Tag Archives: archive treasures

Her First Affaire (1932)


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Her First Affaire (1932)

 

Her First Affaire 3

Director: Allan Dwan

Cast: Ida Lupino, George Curzon, Diana Napier, Harry Tate, Muriel Aked, Arnold Riches, Kenneth Kove, Helen Haye, Roland Culver

71 min  

Her First Affaire is a 1932 British drama film directed by Allan Dwan and starring Ida LupinoGeorge Curzon and Diana Napier.[1] It was based on a play by Merrill Rogers and Frederick J. Jackson.

Plot

A headstrong young girl falls completely for a writer of trashy novels, and insinuates herself into his household, all to the chagrin of her erstwhile fiancé.He conspires with the author’s wife to show the girl how foolish she’s been.

Her First Affaire 1

Cast

References

  1. Jump up^ “Her First Affaire (1932)”BFI. Retrieved 3 May 2016.

Her First Affaire 2

 

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Journey’s End (1930)


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Journey’s End (1930)

Journey's End 2

Journey's End 6

Director: James Whale

Cast: Colin Clive, Ian Maclaren, David Manners, Billy Bevan, Anthony Bushell, Robert Adair, Charles K Gerrard, Tom Whiteley

120 min

Journey’s End is a 1930 British-American war film directed by James Whale. Based on the play of the same name by R. C. Sherriff, the film tells the story of several British army officers involved in trench warfare during the First World War. The film, like the play before it, was an enormous critical and commercial success and launched the film careers of Whale and several of its stars.

The following year there was a German film version Die andere Seite directed by Heinz Paul starring Conrad Veidt as Stanhope and Wolfgang Liebeneiner as Raleigh. The film was banned just weeks after the Nazis took power in 1933.

In 1976, the play was adapted again as Aces High with the scenario shifted to the British Royal Flying Corps. The play was adapted for film again with its original title and scenario in 2017.

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Plot

On the eve of a battle in 1918, a new officer, Second Lieutenant Raleigh (David Manners), joins Captain Stanhope’s (Colin Clive) company in the British trench lines in France. The two men knew each other at school: the younger Raleigh hero-worshipping Stanhope, while Stanhope has come to love Raleigh’s sister.

But the Stanhope whom Raleigh encounters now is a changed man who, after three years at the front, has turned to drink and seems close to a breakdown. Stanhope is terrified that Raleigh will betray Stanhope’s decline to his sister, whom Stanhope still hopes to marry after the war.

An older officer, the avuncular Lieutenant Osborne (Ian Maclaren), desperately tries to keep Stanhope from cracking. Osborne and Raleigh are selected to lead a raiding party on the German trenches where a number of the British forces are killed, including Osborne. Later, when Raleigh too is mortally wounded, Stanhope faces a desperate time as, grief-stricken and without close friends, he prepares to face another furious enemy attack.

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Cast

 

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Production

When Howard Hughes made the decision to turn Hell’s Angels into a talkie, he hired a then-unknown James Whale, who had just arrived in Hollywood following a successful turn directing the play Journey’s End in London and on Broadway, to direct the talking sequences; it was Whale’s film debut, and arguably prepared him for the later success he would have with the feature version of Journey’s EndWaterloo Bridge, and, most famously, the 1931 version of Frankenstein. Unhappy with the script, Whale brought in Joseph Moncure March to re-write it. Hughes later gave March the Luger pistol used in the film.[1]

With production delayed while Hughes tinkered with the flying scenes in Hell’s Angels, Whale managed to shoot his film adaptation of Journey’s End and have it come out a month before Hell’s Angels was released. The gap between completion of the dialogue scenes and completion of the aerial combat stunts allowed Whale to be paid, sail back to England, and begin work on the subsequent project, making Whale’s actual (albeit uncredited) cinema debut, his “second” film to be released.[citation needed]

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References

Notes
  1. Jump up^ Curtis 1998, p. 86.
Bibliography
  • Curtis, James. James Whale: A New World of Gods and Monsters. Boston: Faber and Faber,1998. ISBN0-571-19285-8.
  • Dolan, Edward F. Jr. Hollywood Goes to War. London: Bison Books, 1985. ISBN0-86124-229-7.
  • Hardwick, Jack and Ed Schnepf. “A Viewer’s Guide to Aviation Movies”. The Making of the Great Aviation Films, General Aviation Series, Volume 2, 1989.
  • Orriss, Bruce. When Hollywood Ruled the Skies: The Aviation Film Classics of World War II. Hawthorne, California: Aero Associates Inc., 1984. ISBN0-9613088-0-X.
  • Osborne, Robert. 65 Years of the Oscar: The Official History of the Academy Awards London: Abbeville Press, 1994. ISBN1-55859-715-8.
  • “Production of ‘Hell’s Angels’ Cost the Lives of Three Aviators.” Syracuse Herald, December 28, 1930, p. 59.
  • Robertson, Patrick. Film Facts. New York: Billboard Books, 2001. ISBN0-8230-7943-0.

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It Pays To Advertise (1931)


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It Pays To Advertise (1931)

 

It Pays To Advertise 1

It Pays To Advertise 5

Director: Frank Tuttle

Cast: Norman Foster, Carole Lombard, Richard Skeets Gallagher, Eugene Pallette, Lucien Littlefield, Judith Wood, Louise Brooks, Morgan Wallace, Tom Kennedy, Frank Tuttle

63 min

It Pays to Advertise is a 1931 American pre-Code comedy film, based on the play of the same name by Roi Cooper Megrue and Walter C. Hackett, starring Norman Foster and Carole Lombard, and directed by Frank Tuttle.[1]

Plot

Rodney Martin sets up a soap business to rival his father. With the help of an advertising expert and his secretary, Mary, he develops a successful marketing campaign. His father ends up buying the company from him, while Rodney and Mary fall in love.[2]

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Cast

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Reception

The film received positive reviews. Photoplay wrote that it has “plenty of speed and lots of laughs”, and praised the “perfect cast”.[2]

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References

  1. Jump up^ The AFI Catalog of Feature Films:..It Pays to Advertise
  2. Jump up to:a b Ott, Frederick W. (1972). The Films of Carole Lombard. Secaucus, New Jersey: Citadel Press. pp. 80–81. ISBN 978-0806502786.

