)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Lena Rivers AKA The Sin Of Lena Rivers (1932)

Lena Rivers 1

Director: Phil Rosen

Cast: Charlotte Henry, Morgan Galloway, Beryl Mercer, James Kirkwood, John St Polis, Betty Blythe, Joyce Compton, Russell Simpson, Clarence Muse, The Kentucky Singers

67 min

Lena Rivers 2 

Lena Rivers, aka The Sin of Lena Rivers, is a 1932 American pre-Code drama film directed by Phil Rosen based on the 1856 novel by Mary Jane Holmes. Filmed on several occasions throughout the silent era.[1]

Plot

Lena Rivers’ mother dies in childbirth, and the child is left to be reared by her grandparents. Years later, her grandfather is reported lost at sea, and Lena and her grandmother go to live in Canterville, Kentucky with John Nichols, Lena’s uncle, despite the objections of John’s wife Mathilda and his daughter Caroline, who think that Lena is illegitimate.

Henry R. Graham, the owner of the plantation next to the Nichols’, seems bothered when he meets Lena. One day, Lena plays with a bunny on the Graham property, and she is horrified when Graham’s ward, Durrie Belmont, shoots it. Although she calls him a murderer, Durrie, who is courting Caroline, becomes attracted to Lena.

Graham takes a personal interest in Lena because she reminds him of a woman with whom he was in love, but who died while he was away, believing he had deserted her. When Lena shows a gift for calming the excitable horse Brimstone, Graham gives her the horse. After Graham introduces her to Durrie, the boy promises never to shoot another bunny and walks her home. Graham throws a party at his manor, but Lena does not come because she does not have a fancy dress, so Durrie goes to her house.

Lena Rivers 6

They take a walk, and he kisses her before she goes in. Caroline sees them together and calls Lena an “ungrateful sneak,” then says she takes after her mother, who never married. Lana slaps her and runs crying to her grandmother, who assures her that her mother was married, but that her father left her to die. Graham enters Brimstone in the races for Lena because she has made astonishing progress with the previously unmanageable horse.

When Lena’s grandmother has an attack, Graham, worried about the effect her possible death might have on Lena, mentions to Durrie that he would like to adopt her. Durrie’s jealousy is aroused, as Caroline had earlier implied that Graham and Lena were having an illicit affair. In reality, Graham is Lena’s father. He had married her mother in secret because of his tyrant father, using his middle name “Rivers” as their surname.

His father “shanghaied” Graham to Europe, and when he returned, he learned that his wife had died. Until Lena recently appeared, he had been unaware that he had a daughter. Brimstone wins the race, and Lena is awarded $5,000, but Durrie discovers that Graham told the jockey of his competing horse to let Brimstone win.

Lena Rivers 8

Still unaware of Graham’s real relationship to Lena, Durrie, jealous, angry and drunk, proposes to Caroline, who agrees to marry him. Lena’s grandmother dies after realizing that Lena now has enough money to support herself. Shaken by the death, Lena learns about Durrie and Caroline’s elopement and leaves town to make a new life for herself elsewhere after forgiving Graham, who has revealed his secret to her.

Meanwhile, Durrie drives recklessly and his car goes over an embankment. When Graham finds out that Durrie and Caroline are in the hospital, he sends for Lena. While Caroline flirts with a doctor, Durrie learns that Graham is Lena’s father and leaves the hospital to find her and marry her. He gets into a car to find Lena inside, and they hug and kiss.

Lena Rivers 5

Cast

Lena Rivers 7

References

  1. Jump up^ The AFI Catalog of Feature Films:..Lena Rivers

Lena Rivers 4

Lena Rivers 3

Film Collectors Corner

Watch Lena Rivers Now – Amazon Instant Video

Blu Ray

Not released on Blu Ray

DVD

Millie (1931)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Millie (1931)

Millie 2

Millie 3

Director: John Francis Dillon

Cast: Helen Twelvetrees, Lilyan Tashman, Robert Ames, James Hall, John Halliday, Joan Blondell, Anita Louise, Edmund Breese, Frank McHugh, Charlote Walker, Franklin Parker, Marie Astaire, Carmelita Geraghty

85 min

Millie 1

Millie (1931) is a pre-Code drama film directed by John Francis Dillon from a screenplay by Charles Kenyon and Ralph Morgan, based on a novel of the same name by Donald Henderson Clarke. The film was an independent production by Charles R. Rogers, distributed by RKO Radio Pictures, after their acquisition of Pathé Exchange. It starred Helen Twelvetrees in one of her best roles, with a supporting cast which included Lilyan TashmanJames HallJoan BlondellJohn Halliday and Anita Louise.

Plot

Millie (Helen Twelvetrees) is a naive young woman who marries a wealthy man from New York, Jack Maitland (James Hall). Three years later, unhappy in her marriage due to her husband’s continued infidelity, she asks for and receives a divorce. Because of her pride, she does not want his money, but she also does not want to deprive her daughter of a comfortable lifestyle. She allows Jack and his mother (Charlotte Walker) to retain custody of Millie’s daughter Connie (Anita Louise).

Millie 4

Focusing on her career, she rises through the hierarchy of the hotel where she is employed, shunning the attention of the rich banker Jimmy Damier (John Halliday), preferring the attentions of the reporter Tommy Rock (Robert Ames), although, due to her prior sour relationship, she refuses to marry him. Eventually, Millie is promoted to the head of operations for the hotel.

At the same time, Tommy is offered a lucrative position at the bank by Damier as a favor to Millie. However, at the celebration party, Millie discovers that Tommy, just like Maitland, is cheating on her.

Millie 5

Betrayed a second time, Millie becomes very bitter. With her female cohorts, Helen and Angie (Lilyan Tashman and Joan Blondell, respectively), she becomes a woman who loves a good time, floating from man to man. This goes on for several years, until she hears that Damier has taken an interest in her teen-age daughter, Connie, who bears a striking resemblance to her.

Millie warns Damier to leave her daughter alone, but, although he promises to stay away from Connie, he ignores Millie’s warning and takes Connie to a remote lodge to seduce her. Millie is tipped off, goes to the lodge with a gun, confronts Jimmy and kills him.

Millie 6

In the ensuing murder trial, Millie tries to keep her daughter’s name out of the press and claims not to remember why she shot Jimmy. She says that another woman ran out of the lodge after the shot, but claims that she did not see who the woman was and has no idea as to her identity.

The prosecution thus claims that Millie’s motive was jealousy of Jimmy’s romantic relationship with this unknown other woman. Millie’s friends, however, help to bring out the truth, and when the jury finds out that Millie’s true motive was to protect her daughter from Jimmy’s lascivious intentions, they acquit her. In the end, Millie is reunited with her daughter and her estranged husband’s family.

Millie 8

Cast

(Cast as per AFI‘s database)[2]

Millie 10

Production

Donald Henderson Clarke finished his novel, Millie, during summer 1930.[4] The novel was first offered to Metro-Goldwyn-Mayer, who passed on it due to its racy content.[5] In August of that year, it was reported that Charles R. Rogers had purchased the film rights to the novel, and had signed Charles Kenyon to adapt it into a screenplay, as well as selecting John Francis Dillon to direct.[6]

Although Rogers had signed an agreement to distribute his independent films through RKO, it was reported that he would be overseeing the production on the Universal lot.[7] Even though he was incorrectly identified as “Ralph Murphy”, Ralph Morgan was signed to collaborate with Kenyon on the screenplay adaptation in September.[8]

Millie 7

Less than a week later, Helen Twelvetrees signed on for the titular role;[9] and it was reported that the screenplay adaptation had been completed.[5] Rogers would choose Ernest Haller to shoot the film and sign him for the project in the beginning of October.[10]

In January RKO announced the film would be released in February,[11] and it was released on February 8, 1931.[2]

Millie 11

Notes

The film was an independent production by Charles Rogers, but became the property of RKO when he agreed to become their production chief.[12]

The theme song, “Millie”, had words and music by Nacio Herb Brown.[2]

In 1959, the film entered the public domain in the USA due to the copyright claimants failure to renew the copyright registration in the 28th year after publication.[13]

The film’s tagline was “Torn From Her Arms … Child Of Love A Woman Can Give But Once.”[1]

Millie 12

References

  1. Jump up to:a b “Millie: Technical Details”. theiapolis.com. Retrieved August 11, 2014.
  2. Jump up to:a b c d e f g “Millie: Detail View”. American Film Institute. Archived from the original on September 20, 2015. Retrieved December 30, 2016.
  3. Jump up to:a b “Millie, Credits”. Turner Classic Movies. Archived from the original on August 11, 2014. Retrieved August 11, 2014.
  4. Jump up^ Daly, Phil M. (April 17, 1930). “Along the Rialto”The Film Daily. p. 5.
  5. Jump up to:a b “Rogers Chances “Millie””Variety. September 24, 1930. p. 5.
  6. Jump up^ “Hollywood Flashes”The Film Daily. August 30, 1930. p. 3.
  7. Jump up^ “Don Clarke’s Story To Be First Rogers Film”Motion Picture News. August 23, 1930. p. 26.
  8. Jump up^ “Hollywood Activities”The Film Daily. September 21, 1930. p. 29.
  9. Jump up^ “Hollywood Happenings”The Film Daily. September 24, 1930. p. 6.
  10. Jump up^ Wilk, Ralph (October 12, 1930). “A Little from “Lots””The Film Daily. p. 4.
  11. Jump up^ “”Cimarron” and “Millie” Releases”The Film Daily. January 22, 1931. p. 3.
  12. Jump up^ Jewell, Richard B.; Harbin, Vernon (1982). The RKO Story. New York: Arlington House. p. 32. ISBN 0-517-546566.
  13. Jump up^ Pierce, David (June 2007). “Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain”. Film History: An International Journal19 (2): 125–43. ISSN 0892-2160JSTOR 25165419OCLC 15122313doi:10.2979/FIL.2007.19.2.125. See Note #60, pg. 143.

Millie 9

Millie 13

Film Collectors Corner

Watch Millie Now – Instant Video on You Tube

Blu Ray

Not released on Blu Ray

DVD

Applause (1929)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Applause (1929)

Applause 1

Applause  6.jpg

Director: Rouben Mamoulian

Cast: Helen Morgan, Joan Peers, Fuller Mellish Jr., Jack Cameron, Henry Wadsworth, Billie Bernard, Phyllis Bolce, Lotta Burnell, Alice Clayton, Florence Dickinson

80 min

Applause 9

Applause is a 1929 black-and-white backstage musical talkie, shot at Paramount’s Astoria Studios in Astoria, New York, during the early years of sound films. The film is notable as one of the few films of its time to break free from the restrictions of bulky sound technology equipment in order to shoot on location around Manhattan.

Production background

Based on a novel by Beth Brown, the film was staged and directed by Rouben Mamoulian,[1] and stars Helen Morgan, Joan Peers, Henry Wadsworth, and Fuller Mellish, Jr. Mae West was originally considered for the part of Kitty Darling, but Paramount decided West’s glamorous stage presence would undercut the tackier aspects of the storyline.

The National Board of Review named Applause one of the 10 best films of 1929.

Applause 2

This was Morgan’s first all-talking film. She had previously appeared in the sound prologue to the part-talkie version of Show Boat, released by Universal Studios. In the same year, Morgan appeared in Applause, and Glorifying the American Girl.

In 2006, Applause was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.[2]

Applause 3

Plot

The first scene has a marching band playing Theodore Mentz‘s “A Hot Time in the Old Town“.

The film tells of Kitty Darling (Helen Morgan), a burlesque star, who sends her young daughter to a convent to get her away from the sleazy burlesque environment she is involved in.

Applause 7

Many years later, Kitty is not doing so well and her best days are behind her. She’s now an alcoholic who lives in the past. She lives with a burlesque comic named Hitch (Fuller Mellish Jr.). Hitch cheats on her and only cares about spending what little money she has. When he finds out she has been paying for her daughter’s convent education for over a decade, he pushes her into bringing April back home.

Her grown, but naive daughter April (Joan Peers) returns. Kitty is embarrassed by her condition and marries Hitch so that April will not be ashamed of her.

Applause 4

When April arrives, she is disgusted with her mother and her sad life. Hitch tries to force her into show business and repeatedly gropes her, at one point forcing a kiss on her.

April roams the city and meets a lonely young sailor named Tony (Henry Wadsworth). They fall in love and agree to marry and April will move to his home in Wisconsin. When April goes to tell her mother about their plans she overhears Hitch belittling Kitty, calling her a “has-been.”

April is upset and calls off her wedding. She decides to join the chorus line of a burlesque show. She says a reluctant goodbye to Tony at the subway. Meanwhile, Kitty takes an overdose of sleeping pills. The bottle clearly says “For insomnia one tablet only”. She goes downstairs to the show and collapses on a couch.

Applause 14

Knowing that Kitty cannot perform in the show, the producer berates her, mistaking her reaction to the overdose for delirium tremens. April, also not realizing what is happening, and over Kitty’s objections, says she will take Kitty’s place. She tells Kitty she will take care of her now, like Kitty always did for April. As April goes onstage, Kitty passes away, her head hanging over the edge of the couch.

April is disgusted at herself and cannot complete the show. As she runs off the stage, none other than Tony is there to greet her. He says he had a feeling she did not mean what she was saying. She hugs him close and says she wants to go far away. Not realizing Kitty is dead, she says they will need to take care of her mother too, and Tony agrees.

The final shot is a close-up of the Kitty Darling poster on the wall, behind Tony and April.