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Laughter (19300


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Laughter (1930)

 

Laughter 1

Laughter 7

Director: Harry d’Abbadie d’Arrast

Cast: Nancy Carroll, Fredric March, Frank Morgan, Glenn Anders, Diane Ellis, Ollie Burgoyne, Leonard Carey, Eric Blore

85 min 

Laughter is a 1930 American pre-Code film directed by Harry d’Abbadie d’Arrast and starring Nancy CarrollFredric March and Frank Morgan.[1]

The film was nominated for an Academy Award for Best Story.[2]

A copy has been preserved at the Library of Congress.[3]

In 1931, a German-language version called Die Männer um Lucie was released starring Liane Haid and Lien Deyers. This film is considered lost.

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Plot

Peggy is a Follies dancer who forsakes her life of carefree attachments in order to meet her goal of marrying a millionaire. Alas, her elderly husband, broker C. Morton Gibson, is a well-meaning bore, and soon Peggy begins seeking entertainment elsewhere.

A year after their marriage, three significant events occur almost simultaneously. Peggy’s former boyfriend, Paul Lockridge, a composer and pianist who is in love with her and seems to have a funny quip for every occasion, returns from Paris.

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She reunites with him as he offers her his companionship as a diversion from her stuffy life. Also, Ralph Le Saint, a young devil-may-care sculptor who is still in love with Peggy, plans his suicide in a mood of bitterness, and Gibson’s daughter, Marjorie, returns from schooling abroad. Marjorie is soon paired with Ralph, and the romance that develops between them is paralleled by the adult affair between Peggy and Paul.

Ralph and Marjorie’s escapades result in considerable trouble for Morton, while Paul implores Peggy to go to Paris with him, declaring “You are rich–dirty rich. You are dying. You need laughter to make you clean,” but she refuses. When Marjorie plans to elope with Ralph, Peggy exposes the sculptor as a fortune hunter; and, dejected, he commits suicide. As a result, Peggy confesses her unhappiness to Gibson, then joins Paul and laughter in Paris.

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References

  1. The AFI Catalog of Feature Films:Laughter
  2. Jump up^ Osborne, Robert (1994). 65 Years of the Oscar: The Official History of the Academy Awards. London: Abbeville Press. p. 27. ISBN 1-55859-715-8.
  3. Jump up^ Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congressp.101 c.1978 by the American Film Institute

 

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Laughter 3

Laughter 2

 

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Heart of New York, The (1932)


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The Heart of New York (1932)

Heart of New York 9

Director: Mervyn LeRoy

Cast: Joe Smith, Charles Dale, George Sidney, Ruth Hall, Aline MacMahon, Anna Appel, Donald Cook, Oscar Apfel

73 min

The Heart of New York is a 1932 American pre-Code comedy film starring the vaudeville team of Smith & Dale and George Sidney. It was directed by Mervyn LeRoy and based on the Broadway play Mendel, Inc. by David Freedman.

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Plot

The plumber Mendel Marantz, a passionate inventor, hasn’t much luck and a family that doesn’t understand him. He finally strikes it rich with a dishwashing machine he invented.

He finds an investor, Gassenheim, and begins to make his way up in the world. But Mendel’s troubles are not over; his family doesn’t share his dream to become the landlord of the house where they live on New York’s Lower East Side.

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They prefer to move uptown to Park Avenue and adapt to how rich people live. Mendel’s ideas for the house are not forgotten. The men he once told how he wished to transform the building take on the work of renovating it, with every detail he planned.

Neighbours and visitors come to see the house and the new, beautiful penthouse. His wife and his children are still in Park Avenue and when Gassenheim stops paying royalties to Mrs. Marantz, she and the children come home, to find that Mendel is close to losing everything.

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Cast

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Heart of New York 5

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Virtue (1932)


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Virtue (1932)

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Actresses Carole Lombard and Shirley Grey in Virtue

Director: Edward Buzzell

Cast: Carle Lombard, Pat O’Brien, Ward Bond, Shirley Grey, Mayo Methot, Jack LaRue, Williard Robertson, Jessie Arnold

68 min

Virtue is a 1932 Pre-Code American romance film starring Carole Lombard and Pat O’Brien.

Plot

New York City streetwalker Mae (Carole Lombard) is placed on a train by a policeman and told not to come back. However, she gets off, taking the cab of Jimmy Doyle (Pat O’Brien), who doesn’t think much of women. She slips away without paying the fare. Her friend and fellow prostitute, Lil (Mayo Methot), advises her to find honest work.

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The next day, Mae goes to the cab company to pay Jimmy. They start arguing, but they are attracted to each other. He gets her a job as a waitress. By coincidence, Gert (Shirley Grey), another former prostitute who knows her, also works at the restaurant.

Jimmy and Mae soon marry, but Mae doesn’t tell her new husband about her past. After a honeymoon at Coney Island, the happy couple are met at Mae’s apartment by a policeman who mistakes Jimmy for Mae’s latest “client”. Jimmy shows him their marriage license to clear up the trouble, then leaves to think things over. He returns the next day, ready to try to make the marriage work.

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Jimmy has saved $420 of the $500 he needs to become a partner in Flannagan’s gas station. However, Gert begs Mae to lend her $200 for a doctor. Despite her misgivings, Mae gives it to her. The next day, she learns that Gert has lied to her. When Jimmy tells her that the gas station owner needs money and is willing to settle for what he already has, Mae begins searching desperately for Gert.

Mae finally finds her and slaps her around until she promises to get her the money the next night. However, Gert has given the money to her boyfriend Toots (Jack La Rue), who is also Lil’s pimp. When Gert tries to steal the $200 from his wallet, Toots catches her and accidentally kills her. He hides the body, then watches from hiding as Mae shows up, finds the money and leaves.

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The police arrest Mae for the crime because she left her bag behind in Gert’s apartment. However, a distrusting Jimmy had been following Mae and knows a man was with Gert. He learns that it was Toots, but when he confronts him, Lil gives Toots an alibi. Jimmy goes to the district attorney to report what he knows. Lil convinces Toots to go to the district attorney to lodge a complaint against Jimmy. Lil reveals herself to be Mae’s true friend, admitting that Toots lied and exonerating Mae.

Jimmy goes to the gas station to tell Flannagan he no longer wants to buy into the partnership. He sees Mae pumping gas under a Doyle & Flannagan sign. They argue and reconcile.

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Cast (in credits order)

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Virtue 4

Virtue 3

Virtue 2

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Broadway (1929)


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Broadway (1929)

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Director: Paul Fejos

Cast: Glenn Tryon, Evelyn Brent, Merna Kennedy, Thomas E Jackson, Robert Ellis, Otis Harlan, Paul Porcasi, Marion Lord, Fritz Field, Leslie Fenton, Arthur Housman

104 min

 

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Broadway is a 1929 film directed by Paul Fejos from the play of the same name by George Abbott and Philip Dunning. It stars Glenn TryonEvelyn BrentPaul PorcasiRobert EllisMerna Kennedy and Thomas E. Jackson.[1]

This was Universal’s first talking picture with Technicolor sequences. The film was released by the Criterion Collection on Blu-ray and DVD with Paul Fejo’s Lonesome on August 2012.