Applause 8

Cast

Applause 12

Censors

The censor boards approved of the message and production values of the film, but were concerned about a scene in which Kitty told April that two of the chorus girls in the show were Catholic, “as good Catholics as anybody even if they do shake for a living.” The line was changed to “Christians”.

Censors in OhioBritish Columbia, and Worcester, Massachusetts banned the film outright. Many cuts were made for showings in cities such as Chicago, IllinoisProvidence, Rhode Island, and St. Louis, Missouri.

Applause 13

Critical reception

The film opened to mixed reviews from film critics.

Critic Mordaunt Hall, writing for the New York Times, liked the acting but was troubled by some of Rouben Mamoulian’s direction. He said, “The opening chapters are none too interesting and subsequently one anticipates pretty much what’s going to happen…however, Mr. Mamoulian commits the unpardonable sin of being far too extravagant. He becomes tedious in his scenes of the convent and there is nothing but viciousness in his stage passages.”[3]

Applause 17

Photoplay described the film as “a curious one,” however recommendable for the performances by Morgan and Joan Peers. The anonymous reviewer, however, thought the two leads, “and some nice camera work, help save a confusing job.”[4]

The Library of Congress says the following about the film:

Many have compared Mamoulian’s debut to that of Orson Welles‘ Citizen Kane because of his flamboyant use of cinematic innovation to test technical boundaries. The tear-jerking plot boasts top performances from Morgan as the fading burlesque queen, Fuller Mellish Jr. as her slimy paramour and Joan Peers as her cultured daughter. However, the film is remembered today chiefly for Mamoulian’s audacious style. While most films of the era were static and stage-bound, Mamoulian’s camera reinvigorated the melodramatic plot by prowling relentlessly through sordid backstage life.[2]

Applause 19

A recent[when?] review by Manuel Cintra Ferreira highlights the innovative direction and influence on the productions to come:

It is well-known that the arrival of sound brought a revolution in film-making. But (…) the early times were marked by disorientation on how to master the new technique. The cinematographic idiom, having reached a splendorous high by those years, was made to regress almost to its early stages by the demands of the complicated sound machinery, still cameras restricted to the recording of long dialogue declamations in tedious closeups, such that some commentators did not anticipate a sustained future for the “talkies”. Mamoulian’s role in inverting the slippage was profound, eventually making sound and talk an essential element of the narrative in cinema. Applause, his first work in Hollywood, is from the outset an inescapable witness of this process of change, exploring voice off and sound overlay, which, at the time, technicians considered impossible. (…) Applause became (…) the true “first great sound picture in the world”.[citation needed]

Applause 18

Premiere and box office reception

The film opened strongly on October 7, 1929 at New York City’s Criterion Theatre, which was celebrating its 35th anniversary. Also on hand was a short film in which Charles K. Harris sang his classic song “After the Ball“.

A combination of mixed reviews, misleading advertising (the publicity focused on glamour shots of Helen Morgan, not what she looked like in the film), downbeat subject matter, and the Stock Market Crash caused the movie to taper off significantly as soon as it left the Criterion.

Applause 21

Revival, restoration, and home video release

  • In 1939, Henry Hathaway nearly remade the film with Marlene DietrichApplause was rediscovered in the early 1960s, and there was talk of a stage musical with Judy Garland as Kitty and Liza Minnelli as April. (The musical Applause, based on the 1950 movie All About Eve, and having absolutely no relation to the 1929 film, opened on March 30, 1970 starring Lauren Bacall.)[5]
  • The film was restored by the UCLA Film and Television Archive with the original Technicolor sequences.[6]
  • The film was released on DVD in 2003 through Kino Video (under license from current rightsholders Universal Studios). Special features included comments Rouben Mamoulian made for the 1986 50th anniversary of the Directors Guild of America, censorship notes, a 1929 interview with Mamoulian, rare photos and promotional materials, 1933 newsreel footage of Helen Morgan and her second husband, a clip of Morgan singing What Wouldn’t I Do For That Man? in the 1929 musical Glorifying the American Girl, excerpts from the Beth Brown novel, and essays on Morgan and the film, written by Christopher S. Connelly.

Applause 15

See also

References

Applause 10

Applause 11

Applause 5

Film Collectors Corner

Watch Applause Now – Instant Video on You Tube

Blu Ray

Not released on Blu Ray

DVD

Topaze (1933)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Topaze (1933)

Topaze 1

Director: Harry D’Abbadie D’Arrast

Cast: John Barrymore, Myrna Loy, Reginald Mason, Jobyna Howland, Jackie Searl, Albert Conti, Frank Reicher, Luis Alberini, Lowden Adams

78 min

Topaze 11

Topaze is a 1933 American Pre-Code film based on the French play of the same name by Marcel Pagnol. Another film version of Topaze, this one made in the original French was also released that year, starring Louis Jouvet in the title role. Subsequently Pagnol himself directed a 1936 adaptation.

Plot

Prof. Auguste A. Topaze (John Barrymore), an honest, naive chemist and schoolteacher at the –  Stegg Academy in Paris, loses his job when he refuses to accede to a demand by the Baroness de La Tour-La Tour to alter the grades of her bratty son, Charlemagne.

Topaze 5

On the same day, Friday the 13th, Topaze calls on the Baron de La Tour-La Tour’s mistress, Coco (Myrna Loy), who is looking for a tutor for her sister’s son, Alphonse, and had gotten Topaze’s name from La Tour. Upon meeting and listening to the sincere remarks of Topaze, the baron, head of the La Tour Chemical Works, decides to employ him as a scientific front for his phony curative water.

After an encounter at a cafe, where the Baron narrowly avoids a scene with his wife by calling Coco “Madame Topaze”, Coco reveals the true nature of her relation to the Baron to the naive Professor. When they arrive late back to Coco’s apartment, the Baron is jealous, but soon realizes Topaze is entirely innocent.

Topaze 6

Unaware that the water, “Sparkling Topaze,” which is being sold all over Paris, does not contain the medicinal formula he invented for it, Topaze is shocked when Dr. Bomb (who had turned down the “honor” of having the fradulent water named for him) shows up, demanding 100,000 francs from the Baron or he will expose the fradulent product. But the Baron blackmails him in return with information about his previous identity, and Bomb is dragged out.

After confirming for himself, in the lab and in a local restaurant, that “Sparkling Topaze” is in fact phony, a dazed Topaze returns to Coco’s apartment the next morning, where Coco fusses over him. At first, he is ready to be arrested, but the men who are shown in are instead a delegation from the Bureau of Awards and Merits, who award him the Academic Palms. All are friends and business associates of the Baron, and the scales begin to fall from Professor Topaze’s eyes.

Topaze 7

His naivete thoroughly destroyed, declaring “Topaze lies dead in an alley”, Topaze decides to fight back by becoming more corrupt than his mentors. He remakes his image and, with Bomb as his assistant, he opens his own office, where he makes dignitaries wait to see him. One is Dr. Stegg, who now wants Topaze to preside at the graduation at the school. Topaze succeeds in blackmailing the Baron into a partnership in his company with a complete account of his relationship with Coco, which he threatens to show to the Baroness, whose name the shares in the company are in.