Plot

Roy Lane and Billie Moore, entertainers at the Paradise Nightclub, are in love and are rehearsing an act together. Late to work one evening, Billie is saved from dismissal by Nick Verdis, the club proprietor, through the intervention of Steve Crandall, a bootlegger, who desires a liaison with the girl.

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“Scar” Edwards, robbed of a truckload of contraband liquor by Steve’s gang, arrives at the club for a showdown with Steve and is shot in the back. Steve gives Billie a bracelet to forget that she has seen him helping a “drunk” from the club. Though Roy is arrested by Dan McCorn, he is later released on Billie’s testimony.

Nick is murdered by Steve. Billie witnesses the killing, but keeps quiet about the dirty business until she finds out Steve’s next target is Roy. Billie is determined to tell her story to the police before Roy winds up dead, but Steve isn’t about to let that happen and kidnaps her. Steve, in his car, is fired at from a taxi, and overheard by Pearl, he confesses to killing Edwards. Pearl confronts Steve in Nick’s office and kills him; and McCorn, finding Steve’s body, insists that he committed suicide, exonerating Pearl and leaving Roy and Billie to the success of their act.

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Cast

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Production

Director Fejos designed the camera crane specifically for use on this movie, allowing unusually fluid movement and access to nearly every conceivable angle. It could travel at 600 feet per minute and enlivened the visual style of this film and others that followed.

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Preservation status

Both the silent version and the talking version of Broadway are extant, but the surviving talking version is incomplete. The color sequence at the end survives in color and in sound. In 2013, Broadway was restored by The Criterion Collection and released on DVD and Blu-ray.

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See also

References[edit]

  1. Jump up to:a b BroadwayCatalog of Feature Films. American Film Institute. Retrieved 2015-11-24.

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Going Spanish (1934)


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Going Spanish (1934)

Going Spanish 1

Director: Al Christie

Cast: Bob Hope, Leah Ray, Frances Halliday, Jules Epailly, Vicki Cummings, William Edmunds, Godoy’s Spanish Band

19 min 

Going Spanish (1934) is an American short comedy film featuring the film debut of Bob Hope and directed by Al Christie. The short comedy co-stars Leah Ray and Jules Epailly. Released by Educational Pictures, the film premiered on March 2, 1934, and is also known as Bob’s Busy Day (American recut version).[1]

Plot

While on vacation in the South America nation of Los Poachos Eggos, Bob (Bob Hope) passes through the village of Los Pochos Eggos. His car collides with that of the mayor of the village. The mayor becomes enraged and he begins tearing Bob’s car to pieces. Bob retaliates and takes his car apart as well.

According to the village tradition, on one day each year, any crime is forgiven provided that the criminal sing a song afterward. Bob could have been arrested, but instead he happened to appear in town on the appropriate day. Later in the film, Bob woos Senorita (Leah Ray) and begins to make the mayor jealous. Each time an offense is committed, the mayor declares “This means war.”

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Cast

Reception

The film was very unsuccessful and was panned by critics. Shortly after it was released, the bank robber John Dillingerwas at large. Hope told Walter Winchell that he had starred in the film and then added “When they catch Dillinger, they’re going to make him sit through it twice.”

After Hope made this comment, Christie and Educational terminated Hope’s contract. Hope then starred in his second and third short films, Soup for Nuts (Universal Studios, 9 July 1934) and Paree, Paree (Warner Brothers, 8 September 1934).

References

 

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Three Broadway Girls (1932)


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Three Broadway Girls AKA The Greeks Had A Word For Them (1932)

Three Broadway Girls 1

Director: Lowell Sherman

Cast: Joan Blondell, Madge Evans, Ina Claire, David Manners, Lowell Sherman, Phillips Smalley, Sidney Bracey, Ward Bond, Betty Grable, Creighton Hale, Barbara Weeks

79 min 

The Greeks Had a Word for Them (1932), also known as Three Broadway Girls, is a pre-Code comedy film directed by Lowell Sherman, produced by Samuel Goldwyn, and released by United Artists. It stars Joan BlondellMadge Evans, and Ina Claire and is based on the play The Greeks Had a Word for It by Zoë Akins.

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The studio originally wanted actress Jean Harlow for the lead after her success in Red-Headed Woman (1932), but she was under contract to Howard Hughes, and he refused to loan her out.

The movie served as inspiration for films like Three Blind Mice (1938), Moon Over Miami (1941), and How to Marry a Millionaire (1953). Also Ladies in Love (1936) has a similar pattern and produced like “Three Blind Mice” by Darryl F. Zanuck.[clarification needed]

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Plot

Jean, Polaire, and Schatze are ex-showgirls who put their money together in order to rent a luxurious penthouse apartment. They are out to get wealthy boyfriends by dressing and acting like millionaires themselves. Jean shows herself to be determined and ruthless, leaving the other girls behind. The other two are more sensitive and trustworthy but only one woman will be able to find a rich husband. Which is she?

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Cast

See also

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Three Broadway Girls 6

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Hook, Line And Sinker (1930)


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Hook, Line And Sinker (1930)

HOOK, LINE AND SINKER, Bert Wheeler, Robert Woolsey [Wheeler and Woolsey], 1930

Director: Edward F Cline

Cast: Bert Wheeler, Robert Woolsey, Dorothy Lee, Ralph Harolde, Jobyna Howland, Natalie Moorhead, Hugh Herbert, George F Marion

75 min

Hook, Line and Sinker is a 1930 American Pre-Code slapstick comedy directed by Edward F. Cline from a screenplay by Ralph Spence and Tim Whelan. It was the third starring vehicle for the comedy team of Wheeler & Woolsey (Bert Wheeler and Robert Woolsey), and also featured Dorothy Lee. It would be one of the largest financial successes for RKO Pictures in 1930.

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Plot summary

Two fast-talking insurance salesmen — Wilbur Boswell and J. Addington Ganzy — help penniless socialite Mary Marsh to turn a dilapidated hotel, which was willed to her, into a thriving success. They soon run into trouble, however, in the form of two sets of rival gangsters who want to break into the hotel safe; also, Mary’s mother, Rebecca Marsh, wants her to marry wealthy lawyer John Blackwell, although Mary has fallen in love with Wilbur.