At the Stegg Academy graduation, Topaze, who has also garnered the romantic attention of Coco, is to distribute the prize, which he is told is to go to his former nemesis, Charlemagne de La Tour-La Tour. He gives a little speech about his experiences in the great world, that honesty isn’t always rewarded and that villainy often receives more applause than virtue. Declaring that he will not reward wrongdoers, he shows up Charlemagne’s ignorance relative to all his classmates, then awards the prize to them instead.

He is last seen escorting Coco into the cinema.

Topaze 8

Cast

Topaze 2

Reception

Topaze won the 1933 National Board of Review Award for Best Film.

Mordaunt Hall said “[I]t is an agreeable and effective film, and Mr. Barrymore lends no little artistry to the rôle of the benign Professor Auguste Topaze, a part played with rare skill on the stage by Frank Morgan.”[1]

In 1935, a planned reissue was rejected by Joseph Breen as the Production Code was now being strictly enforced and the relationship between Coco and Philippe lacked compensating moral values.[2]

 

Topaze 4

References

  1. Jump up^ New York Times review by Mordaunt Hall
  2. Jump up^ The Dame in the Kimono by Leonard Leff and Jerold Simmons (Weidenfeld and Nicolson: 1990)

Topaze 7

Topaze 9

Topaze 12

Topaze 10

Film Collectors Corner

Watch Topaze Now – Instant Video on You Tube

Blu Ray

Not released on Blu Ray

 

DVD

Not released on DVD

 

Ten Cents a Dance (1931)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Ten Cents a Dance (1931)

Ten Cents a Dance 1

Ten Cents a Dance 3

Directors: Lionel Barrymore, Edward Buzzell

Cast: Barbara Stanwyck, Ricardo Cortez, Monroe Owsley, Sally Blane, Blanche Friderici, Phyllis Crane, Olive Tell, Victor Potel, Al Hill, Jack Byron

75 min

Ten Cents a Dance 2

Ten Cents a Dance is a 1931 American pre-Code romance-drama film directed by Lionel Barrymore and starring Barbara Stanwyck as a married taxi dancer who falls in love with one of her customers. The film was inspired by the popular song of the same name, which is sung over the title sequence.[1]

Plot

A beautiful streetwise taxi dancer named Barbara O’Neill (Barbara Stanwyck) works at a New York City dance hall called Palais de Dance. One of the dance hall’s wealthy patrons, Bradley Carlton (Ricardo Cortez), comes to the hall and gives Barbara $100.

Concerned about her unemployed friend and neighbor Eddie Miller (Monroe Owsley), Barbara asks Bradley to give him a job, and he agrees. That night they have dinner together.

Ten Cents a Dance 5

When Barbara gets home, Eddie is in the process of packing his bags; he can no longer afford to pay his rent. Barbara gives him the $100 she received from Bradley and tells him about his new job. Later, Eddie and Barbara meet in the park and realize that they are in love.

The next night at the dance hall, Barbara receives a gift of a new dress, but is disappointed when she sees that it was sent by Bradley. Eddie arrives at the dance hall and asks Barbara to marry him. Barbara accepts his proposal and soon quits her job.

Five months later, Eddie meets an old friend Ralph Sheridan and his sister Nancy, and does not reveal that he is now married. They play cards together and Eddie loses $240, something he does not tell his wife.

Ten Cents a Dance 18

He claims to be at a convention, but in fact he meets a woman named Nancy. Later, Eddie returns to find the rent and utilities past due because he has spent his pay gambling. Meanwhile, Barbara returns to work at the dance hall, where she sees Bradley occasionally.

Later, Barbara returns home and discovers Eddie packing his bags. Admitting that he stole $5,000 from Bradley’s office safe, he tells her that he lost that money playing the stock market. Barbara is able to talk him into staying, and she visits Bradley and asks him for a $5,000 loan. Bradley agrees because he is in love with her.

Ten Cents a Dance 6

The next morning, Barbara presents the money to Eddie who accepts it immediately. When Eddie returns from work, he and Barbara engage in a jealous fight. Soon after, she packs her belongings and returns to the dance hall, where she is met by Bradley who has two tickets for the Ile de France, where Barbara can obtain a divorce and marry him.

Ten Cents a Dance 7

Cast

(Cast list as per AFI‘s database[2])

Ten Cents a Dance 9

References[edit]

  1. Jump up^ Hall, Mordaunt (March 7, 1931). “The $10,000 Kiss. Strange Temperaments. In a Dance Hall. Screen Notes.”The New York Times. Retrieved February 13, 2014.
  2. Jump up^ “Ten Cents a Dance: Detail View”. American Film Institute. Retrieved December 15, 2014.

Ten Cents a Dance 10

Ten Cents a Dance 11

Ten Cents a Dance 12

Ten Cents a Dance 14

Ten Cents a Dance 15

Ten Cents a Dance 16

Ten Cents a Dance 13

Film Collectors Corner

Watch Ten Cents a Dance Now – Instant Video on You Tube

Blu Ray

Not released on Blu Ray

DVD

Borrowed Wives (1930)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Borrowed Wives (1930)

Borrowed Wives 1

Borrowed Wives 2

Director:  Frank R Strayer

Cast: Rex Lease, Vera Reynolds, Nita Martan, Paul Hurst, Robert Livingston, Charles Sellon, Dorothea Wolbert, Sam Hardy, Harry Todd, Tom London

62 min

Borrowed Wives 3

Borrowed Wives is a 1930 American Pre-Code film directed by Frank R. Strayer.

Plot summary

Peter Foley (Rex Lease) is a beneficiary of his grandfather, who leaves him $800,000 in his will. The condition for Peter getting the money is that he gets married. Peter is very interested in getting the money, especially since he has debts, and plans to marry Alice Blake (Vera Reynolds) as soon as she arrives from Kansas City.

Borrowed Wives 4

He plans to take her to his Uncle Henry’s (Charles Sellon) home before midnight to actually get the inheritance. The uncle needs to see the girl whom Peter is about to marry before he releases the money.

Alice’s airplane is delayed, though. The man to whom Peter is in debt, Parker (Sam Hardy), insists that his own girl friend, Julia (Nita Martan), pose as Peter’s wife in the meantime. Alice is informed by Joe Blair (Robert Livingston), a man who is secretly interested in marrying Alice himself, that Peter is actually married to Julia. Alice agrees to marry Joe if this is true.