And while she takes an instant dislike to Wilbur, Rebecca falls for Ganzy. Adding to the complications is the fact that Blackwell is actually in league with the gangsters. The finale involves nighttime runarounds and a shoot-out in the hotel. During the pitched battle between the rival gangs and the police, Boswell and Ganzy save the jewels, after which Ganzy marries Rebecca, and then gives away Mary at her marriage to Wilbur.

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Cast

(Cast list as per AFI database)[2]

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Reception

The film made a profit of $225,000,[4] and would be one of the top two money earners for RKO Radio Pictures in 1930.[4]

Notes

In 1958, the film entered the public domain in the USA due to the copyright claimants failure to renew the copyright registration in the 28th year after publication.[5]

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References

  1. Jump up^ Hook, Line and Sinker: Technical Details”. theiapolis.com. Retrieved August 6, 2014.[permanent dead link]
  2. Jump up to:a b c d Hook, Line and Sinker: Detail View”. American Film Institute. Retrieved April 16, 2014.
  3. Jump up^ Richard Jewel, ‘RKO Film Grosses: 1931-1951’, Historical Journal of Film Radio and Television, Vol 14 No 1, 1994, p. 55
  4. Jump up to:a b c Jewell, Richard B.; Harbin, Vernon (1982). The RKO Story. New York: Arlington House. p. 24. ISBN 0-517-546566.
  5. Jump up^ Pierce, David (June 2007). “Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain”. Film History: An International Journal19 (2): 125–43. doi:10.2979/FIL.2007.19.2.125ISSN 0892-2160JSTOR 25165419OCLC 15122313. See note #60, pg. 143.

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World Accuses, The (1934)


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World Accuses, The (1934)

World Accuses The 1

Director: Charles Lamont

Cast: Vivian Tobin, Dickie Moore, Cora Sue Collins, Russel Hopton, Harold Huber, Mary Carr, Paul Fix, Sarah Edwards, Robert Eliott

62 min

 

The World Accuses is a 1934 American drama film directed by Charles Lamont and starring Vivian TobinDickie Mooreand Cora Sue Collins.[1]

Cast

World Accuses The 3

References

  1. Jump up^ Pitts p.86

Bibliography

  • Michael R. Pitts. Poverty Row Studios, 1929–1940: An Illustrated History of 55 Independent Film Companies, with a Filmography for Each. McFarland & Company, 2005.

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Indiscreet (1931)


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Indiscreet (1931)

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Director: Leo McCarey

Cast: Gloria Swanson, Ben Lyon, Monroe Owsley, Barbara Kent, Arthur Lake, Maude Eburne, Henry Kolker, Nella Walker

92 min

Indiscreet is a 1931 American pre-Code comedy film directed by Leo McCarey and starring Gloria Swanson and Ben Lyon. The screenplay by Buddy G. DeSylvaLew Brown, and Ray Henderson, based on their story Obey That Impulse, originally was written as a full-fledged musical, but only two songs – “If You Haven’t Got Love” and “Come to Me” – remained when the film was released.[1] The film is available on DVD.

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Plot

The plot of the United Artists release centers on fashion designer Geraldine Trent (Swanson), who takes up with novelistTony Blake (Lyon) after leaving her former beau Jim Woodward because of his many indiscretions with other women.

Tony has indicated he has no interest in dating a woman with a past, so Geraldine remains mum about her affair with Jim, until her younger sister Joan arrives and announces she’s engaged—to Jim. Madcap complications ensue as Geraldine tries to keep her secret from Tony while convincing her sister to rid herself of her womanizing fiancé in favor of simple country boy Buster Collins.[2]

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Cast (in credits order)

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Principal production credits

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Critical reception

In May 1931 in The New York Times, film critic Mordaunt Hall gave Indiscreet a mixed review:

It may have its off moments so far as the few serious incidents are concerned, but when it stoops to farce, there is no denying its jollity . . . on the whole, it is a well-worked out entertainment, wherein gusts of merriment cause one to overlook its occasional flaws . . . Now and again the film sobers up, but the director and the authors have solved a way of inoculating it with further mirth, and even at the end there is a streak of fun that is almost Chaplinesque.[3]

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References

  1. Jump up^ Indiscreet at the New York Film Annex
  2. Jump up^ The AFI Catalog of Feature Films:Indiscreet
  3. Jump up^ Hall, Mordaunt (1931). “THE SCREEN; A Merry Miss Swanson”, film review, The New York Times, May 7, 1931; retrieved October 6, 2017.

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Thirteenth Guest, The (1932)


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The Thirteenth Guest (1932) AKA Lady Beware

Thirteenth Guest The 1

Director: Albert Ray 

Cast: Ginger Rogers, Lyle Talbot, J Farrell MacDonald, Paul Hurst, Erville Anderson, Ethel Wales, James Eagles, Eddie Phillips

69 min

The Thirteenth Guest is a 1932 American pre-Code mystery comedy thriller film, released on August 9, 1932. The film is also known as Lady Beware in the United Kingdom.

It is based on the 1929 novel by crime fiction writer Armitage Trail[1] best known for writing the novel Scarface,[2] on which the 1932 movie was based. The novel was again brought to the silver in screen in 1943 as Mystery of the 13th Guest.[3]

Thirteenth Guest The 2

Plot summary

Marie Morgan (Ginger Rogers) has been lured to an old abandoned house by a false note from a friend, and is in jeopardy although she doesn’t yet realize it. As she sits at the table inside, she thinks back to the banquet held there 13 years earlier, when she was a little girl.

Only 12 of 13 guests had attended, and the manor’s owner, the Morgan family patriarch, who was then dying, has since passed on. The chance to claim the bulk of the estate fortune has resulted in an ongoing campaign of murder by someone targeting the original 12 guests, whose dead bodies are being left at the table in the same seats they had occupied originally.

Thirteenth Guest The 3

Cast

Complete credited cast:
Ginger Rogers Ginger Rogers
Lela / Marie Morgan
Lyle Talbot Lyle Talbot
Phil Winston
J. Farrell MacDonald J. Farrell MacDonald
Police Capt. Ryan
Paul Hurst Paul Hurst
Detective Grump
Erville Alderson Erville Alderson
Uncle John Adams
Ethel Wales Ethel Wales
Aunt Jane Thornton
James Eagles James Eagles
Harold ‘Bud’ Morgan
Crauford Kent Crauford Kent
Dr. Sherwood (as Craufurd Kent)
Eddie Phillips Eddie Phillips
Thor Jensen
Frances Rich Frances Rich
Marjorie Thornton
Phillips Smalley Phillips Smalley
Uncle Dick Thornton

See also

References

  1.  Trail, Armitage (1929). The Thirteenth Guest (First ed.). Whitman. ASIN B000KD7C8U.
  2. Jump up^ Trail, Armitage (1930). Scarface (1ST ed.). D.J. Clode. ASIN B00085TELI.
  3. Jump up^ The Thirteenth Guest, msnbc.com; accessed August 3, 2015.