Borrowed Wives 7

Peter and Julia are pursued by Bull (Paul Hurst), a motorcycle policeman who loves Julia. Further complications arise at Uncle Henry’s, when Lawyer Winstead (Harry Todd), who is found bound and gagged, agrees to marry them. The uncle, revealed to be posing as a paralytic, is exposed as a villain, but Peter and Alice are ultimately married before the last hour appointed in the will.[1]

Borrowed Wives 8

Cast

  • Borrowed Wives 9

Borrowed Wives 10

Borrowed Wives 11

Film Collectors Corner

Watch Borrowed Wives Now – Instant Video on You Tube

Blu Ray

Not released on Blu Ray 

DVD

Sensation Hunters (1933)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Sensation Hunters (1933)

Sensation Hunters 3

Director: Charles Vidor

Cast: Arline Judge, Preston Foster, Marion Burns, Kenneth MacKenna, Juanita Hansen, Creighton Hale, Cyril Chadwick, Nella Walker, Harold Minjir, Finis Barton, Zoila Conan

73 min

Sensation Hunters 6

Sensation Hunters is a 1933 American Pre-Code B-movie directed by Charles Vidor and released by Monogram Pictures.

Plot

Dale Jordon is on her way to Panama with Trixie Snell and Her Hotcha Girls to be a cabaret singer at the Bull Ring Cafe. Traveling by ship, Dale meets and falls in love with Tom Baylor, who owns copper interests near Panama. Baylor is concerned about Dale and they quarrel after he asks her to promise not to start drinking. Baylor sends Dale a bracelet with a note saying that they should part.

Sensation Hunters  11.jpg

After three months, Dale, who is rooming with friend and fellow singer Jerry Royal, is tired and frustrated with her job. She attracts the attention of a wealthy flier, Jimmy Crosby, who wants a more permanent relationship, but Dale is still in love with Baylor and refuses. After a fight with Trixie, Dale asks Crosby to take her away and promises to marry him. Crosby agrees and Dale spends her savings on a hotel room and clothes.

Sensation Hunters 13

Baylor returns to Panama and, meeting Dale in the hotel lobby, assumes that she is Crosby’s mistress. Dale, angered by his assumption, pretends it is true and Baylor leaves for San Francisco. Before they can leave for New York, Crosby makes a last test run. His wife has refused to give him a divorce to marry Dale, and, distraught, he commits suicide in a plane crash.

Trixie refuses to give Dale her old job back and also fires Jerry when she tries to intercede. The girls go to work in a seedy saloon to earn enough money for passage home. They almost have enough when Jerry is stabbed in a barfight. Dale spends all their money for Jerry’s medical expenses but still desperately short, prepares to become a prostitute; instead, Baylor arrives, summoned by a telegram from Jerry, and he and Dale reconcile.

Sensation Hunters 12

Cast

Sensation Hunters 10

Soundtrack

  • Arline Judge and chorus – “If It Ain’t One Man” (Written by Bernie Grossman and Harold Lewis)
  • Marion Burns – “There’s Something In the Air” (Written by Bernie Grossman and Harold Lewis)

Sensation Hunters 4

Sensation Hunters 8

Sensation Hunters 5

Sensation Hunters 9

Sensation Hunters 7

Film Collectors Corner

Watch Sensation Hunters Now – Instant Video on You Tube

Blu Ray

Not released on Blu Ray

 

DVD

Trouble in Paradise (1932)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Trouble in Paradise (1931)

Trouble in Paradise  1.jpg

Trouble in Paradise 2

Director: Ernst Lubitsch

Cast: Miriam Hopkins, Kay Francis, Herbert Marshall, Charles Ruggles, Edward Everett Horton, C Aubrey Smith, Robert Greig, Luis Alberini

83 min

Trouble in Paradise 3

Kay Francis & Miriam Hopkins-The Trouble in Paradise 1932

Trouble in Paradise is a 1932 American Pre-Code romantic comedy film directed by Ernst Lubitsch, starring Miriam HopkinsKay Francis, and Herbert Marshall and featuring Charles Ruggles and Edward Everett Horton.

Based on the 1931 play The Honest Finder (A Becsületes Megtaláló) by Hungarian playwright László Aladár,[2] the film is about a gentleman thief and a lady pickpocket who join forces to con a beautiful perfume company owner.

In 1991, Trouble in Paradise was selected for preservation by the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.[3]

Trouble in Paradise 4

Plot

In Venice, Gaston Monescu (Herbert Marshall), a master thief masquerading as a baron, meets Lily (Miriam Hopkins), a beautiful thief and pickpocket also pretending to be of the nobility, and the two fall in love and decide to team up.

They leave Venice for Paris, and go to work for the famous perfume manufacturer Madame Mariette Colet (Kay Francis), with the intention of stealing a great sum of money from her safe, which Monescu, as her secretary, arranges to be diverted there. In the course of things, Colet begins to flirt with Monescu, and he begins to have feelings for her.

Trouble in Paradise 6

Unfortunately, the plan develops a hitch when François Filiba (Edward Everett Horton), one of Colet’s suitors, sees Monescu at a garden party. He is unable to remember where he knows him from, but when another of Colet’s suitors, The Major (Charles Ruggles), tells Filiba that he once mistook Monescu for a doctor, Filiba suddenly remembers that he knows Monescu from Venice, where the thief robbed him, pretending to be a doctor. Monescu and Lily plan an immediate getaway that night, after they take all the money in the safe.

Colet prepares to leave for a dinner party given by the Major, but cannot decide whether to go or to stay and have sex with Monescu. Eventually she goes, but not before Lily catches on that Monescu has fallen for her rival, and wants to back out of the plan – so she robs the safe herself after confronting her partner.

Trouble in Paradise 7

At the Major’s, Filiba tells Colet about Monescu, but she refuses to believe it’s true. She returns home and suggestively probes Monescu, who admits that the safe has been cleaned out, but claims that he himself took the cash. He also tells her that the manager of her business, Adolph J. Giron (C. Aubrey Smith), who has been suspicious of Monescu all along, has stolen millions of dollars from the firm over the years.

Lily then confronts Colet and Monescu, reporting that it was she who stole the money from the safe. An argument ensues, in which, eventually, Colet allows the two thieves to leave together. As a parting shot, Monescu steals a necklace from Colet that Lily had her eye on, and, in turn, Lily steals it from him, displaying it to him as the taxi takes them away, hugging each other.