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Thirteenth Guest The 9

Thirteenth Guest The 10

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Klondike (1932)


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Klondike (1932) AKA The Doctor’s Sacrifice 

Klondike 1

Klondike is a 1932 American Pre-Code film directed by Phil Rosen. The film is also known as The Doctor’s Sacrifice in the United Kingdom. It was silent film star Priscilla Dean‘s final film.

Klondike 2

Plot summary

A doctor, Lyle Talbot as Dr. Robert Cromwell, is charged with murder, when a patient dies, after an experimental operation to remove a brain tumor.

His pilot friend, Frank Hawks as Donald Evans, convinces him to start a new life; and, they plot their course, across the Bering Strait. The weather blows them off course; and, they end up in Alaska.

Klondike 3

There the doctor is faced with a new dilemma. Mark, Henry B. Walthall as Mark Armstrong, the Father of Jim, Jason Robards Sr. as Jim Armstrong, a man crippled by a similar brain tumor, begs the doctor to attempt the operation. When the doctor refuses, he accuses him of wanting his son to die, because he’s in love with Jim’s fiancée, Thelma Todd as Klondike.

“Doc” acquiesces, at Klondike’s insistence. Although, having none of the facilities of a hospital. He believes that the operation is less likely to succeed, the longer it is delayed.

The operation seems to be a partial success. But, now, Jim will do anything to keep “Doc” from taking Klondike back to the States with him, even using his genius, with electricity, to electrocute him.[1]

Klondike 4

Cast

Klondike 5

Production

The film was remade as Klondike Fury (1942).[2]

References

  1. Jump up^ “The Doctor’s Sacrifice (1932) : Plot Summary”. IMDb.com. Retrieved 2015-11-05.
  2. Jump up^ “Klondike Fury (1942)”. IMDb.com. Retrieved 2015-11-05.

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Klondike 7

Klondike 8

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Discarded Lovers (1933)


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Discarded Lovers (1932)

Discarded Lovers 1

Discarded Lovers is a 1932 American Pre-Code mystery film directed by Fred C. Newmeyer.

Plot summary

Discarded Lovers is a murder mystery. Early in the film a blonde bombshell movie star is murdered and her body is found in a car.

She had just finished doing the last and final scenes in a film. Irma Gladden was a sexy blonde bombshell who was having many tangled romantic affairs. She was loose and easy. In solving the murder there are the usual friends, police, reporters and employees who administer their help to the police captain and the police sergeant.

In this whodunit suspects abound and include Irma’s husband, a jealous wife, a boy friend and an ex-husband.

Discarded Lovers 2

Cast

Discarded Lovers 3

Discarded Lovers 5

Discarded Lovers 7

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Double Harness (1933)


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Double Harness (1933)

Double Harness  1.jpg

Director: John Cromwell

Cast: Ann Harding, William Powell, Lucille Browne, Henry Stephenson, Lilian Bond, George Meeker, Reginald Owen, Kay Hammond, Leigh Allen, Irving Bacon, Lila Chevret, Wong Chung, Jean Malin

69 min 

Double Harness 4

Double Harness (1933) is an American Pre-Code film starring Ann Harding and William Powell. It was based on the play of the same name by Edward Poor Montgomery. A young woman maneuvers a lazy playboy into marrying her.

This was one of several films, all produced by Merian C. Cooper at RKO, that were out of distribution for more than 50 years as a result of a legal settlement that gave Cooper complete ownership of the films. Turner Classic Movies eventually acquired the rights to the films.

Plot

When spoiled younger sister Valerie Colby (Lucile Browne) becomes engaged to be married to Dennis Moore (George Meeker), a more level-headed Joan (Ann Harding) decides to do the same, not because she is in love, but in order to make something of herself. She chooses unambitious, wealthy playboy John Fletcher (William Powell), who owns a troubled shipping line.

She eventually spends the night in his apartment. To Joan’s annoyance, over the following months, she finds herself falling in love. When John shows no interest in marrying her, Joan forces the issue. She arranges for her father, Colonel Sam Colby (Henry Stephenson), to find them in a compromising position. John graciously agrees to do the honorable thing and marry Joan. However, on their honeymoon cruise, he lets her know that he expects her to grant him a divorce after a decent interval. They settle on six months.

Double Harness 2

Joan prods her husband into taking an interest in his family business. To his surprise, he finds that he enjoys it. As the new Postmaster General (Wallis Clark) is a good friend of her father’s, Joan invites him to dinner, hoping to land a government contract for John’s company.

Meanwhile, Valerie goes into debt due to her extravagant spending habits and borrows from her big sister over and over again. Joan gives Valerie all she can afford without touching John’s money. Finally, she pawns a ring for half the latest sum Valerie needs, but tells her that it is the last time.

Double Harness 3

That same day, John finally realizes that he loves his wife. However, when he goes home, Valerie goes to John behind Joan’s back and cons him into giving her a check. Joan finds out and tears up the check. In her anger, Valerie blurts out how Joan trapped John into marriage.

Disillusioned, he turns to his former paramour, Mrs. Monica Page (Lilian Bond). Joan follows them to Monica’s apartment and confesses all, including the fact that she has fallen in love with him, to no avail. She then tries to salvage her dinner party. To her delight, John shows up and makes it clear that he believes and forgives her.

Double Harness 6

Cast

Double Harness 5

Preservation status

This is one of the “lost RKO films” owned by Merian C. Cooper and only re-released in April 2007 when Turner Classic Movies acquired the rights and showed all six films on TCM.

Cooper accused RKO of not paying him all the money contractually due for the films he produced in the 1930s. A settlement was reached in 1946, giving Cooper complete ownership of six RKO titles:

Double Harness 7

According to an interview with a retired RKO executive, shown as a promo on TCM, Cooper withdrew the films, only allowing them to be shown on television in 1955–1956 in New York City.

TCM, which had acquired the rights to the six films after extensive legal negotiations, broadcast them on TCM in April 2007, their first full public exhibition in over 70 years. TCM, in association with the Library of Congress and the Brigham Young University Motion Picture Archive, had searched many film archives throughout the world to find copies of the films in order to create new 35mm prints.[2][3][4]

Double Harness 8

Reception

According to RKO records, the film made $10,000 in profit.[1]

References

  1. Jump up to:a b c Richard Jewel, ‘RKO Film Grosses: 1931-1951’, Historical Journal of Film Radio and Television, Vol 14 No 1, 1994 p39
  2. Jump up^ Fristoe, Roger. “Rafter Romance” (TCM article)
  3. Jump up^ Osborne, RobertTurner Classic Movies broadcast on April 4 and 11, 2007.
  4. Jump up^ Eder, Bruce “Rafter Romance” (AMG review)

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Once in A Lifetime (1932)


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Once In A Lifetime (1932)

Once in A Lifetime  1.jpg

Director: Russell Mack

Cast: Jack Oakie, Sidney Fox, Aline MacMahon, Russell Hopton, Louise Fazenda, Zasu Pitts, Gregory Ratoff, Jobyna Howland, Onslow Stevens, Gregory Gaye, Frank LaRue, Walter Brennan, Alan Ladd

91 min

Once in a Lifetime is a 1932 American pre-Code comedy film based on Once in a Lifetime by George S. Kaufman and Moss Hart.[1] The film was produced and distributed by Universal Pictures, directed by Russell Mack and stars Jack OakieSidney Fox and Aline MacMahon.[2]

It is preserved at the Library of Congress.[3]

Plot

Once in A Lifetime  2.jpg

The immense success of The Jazz Singer, the first all-talking picture, results in the cancellation of a booking for three song-and-dance vaudeville performers: Jerry Hyland, May Daniels and George Lewis. Jerry, convinced that talkies are the future, decides they will head to Hollywood to break into the fledgling movie industry before others get the same notion.

May comes up with the idea to open a school of elocution to teach actors how to speak on film. On the train there, May encounters an old friend, Helen Hobart, an influential, nationally syndicated columnist. She offers to put them in touch with Herman Glogauer, the head of a major movie studio. George is smitten with another passenger, aspiring young actress Susan Walker.

They discover the movie world to be an eccentric place. George is unexpectedly appointed by Glogauer as supervisor of production, allowing him to promote Susan’s career. Despite his incompetence (or rather because of it), his first picture turns out to be a critical and commercial smash hit, and Susan becomes a star.

Later, a very persuasive salesman gets George to buy 2000 airplanes, which causes Glogauer to fire him. However, air movies become very popular, and George has inadvertently cornered the market. The other studios are desperate to get airplanes from Glogauer at any price, and George is once again considered a genius.

Once in A Lifetime  4.jpg

Cast

Once in A Lifetime 4

Reception

Mordaunt Hall, film critic of The New York Times, gave the film a favorable review, calling it a “merry diversion”.[1] He praised all the main performers, as well as ZaSu Pitts as the studio’s obtuse receptionist.[1]

References

  1. Jump up to:a b c Mordaunt Hall (October 29, 1932). “Jack Oakie, Aline MacMahon and Others in a Film of the Hart-Kaufman Satire on Hollywood.”The New York Times.
  2. Jump up^ The American Film Institute Catalog Feature Films: 1931-40 by The American Film Institute, c.1993
  3. Jump up^ Catalog of Feature Films The American Film Institute Collection and The United Artists Collection at The Library of Congress by The American Film Institute, c.1978

Once in A Lifetime 6

 

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Racketeer, The (1929)


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The Racketeer AKA Love’s Conquest (1929)

Racketeer The 1

Director: Howard Higgin

Cast: Carole Lombard, Robert Armstrong, Roland Drew, Paul Hurst, Kit Guard, Al Hill, Robby Dunn, Budd Fine, Hedda Hopper, Jeanette Loff, John Loder, Winter Hall, Robert Parrish

68 min

Racketeer The 2

The Racketeer is a 1929 American Pre-Code drama film. Directed by Howard Higgin, the film is also known as Love’s Conquest in the United Kingdom. It tells the tale of some members of the criminal class in 1920s America, and in particular one man and one woman’s attempts to help him. Gossip columnist Hedda Hopper appears in a minor role. The film is one of the early talkies, and as a result, dialogue is very sparse.

Plot

Mahlon Keene, a suave racketeer, notices Mehaffy, a policeman, arrest a shabby, drunken violinist for vagrancy and bribes him to forget the charge; after Keene and his henchman depart, Rhoda Philbrook appears in a taxi, addresses the musician as “Tony,” and has him driven away. Meanwhile, Keene arranges for a planned robbery to be delayed.

At a charity function, Keene takes an interest in Rhoda when he detects her cheating at cards; she reveals that she has left her husband for the violinist, whom she hopes to regenerate; and for Rhoda’s sake Keene arranges for Tony’s appearance at a concert. When threatened by Weber, a rival, Keene shoots him and, after the concert, bids farewell to Rhoda. The rival gang take revenge on Keene, leaving Tony and Rhoda to a new life together.

Racketeer The 6

Cast

Racketeer The 3

Racketeer The 8

Racketeer The 7

Racketeer The 6

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Lady To Love, A (1930)


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A Lady To Love (1930)

Lady to Love A 2

A Lady to Love is a 1930 American drama film directed by Victor Sjöström and written by Sidney Howard. The film stars Vilma BánkyEdward G. RobinsonRobert AmesRichard Carle and Lloyd Ingraham. The film was released on February 28, 1930, by Metro-Goldwyn-Mayer.[1][2]

Plot

Tony, a prosperous Italian vineyardist in California, advertises for a young wife, passing off a photograph of his handsome hired man, Buck, as himself. Lena, a San Francisco waitress, takes up the offer, and though she is disillusioned upon discovering the truth, she goes through with the marriage because of her desire to have a home and partially because of her weakness for Buck, whose efforts to take her away from Tony confirm her love for her husband.

Lady to Love A 6

Cast

Lady to Love A 3

References[edit]

  1. Jump up^ “A Lady to Love (1930) – Overview – TCM.com”Turner Classic Movies. Retrieved 11 November 2014.
  2. Jump up^ “A Lady To Love”TV Guide. Retrieved 11 November 2014.

Lady to Love A 1

Lady to Love A 4

 

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Locked Door, The (1929)


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The Locked Door (1929)

Barbara Stanwyck 58

Barbara Stanwyck 57

Director: George Fitzmaurice

Cast: Rod LaRocque, Barbara Stanwyck, William Stage Boyd, Betty Bronson, Harry Subbs, Mack Swain, ZaSu Pitts, George Bunny

74 min

The Locked Door is a 1929 American pre-Code drama film directed by George Fitzmaurice and starring Rod LaRocqueBarbara StanwyckWilliam “Stage” Boyd, and Betty Bronson.