Trouble in Paradise 8

Cast

Trouble in Paradise 9

Production

Working titles for Trouble in Paradise included “The Honest Finder,” “Thieves and Lovers,” and “The Golden Widow”; the latter was publicly announced to be the intended release title.[4] As with all the Lubitsch-Raphaelson collaborations, Lubitsch contributed to the writing and Raphaelson contributed ideas to the directing.[5]

Lubitsch did not receive screen credit for his writing, and Grover Jones, who was credited with the adaptation, did not contribute significantly:[5] although he was in the room, his credit was based on a contractual obligation, and he did little more than tell stories.[5][6]

Further, although supposedly based on László Aladár’s 1931 play The Honest Finder, Lubitsch suggested that Raphaelson not read the play, and instead the main character, Herbert Marshall’s master thief, was based on the exploits of a real person, George Manolescu, a Romanian con man whose memoir was published in 1905, and became the basis for two silent films.[5]

Trouble in Paradise 10

Made before effective enforcement of the Production Code, the film is an example of pre-code cinema containing adult themes and sexual innuendo that was not permitted under the Code. In 1935, when the Production Code was being enforced, the film was not approved for reissue[4] and was not seen again until 1968.[7]Paramount was again rejected in 1943, when the studio wanted to make a musical version of the film.[4]

The Art Deco sets for Trouble in Paradise were designed by the head of Paramount’s art department, Hans Dreier, and the gowns were designed by Travis Banton.[5]

Trouble in Paradise 11

Reception

Trouble in Paradise was the film that first had people talking about “the Lubitsch touch,” and it was, in fact, one of the director’s favorites.[5] Critic Dwight Macdonaldsaid of the film that it was “as close to perfection as anything I have ever seen in the movies.”[5]

The New York Times named the film as one of the ten best films of 1932. In 1998, Roger Ebert added it to his Great Movies collection.[8] Wes Anderson and Ralph Fiennes both said the movie was an inspiration for The Grand Budapest Hotel (2014). Review aggregation site Rotten Tomatoes reports 91% approval based on 23 critics.[9]

Trouble in Paradise 12

Awards and honors

Trouble in Paradise was named by the National Board of Review as one of the top ten films of 1932.[3][10]

References

  1. Jump up to:a b “Trouble in Paradise” at Kay Francis Films. Accessed 16 March 2014
  2. Jump up^ “Screenplay info” on TCM.com. Accessed=August 24, 2012
  3. Jump up to:a b “Awards”Allmovie.com. Retrieved August 24, 2012.
  4. Jump up to:a b c “Notes”TCM.com. Retrieved August 24, 2012.
  5. Jump up to:a b c d e f g Nixon, Rob. “Trouble in Paradise (article)”TCM.com. Retrieved August 24, 2012.
  6. Jump up^ Raphaelson, Samson. Three Screen Comedies Madison, Wisconsin: University of Wisconsin Press, 1983. ISBN 0-299-08780-8
  7. Jump up^ Osborne, Robert. Outro to the Turner Classic Movies showing of Trouble in Paradise (March 31, 2011)
  8. Jump up^ Ebert, Roger“Trouble in Paradise”. Retrieved July 30, 2013.
  9. Jump up^ Trouble in Paradise (1932)”. Rotten Tomatoes. Retrieved April 23, 2016.
  10. Jump up^ “Awards”Internet Movie Database. Retrieved August 24, 2012.

Trouble in Paradise 13

Trouble in Paradise 14

Trouble in Paradise 15

Trouble in Paradise 17

Trouble in Paradise 18

Trouble in Paradise 19

Trouble in Paradise 20

Trouble in Paradise 21

Film Collectors Corner

Watch Trouble in Paradise Now – Instant Video on Internet Archive

Blu Ray

Not released on Blu Ray

 

DVD

Stolen Jools, The (1931)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

The Stolen Jools AKA The Slippery Pearls (1931)

Stolen Jools 1

Directors: 

William C. McGannJohn G. Adolfi…(uncredited)Thomas Atkins…(uncredited)Harold S. Bucquet…(uncredited)Victor Heerman…(uncredited)Russell Mack…(uncredited)

Cast: 

Wallace Beery Wallace Beery
Police Sergeant
Buster Keaton Buster Keaton
Policeman
Jack Hill Jack Hill
Policeman
J. Farrell MacDonald J. Farrell MacDonald
Policeman
Edward G. Robinson Edward G. Robinson
Gangster (as Edward Robinson)
George E. Stone George E. Stone
Gangster
Eddie Kane Eddie Kane
Inspector Kane
Stan Laurel Stan Laurel
Policeman
Oliver Hardy Oliver Hardy
Police Driver
Allen 'Farina' Hoskins Allen ‘Farina’ Hoskins
Farina (as Farina)
Matthew 'Stymie' Beard Matthew ‘Stymie’ Beard
Stymie (as Stymie)
Norman 'Chubby' Chaney Norman ‘Chubby’ Chaney
Chubby (as Chubby)
Mary Ann Jackson Mary Ann Jackson
Shirley Jean Rickert Shirley Jean Rickert
Shirley Jean
Dorothy DeBorba Dorothy DeBorba
Echo (as Echo)
Bobby 'Wheezer' Hutchins Bobby ‘Wheezer’ Hutchins
Wheezer (as Wheezer)
Pete the Dog Pete the Dog
Pete (as Pete the Pup)
Polly Moran Polly Moran
Norma Shearer’s Maid
Norma Shearer Norma Shearer
Owner of Stolen Jewels
Hedda Hopper Hedda Hopper
Hedda – Norma’s Friend
Joan Crawford Joan Crawford
William Haines William Haines
Bill Haines
Dorothy Lee Dorothy Lee
Autograph Signer
Victor McLaglen Victor McLaglen
Edmund Lowe Edmund Lowe
El Brendel El Brendel
Swedish Waiter
Charles Murray Charles Murray
Kelly (as Charlie Murray)
George Sidney George Sidney
Cohen
Winnie Lightner Winnie Lightner
Winnie
Fifi D'Orsay Fifi D’Orsay
Fifi D’Orsay
Warner Baxter Warner Baxter
Irene Dunne Irene Dunne
Irene Dunne
Bert Wheeler Bert Wheeler
Bert Wheeler
Robert Woolsey Robert Woolsey
Robert Woolsey
Richard Dix Richard Dix
Richard Dix
Claudia Dell Claudia Dell
Claudia Dell
Lowell Sherman Lowell Sherman
Movie Director
Eugene Pallette Eugene Pallette
Reporter
Stuart Erwin Stuart Erwin
Reporter
Richard 'Skeets' Gallagher Richard ‘Skeets’ Gallagher
Reporter (as Skeets Gallagher)
Gary Cooper Gary Cooper
Newspaper Editor
Wynne Gibson Wynne Gibson
Reporter
Charles 'Buddy' Rogers Charles ‘Buddy’ Rogers
‘Buddy’ Rogers (as Buddy Rogers)
Maurice Chevalier Maurice Chevalier
Douglas Fairbanks Jr. Douglas Fairbanks Jr.
Douglas Fairbanks Jr.
Loretta Young Loretta Young
Loretta Young
Richard Barthelmess Richard Barthelmess
Richard Barthelmess
Charles Butterworth Charles Butterworth
Claiming to Be Louise Frazenda
Bebe Daniels Bebe Daniels
Mrs. Ben Lyon
Ben Lyon Ben Lyon
Ben Lyon
Barbara Stanwyck Barbara Stanwyck
Mrs. Frank Fay
Frank Fay Frank Fay
Frank Fay
Jack Oakie Jack Oakie
Jack Oakie
Fay Wray Fay Wray
Fay Wray
George 'Gabby' Hayes George ‘Gabby’ Hayes
Projectionist (as George Hayes)
'Little Billy' Rhodes ‘Little Billy’ Rhodes
Film Delivery Boy (as Little Billy)
Mitzi Green Mitzi Green
Little Mitzi – Mystery Solver
Rest of cast listed alphabetically:
Joe E. Brown Joe E. Brown
Robbery Suspect
Robert Ames Robert Ames
Robert Ames (uncredited)
Bert Lytell Bert Lytell
Bert Lytell (uncredited)