The film is based on the play The Sign on the Door by Channing Pollock.[1] The play was first adapted for the screen in 1921 as The Sign on the Door, starring Norma Talmadge.[2] The Locked Door was Barbara Stanwyck’s second film appearance, first starring role, and first talking picture.

Barbara Stanwyck 62

Plot

Ann Carter (Barbara Stanwyck), an inexperienced young woman, accepts an invitation to dinner from Frank Devereaux (Rod LaRocque), the son of her employer. The date turns out to be far from what she expects. It is aboard a “rum boat”, a ship that sails beyond the 12 mile limit to get around the restrictions of Prohibition. Worse, Frank turns out to be a cad.

When she tries to leave, he locks the door and tries to force himself on her, tearing her dress. Fortunately, the ship drifts back into U.S. waters and a police raid stops him from going any further. When a photographer takes a picture of the two under arrest, Frank buys it from him.

Barbara Stanwyck 59

Eighteen months later, Ann is happily married to wealthy Lawrence Reagan (William “Stage” Boyd). They are about to celebrate their first wedding anniversary when Frank resurfaces in Ann’s life, this time as the boyfriend of her naive young sister-in-law, Helen (Betty Bronson). Though both Ann and her husband tell Helen that Frank is no good (Lawrence knows that Frank is having an affair with the wife of one of his friends), it is clear to Ann that Helen does not believe them.

Ann goes to Frank’s apartment to stop him from taking advantage of Helen. She hides when Lawrence shows up unexpectedly. He warns Frank to leave town before Lawrence’s friend catches up with him and shoots him. Frank had already planned to go, but when Lawrence declares that he intends to administer a beating first, Frank draws a gun. He is shot in the ensuing struggle. Lawrence leaves without being seen, unaware that his wife has heard the whole thing.

Barbara Stanwyck 60

To protect her husband, Ann phones the switchboard operator and reenacts her earlier assault, ending with her firing two shots. When the police arrive, the district attorney (Harry Mestayer) soon pokes holes in her story. Also, the photograph is found, providing a motive for murder. However, Frank is not yet dead; in his last few minutes of life, he explains what really happened, exonerating both Ann and Lawrence.

Cast

Barbara Stanwyck 63

References

  1. Jump up^ White Munden, Kenneth, ed. (1997). The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1921-1930. University of California Press. p. 445. ISBN 0-520-20969-9.
  2. Jump up^ White Munden 1997 pp.715-716

Barbara Stanwyck 64

 

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Night Work (1930)


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Night Work (1930)

Night Work 1

Night Work 2

Night Work 3

Director: Russel Mack

Cast: Eddie Quillan, Sally Starr, Frances Upton, John T Murray, Tom Keene, Ben Bard, Robert McVade, Douglas Scott, Addie McPhaill, Kit Guard, Georgia Caine, Georgie Billings, Charles Clary

93 min

Night Work is a Pre Code comedy directed by Russel Mack, released in 1930 and starring Eddie Quillan, Sally Starr and Frances Upton.

Plot

Willie Musher, assistant window-trimmer and jack-of-all-trades at Tracy’s Department Store, consistently shoulders the blame for patrons who deem themselves aggrieved and one day is awarded a $10 bill.

On his way to the bank, he stops to examine a car that is campaigning for funds for an orphans’ home; he holds his bank book in such a way that Mary, a nurse, takes the bill and leaves him a receipt. Later, he is alarmed to learn he has obligated himself to support a baby, but taking an interest in Mary and little Oscar, he gets a job as waiter in a nightclub to support the child. To Willie’s chagrin, he learns that Vanderman, Sr., wants to adopt Oscar, apparently the offspring of his son, Harvey.

Willie dreams of hair-raising stunts to kidnap Oscar; finding that he has been promoted, he proves that Oscar is not Vanderman’s grandson, adopts the boy, and asks Mary to marry him.

Night Work 11

 

Cast

Eddie Quillan Eddie Quillan
Sally Starr Sally Starr
Mary
Frances Upton Frances Upton
Aggie
John T. Murray John T. Murray
Calloway
Tom Keene Tom Keene
Harvey Vanderman (as George Duryea)
Ben Bard Ben Bard
Pinkie
Robert McWade Robert McWade
Phil Reisman
Douglas Scott Douglas Scott
Oscar, the Orphan
Addie McPhail Addie McPhail
Trixie
Kit Guard Kit Guard
Squint
Georgia Caine Georgia Caine
Mrs. Ten Eyck
Georgie Billings Georgie Billings
Buster (as George Billings)
Charles Clary Charles Clary
Mr. Vanderman
Tom Dugan Tom Dugan
Johnny Harris
Arthur Hoyt Arthur Hoyt
George Twining

 

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Tip Off, The (1931)


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The Tip Off (1931)

Tip Off The 1

Tip Off The 2

Director: Albert S Rogell

Cast: Eddie Quillan, Robert Armstrong, Ginger Rogers, Joan Peers, Ralf Harolde, Mike Donlin, Ernie Adams, Charles Sellon, Helen Ainsworth, Luis Alberni, Harry Bowen, Dorothy Granger

71 min

Tip Off The 3

The Tip-Off is a 1931 American Pre-Code comedy film directed by Albert S. Rogell and written by Earl Baldwin. The film stars Eddie QuillanRobert ArmstrongGinger Rogers, Joan Peers and Ralf Harolde.[1][2] The film was released on October 16, 1931, by RKO Pictures.

Plot

Young Tommy Jordan (Eddie Quillan) is sent for a repair job. When he arrives at the address he was told, two guys are waiting for him on the street, bringing him somewhere else – without letting him see where – to repair a radio.

He jokes about “must be a hide-out, that I should not know where I am”, for which he earns a “you’re a smart guy”. When left in the apartment doing his job, he follows a wire and ends up in the bedroom, lying on the floor under the bed. At this point, the telephone rings and a woman comes out of the bathroom and answers.

Tip Off The 4

He is trapped under the bed and can only see her legs. When the lady has finished her conversation, they have to talk and he is told that his great idol Kayo McClure (Robert Armstrong (actor)) a fighter lives in that apartment.

She herself is “famous” Babyface (Ginger Rogers) the woman of McClure. When McClure comes back home, Tommy manages to hide and when Gang leader Nick Vatelli (Ralf Harolde) appears in McClure’s apartment with his men threatening him, Tommy acts as Policeofficers through the radio-microphone, so that they leave the flat. McClure is forever thankful to Tommy and he offers him to help him whenever he needs it. McClure hands him out a ticket to a ball.

Tip Off The 6

When he gets to the ball there is Baby-Face eager to dance with him. To avoid being mixed up too much with her attracting jealousy of McClure he grabs another girl, that was handy to him, to dance. But this girl is even worse, as she is the fiancé of Nick, Edna Moreno (Joan Peers). Tommy is very fond of her and when Nick appears he finally takes Edna with him to McClure, to hide for a night. The next day Babyface argues with McClure about hiding the kids, threatening to leave him.

Edna leaves the apartment without saying anything. Tommy finds out where she is, and with the help of McClure he saves her from marrying Nick. As the movie ends, Tommy and Edna get married.

Tip Off The 6

Cast

References

  1. Jump up^ “The Tip-Off (1931) – Overview”Turner Classic Movies. Retrieved September 9, 2014.
  2. Jump up^ “The Tip-Off Trailer, Reviews and Schedule for The Tip-Off”TV Guide. Retrieved September 9, 2014.

Tip Off The 7

Tip Off The 8

Tip Off The 9

Tip Off The 10

 

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Love Affair (1932)


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Love Affair (1932)

Love Affair 4

Love Affair 1

Director: Thornton Freeland

Cast: Dorothy Mackaill, Humphrey Bogart, Hale Hamilton, Halliwell Hobbes, Astrid Allwyn, Jack Kennedy, Bradley Page, Barbara Leonard

68 min

Love Affair 2

Love Affair is a 1932 American Pre-Code romantic drama film starring Dorothy Mackaill as an adventurous socialite and Humphrey Bogart as the airplane designer she falls for. It is based on the short story of the same name by Ursula Parrott.

Plot

Wealthy socialite Carol Owen (Dorothy Mackaill) decides to take up flying. Gilligan (Jack Kennedy) sets her up with a homely instructor, but she requests dashing Jim Leonard (Humphrey Bogart) instead. Jim has some fun, taking her through some aerobatic maneuvers that leave her queasy, but still game. For revenge, she gives him a lift into town in her sports car, driving at breakneck speeds. They begin seeing each other.

Carol learns that Jim is designing a revolutionary airplane engine, but cannot get any financial backing. She decides to give him a secret helping hand, persuading her skeptical financial manager, Bruce Hardy (Hale Hamilton), to invest in the project. Hardy is only too pleased to oblige, as he has asked Carol numerous times to marry him.

MMDLOAF EC003

Hardy keeps a mistress on the side, aspiring stage actress Linda Lee (Astrid Allwyn). Unbeknownst to him, she is Jim’s sister and in love with Georgie Keeler (Bradley Page), a Broadway producer. Things become serious between Carol and Jim. He begins neglecting his work and eventually spends the night with her. The next day, he asks her to marry him. She realizes that she is distracting him from making a success of his engine and turns him down.

When Hardy asks Carol once again to marry him, she jokingly tells him she would only consider his offer if she were broke. He then informs her that she is. He has been paying all her bills for the past year. Hoping to help Jim, she agrees to wed Hardy.

Love Affair 5

Hardy tries to break off his relationship with Linda. This is what Georgie has been waiting for. He has coached Linda to extort $50,000 from Hardy to finance a new play in which Linda will star, but the businessman will only write her a check for $10,000. To try to pressure Hardy, Georgie has Linda lie to Jim about the relationship.

Meanwhile, Carol has second thoughts and goes to break the news to Hardy. Before she can however, Jim shows up and insists that Hardy marry his sister. However, when Hardy shows him the canceled $10,000 check endorsed to Georgie, Jim realizes Linda has deceived him. He apologizes and leaves.

Carol decides to kill herself by crashing an airplane. As she starts to take off, Jim reads the suicide note she left with Gilligan. He manages to cling to the fuselage, work his way gingerly to the cockpit (while the plane is in flight), and reconcile with Carol.

Love Affair 6

Cast

Love Affair 7

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Hole In The Wall, The (1929)


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Hole In The Wall, The (1929)

Hole in the Wall The 1

Hole in the Wall The 2

The Hole in the Wall is a 1929 mystery drama film directed by Robert Florey, and starring Claudette Colbert and Edward G. Robinson. This film marks the first appearance of Edward G. Robinson as a gangster.

Cast

Hole in the Wall The 7

Plot

Jean Oliver falls in love with a wealthy young man, and his mother, Mrs. Ramsey, sees to it that she is sent to prison on a trumped-up charge. Time passes. Jean is released from stir and throws in with a band of phony spiritualists, donning the robes of Madame Mystera, a crook recently killed in an accident on the elevated.

Jean quickly proposes that her new companions in crime kidnap the granddaughter of Mrs. Ramsey and hold the child for ransom. The child is taken, but the police arrest the gang. The Fox, crafty leader of the spiritualists, is the only one who knows the whereabouts of the missing child, however, and he trades this information for immunity and a statement from Mrs. Ramsey that Jean had not in fact committed the crime for which she was sent to jail. Jean is freed and reunited with Gordon Grant, her childhood sweetheart, a reporter who has accompanied the police in the raid on the gang.

Hole in the Wall The 3

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Hole in the Wall The 6

Hole in the Wall The 8

Hole in the Wall The 9

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Little Cafe, The (1930)


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Pre Code Hollywood Season: FD Cinematheque

Little Cafe, The (1930)

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The Little Cafe (French:Le petit café) is a 1931 French-language American Pre-Code musical film directed by Ludwig Berger and starring Maurice ChevalierYvonne Vallée and Tania Fédor. The film is a foreign-language version of the 1930 film Playboy of Paris, which was based on the play The Little Cafe by Tristan Bernard. Multiple-language versions were common in the years following the introduction of sound film, before the practice of dubbing became widespread.

The film received a better reception from critics than the English-language version had.[1]

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Synopsis

Albert Loriflan, a waiter in a Paris cafe, unexpectedly inherits a large sum of money from a wealthy relative. His unscrupulous boss, Philibert, refuses to release him from his long-term contract in the hope that Albert will buy him off with a large payment. But Albert refuses, and continues to work at the cafe even though he is now very rich. Before long he falls in love with Philibert’s daughter Yvonne.

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Cast

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References

  1. Jump up^ Bradley p.119

Bibliography

  • Bradley, Edwin M. The First Hollywood Musicals: A Critical Filmography Of 171 Features, 1927 Through 1932. McFarland, 2004.

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Film Collectors Corner

Watch The Little Cafe Now – You Tube Instant Video

Blu Ray

Not released on Blu Ray 

 

DVD

Not released on DVD