Stolen Jools 3

The Stolen Jools (1931) is a short comedy film produced by the Masquers Club of Hollywood, featuring many cameo appearances by film stars of the day. The stars appeared in the film, distributed by Paramount Pictures, to raise funds for the National Vaudeville Artists Tuberculosis Sanitarium. The UCLA Film and Television Archive entry for this film says—as do the credits—that the film was co-sponsored by Chesterfield cigarettes to support the “fine work” of the NVA sanitarium.

When the film was shown in theaters in 1931, a person would appear after the film to ask the audience for donations. Because the film was made for charity, it has an unusually large cast of actors from various studios in addition to Paramount, such as Warner Bros.RKOMGM, and Hal Roach Studios.

This film was retitled The Slippery Pearls in the United Kingdom. It was thought to have been lost until a print was found in the UK in the 1990s. Another print was later found in the US under the alternative title.

Stolen Jools 2

Plot

At the “Screen Stars Annual Ball”, Norma Shearer‘s jewels are stolen. The police must find them and return them to her.

Stolen Jools 5

Cast, as listed in end credits

The Detective
Under the Tree
Couples at Home
In a Movie Scene
Projectionist
The Midget
(Uncredited)
 Stolen Jools 4

See also

References

1. Transcribed from the DVD Best of Laurel & Hardy, Volumes 2–3. Brentwood Home Video, 2004.
Stolen Jools 7
Stolen Jools 8
Stolen Jools 9

Film Collectors Corner

Watch The Stolen Jools Now – Instant Video on You Tube 

Blu Ray

Not released on Blu Ray

DVD

Tangled Destinies (1932)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Tangled Destinies AKA Who Killed Harry Forbes? (1932)

Tangled Destinies 2

Director: Frank R Strayer

Cast: Gene Morgan, Doris Hill, Glen Tryon, Vera Reynolds, Ethel Wales, Moanei Lindley, Syd Saylor, Sidney Bracey

Tangled Destinies 1 

Tangled Destinies is a 1932 American film directed by Frank R. Strayer.

The film is also known as Who Killed Harvey Forbes? in the United Kingdom.

Plot summary

When a transcontinental airplane is forced to land in the desert in a thick fog, the crew and ten passengers find refuge in a deserted house, where they start up an electric generator and turn on the lights.

After the lights go out unexpectedly, one of the passengers is killed. Another passenger, a detective, claims he was guarding the deceased, who was carrying valuable diamonds, which are then discovered to be paste. Later, another person is murdered. Eventually, the murderer is found in the guise of a clergyman.

Tangled Destinies 3

Cast

Tangled Destinies 6

Tangled Destinies 7

Tangled Destinies 4

Film Collectors Corner

Watch Tangled Destinies Now – Instant Video on Internet Archive 

Blu Ray

Not released on Blu Ray

 

DVD

Framed (1930)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Framed (1930)

Framed 5

Director: George Archainbaud

Cast: Evelyn Brent, Regis Toomey, Ralf Harolde, William Holden, Maurice Black, Robert Emmet O’Connor, Eddie Kane

65 min

Framed 4

Framed is an 1930 American pre-Code crime action film, directed by George Archainbaud, based on a screenplay by Paul Schofield and Wallace Smith. It starred Evelyn Brent, William Holden (no relation to the Oscar-winning actor, William Holden), Regis Toomey and Ralf Harolde.

Plot summary

When Rose Manning’s father is killed during a robbery by Inspector McArthur, Manning vows to avenge his death. Five years elapse, and Rose is now the owner of a nightclub, and her liquor supplier, the bootlegger Chuck Gaines is interested in her. Still plotting her revenge, she meets Jimmy McArthur, who she does not realize is the son of the inspector. Spurning Gaines’ advances, Rose becomes romantically involved with Jimmy. Her motivations waver as her emotional attachment to the young McArthur grows, until her relationship takes precedence over her revenge.

Framed 2

Chuck, jealous of the growing relationship between Rose and Jimmy, plots with his cohort, Bing Murdock, to murder both the inspector and his son. Uncovering the plan, Rose is attempting to warn Jimmy, when his father raids her club. In the ensuing chaos, Jimmy kills Gaines in order to protect Rose, after Gaines attacked her in a fit of jealous rage. When the inspector finally realizes that what Rose and Jimmy have is real affection for one another, he removes any objections over their relationship.

Framed 1

Cast

Framed 3

References

  1. Jump up to:a b c Framed: Detail View”. American Film Institute. Retrieved June 7, 2014.

Framed 6

Framed 7

Film Collectors Corner

Watch Framed Now – Instant Video on You Tube

Blu Ray

Not released on Blu Ray

DVD

Money Means Nothing (1934)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Money Means Nothing (1934)

Money Means Nothing 1

Director: Christy Cabanne

Cast: Wallace Ford, Edgar Kennedy, Gloria Shea, Vivien Oakland, Maidel Turner, Betty Blythe, Eddie Tamblyn, Richard Tucker, Tenen Holtz, Ann Brody

70 min

Money Means Nothing 2

Plot

When Julie Ferris, a wealthy young woman searching for excitement, goes slumming at Joe’s Roadside Inn, she notices a group of shady men and follows them in her car. After trailing them for a distance, Julie crashes into their car as they are hijacking two trucks carrying tires. In the ensuing scuffle, the thieves shoot one of the trucks’ drivers, Red Miller, and threaten Julie. Ken McKay, the other driver, protects and rescues Julie, and she immediately falls in love with him. Although her sister Helen and rich brother-in-law George disapprove, Julie marries Ken and moves to Brooklyn.

While determined to make the marriage work, Julie is nonetheless unprepared for her new neighbors, the boorish, nosy Greens. After the Greens crash Julie’s birthday dinner, Herbert Green, who is Ken’s boss at the auto parts store, is told by his overbearing wife that Julie’s snobbish family insulted him. As revenge, Herbert lies to his district manager that Ken has been tipping off the still active hijackers.

Money Means Nothing 3

Fired, Ken has no luck in finding another job and contemplates making the now pregnant but devoted Julie return to her family when Red Miller, who has opened his own tire store, hires him. In cahoots with the hijackers, Red forces an unsuspecting Ken to help him steal more tire shipments, but Herbert, on a tip from Julie, figures out the plan and calls the police. In the end, the thieves are caught, and a repentant Herbert promises Ken a new job. Thus saved, the newlyweds reaffirm their belief that money means nothing.

Money Means Nothing 4

Cast 

Wallace Ford Wallace Ford
Gloria Shea Gloria Shea
Julie Ferris McKay
Edgar Kennedy Edgar Kennedy
Herbert Green
Vivien Oakland Vivien Oakland
Helen Whitney (as Vivian Oakland)
Maidel Turner Maidel Turner
Mrs. Kerry Green
Betty Blythe Betty Blythe
Mrs. Ferris
Eddie Tamblyn Eddie Tamblyn
Robert ‘Robby’ Ferris (as Edward Tamblyn)
Richard Tucker Richard Tucker
George Whitney
Tenen Holtz Tenen Holtz
Mr. Silverman
Ann Brody Ann Brody
Mrs. Silverman
Rest of cast listed alphabetically:
Irving Bacon Irving Bacon
Navy Secretary (scenes deleted)
Ernie Adams Ernie Adams
Lead Hijacker (uncredited)
Sam Flint Sam Flint
Police Sergeant (uncredited)
Douglas Fowley Douglas Fowley
Red Miller (uncredited)
Olaf Hytten Olaf Hytten
Parsons – the Butler (uncredited)
Jack Kenney Jack Kenney
Hijacker-Driver (uncredited)
Jack Norton Jack Norton
Jack – Hijacker (uncredited)
Lee Phelps Lee Phelps
Chauffeur (uncredited)
Harry Semels Harry Semels
Toy Vendor (uncredited)
Bert Young Bert Young
Jim – Driver Shot in Leg (uncredited)

Film Collectors Corner

Watch Money Means Nothing Now – Amazon Instant Video

Blu Ray

Not released on Blu Ray

DVD

World Gone Mad, The (1933)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

The World Gone Mad AKA The Public Be Hanged (1933)

World Gone Mad The 1

Director: Christy Cabanne

Cast: Pat O’Brien, Evelyn Brent, Neil Hamilton, Mary Brian, Louis Calhern, J Carrol Naish, Buster Phelps, Richard Tucker, Edward Van Sloan

80 min

The World Gone Mad (also released as The Public Be Hanged) is a 1933 American Pre-Code crime film directed by Christy Cabanne and starring Pat O’BrienEvelyn Brent and Neil Hamilton.[1] It was made on a low-budget by the independent Majestic Pictures, a Poverty Row forerunner of Republic Pictures.[2]

World Gone Mad The 2

World Gone Mad The 3

Plot

When a district attorney who has been investigating a utility company’s directors for fraud is suddenly killed, his wisecracking newspaperman friend (Pat O’Brien) gets curious. He and the upstanding new district attorney (Neil Hamilton) separately pursue the case. Cultivated but sinister businessmen, a shady nightclub owner specializing in “import and export”, several beautiful young women always seen in evening gowns, a “Latin lover” type who reads Casanova and an abundance of suave men in evening dress provide eye-candy for the duration.

World Gone Mad The 4

Cast

World Gone Mad The 5

References

World Gone Mad The 6

World Gone Mad The 7

World Gone Mad The 8

Film Collectors Corner

Watch The World Gone Mad Now – Amazon Instant Video

Blu Ray

Not released on Blu Ray

DVD

Phantom Broadcast, The (1933)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Phantom Broadcast, The (1933)

Phantom Broadcast The 1

Phantom Broadcast The 2

Director: Phil Rosen

Cast: Ralph Forbes, Vivienne Osborne, Arnold Gray, Gail Patrick, Paul Page, Pauline Garon, Guinn Big Boy Williams, Rockliffe Fellowes

72 minutes

Phantom Broadcast The 4

Plot

As a delivery boy bestows flowers to girls about town, singer Grant Murdock states on his radio show that “Tonight I’m singing to you!” Joe Masetro, a gangster type, has set his sights on signing Grant to a big contract at the end of the week. Grant signs a new contract, however, with his old manager and conductor, Norman Wilder, a hunchback. Joe is upset with siren Elsa Evans, who was supposed to seduce Grant into signing with him. When Joe threatens to cut her out of the action, Elsa tells him she plans to marry Grant.

After the broadcast, Grant makes dates with a number of the girls and heads for Elsa, telling Wilder’s driver, Sandy Higgins, that he will not be rehearsing tonight. Lefty, Joe’s chief henchman and Elsa’s ex-lover, arrives with his gang to kill Norman. Norman meets Laura Hamilton, a young singer, and offers to test her the next day. Getting into his car, Sandy warns Norman about Lefty’s presence and the danger from Joe. Norman laughs off Sandy’s concern, but agrees to take a taxi, after which his car is shot up by Lefty and company. Joe calls Elsa at Grant’s apartment and tells her that Norman was “killed in a gang fight.” Norman, using his key, enters Grant’s apartment, frightening Elsa.

Phantom Broadcast The 5

Told of the attack, Grant assumes the murderers were after him, and after refusing to rehearse, he and Elsa leave. While Laura washes dishes with her fiancée, Dr. Robert Brooks, Norman calls and offers to test her in his studio that night. After the tryout, Norman tells Laura that she has real talent, but insists that a singing career and marriage do not mix. After she leaves, Norman looks in the mirror and imagines what he might have been like if he had not been born a hunchback. The next day, Grant and Norman rehearse. It turns out that Norman is the real singer and that Grant is no more than a ventriloquist’s dummy, mouthing the words and accepting the praise and glory.

When Grant leaves, he bumps into Laura and breaks her compact. Impressed by her looks, he promises to sing “My Good Bye to You” just for her, but Norman warns Laura about Grant, then refuses to sing the song on the broadcast. After the radio show, Norman tells Grant to stay away from Laura, but Grant calls her and makes a date for five o’clock to “hear him sing.” Grant strikes Norman and leaves. Norman tries to call Laura but she has already left. Back at his apartment, Elsa finds Laura’s compact and confronts Grant.

Phantom Broadcast The 6

She talks about marriage, but Grant strikes her and throws her out. While Elsa takes out her gun, Norman buys one of his own. Arriving at Grant’s, Norman finds the performer dead, with Laura’s compact next to him. Thinking Laura killed Grant, Norman switches guns, calls the police and confesses to the murder. Laura arrives, and realizing his mistake, Norman orders her to leave. When the police arrive, Norman escapes through the roof, but is mortally wounded.

Elsa calls Joe seeking help, but it is Lefty, who is still in love with her, who agrees to give her money. At the radio station, word of Grant’s murder arrives. At seven o’clock, right on schedule, the “voice” of Grant Murdock is heard on the air. The studio curtain is pulled back to show Norman singing “My Good Bye to You.” As he dies in her arms, Norman tells Laura that “love and music do mix.” On a ship, Laura honeymoons with Robert, as nearby Elsa wonders aloud to Lefty why Norman took the “rap” for her.