Tag Archives: claudette colbert

Hole In The Wall, The (1929)


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Hole In The Wall, The (1929)

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The Hole in the Wall is a 1929 mystery drama film directed by Robert Florey, and starring Claudette Colbert and Edward G. Robinson. This film marks the first appearance of Edward G. Robinson as a gangster.

Cast

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Plot

Jean Oliver falls in love with a wealthy young man, and his mother, Mrs. Ramsey, sees to it that she is sent to prison on a trumped-up charge. Time passes. Jean is released from stir and throws in with a band of phony spiritualists, donning the robes of Madame Mystera, a crook recently killed in an accident on the elevated.

Jean quickly proposes that her new companions in crime kidnap the granddaughter of Mrs. Ramsey and hold the child for ransom. The child is taken, but the police arrest the gang. The Fox, crafty leader of the spiritualists, is the only one who knows the whereabouts of the missing child, however, and he trades this information for immunity and a statement from Mrs. Ramsey that Jean had not in fact committed the crime for which she was sent to jail. Jean is freed and reunited with Gordon Grant, her childhood sweetheart, a reporter who has accompanied the police in the raid on the gang.

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Four Frightened People (1934)


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Four Frightened People (1934)

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Director: Cecil B DeMille

Cast: Claudette Colbert, Herbert Marshall, Mary Boland, William Gargan, Leo Carillo, Nella Walker, Tetsu Komai, Delmar Costello

78 min

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Four Frightened People is a 1934 American Pre-Code adventure film directed by Cecil B. DeMille and starring Claudette ColbertHerbert MarshallMary Boland, and William Gargan. It is based on the novel by E. Arnot Robertson.

Plot

The film tells the story of two men (Marshall and Gargan) and two women (Colbert and Boland), who leave from a plague-ridden ship and reach the Malayan jungle. The relationships between the four people before they enter the jungle are examined and are transformed as they interact with natural phenomena and the natives who populate the jungle. The film also relates how each of the four people carried on in life after they emerged from the jungle.

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Cast

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Filming locations

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Production crew

  • Executive producer (uncredited) – Emanuel Cohen
  • Art Direction – Roland Anderson
  • Production Manager (uncredited) – Roy Burns
  • Assistant Director (uncredited) – Cullen Tate, James Dugan
  • Sound Mixer (uncredited) – Harry Lindgren
  • Double (uncredited) – Mildred Mernie as Claudette Colbert, Bruce Warren as Herbert Marshall, Leota Lorraine as Mary Boland, Carl Mudge as William Gargan, Curley Dresden as Leo Carrillo

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Reception

The film was a box office disappointment for Paramount.[1]

Home Video Release

This film, along with The Sign of the CrossCleopatraThe Crusades and Union Pacific, was released on DVD in 2006 by Universal Studios as part of The Cecil B. DeMille Collection.

References

  1. Jump up^ By, D. W. (1934, Nov 25). TAKING A LOOK AT THE RECORD. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/101193306?accountid=13902

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I Cover the Waterfront (1933)


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I Cover the Waterfront (1933)

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Director: James Cruze

Cast: Ben Lyon, Claudette Colbert, Ernest Torrence, Hobart Cavanaugh, Maurice Black, Purnell Platt, Harry Beresford, Wilfred Lucas,  Rosita Marstini

75 min

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I Cover the Waterfront is a 1933 American Pre-Code romantic drama film directed by James Cruze and starring Ben LyonClaudette ColbertErnest Torrence, and Hobart Cavanaugh.

Based on the book of the same name by Max Miller, the film is about a reporter who investigates a waterfront smuggling operation, and becomes romantically involved with the daughter of the man he is investigating.

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Plot

San Diego Standard reporter H. Joseph Miller (Ben Lyon) has been covering the city’s waterfront for the past five years and is fed up with the work. He longs to escape the waterfront life and land a newspaper job back East so he can marry his Vermont sweetheart. Miller is frustrated by the lack of progress of his current assignment investigating the smuggling of Chinese people into the country by a fisherman named Eli Kirk (Ernest Torrence). One morning after wasting a night tracking down bad leads, his editor at the Standard orders him to investigate a report of a girl swimming naked at the beach. There he meets Julie Kirk (Claudette Colbert), the daughter of the man he’s been investigating.

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Meanwhile, Eli Kirk and his crew are returning to San Diego with a Chinese passenger when the Coast Guard approaches. Not wanting to be caught with evidence of his smuggling operation, Kirk orders his men to weigh down the Chinaman and lower him overboard to his death. The Coast Guard, accompanied by Miller, board the boat but find nothing. The next day, Miller discovers the Chinaman’s body which was carried in with the tide, and takes it as evidence to his editor, who still remains skeptical of Kirk’s guilt. To get conclusive evidence, Miller tells him he plans to romance Kirk’s daughter Julie in order to break the smuggling operation.

When Kirk returns, he informs Julie that they will need to move on soon—maybe to Singapore—as soon as he can put together enough money for the voyage. One night, Julie discovers her father drunk at a boarding house. Miller, who was there investigating Kirk, helps Julie take her father home. Julie does not discourage Miller’s flirtations, and during the next few weeks they fall in love. She is able to help Miller see the beauty of the waterfront, and inspires him to improve the novel he’s been working for the past five years. While visiting an old Spanish galleon on a date, he playfully restrains her in a torture rack and kisses her passionately—and she returns his passion.

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Julie and Miller spend a romantic evening together on the beach, where she reveals that she and her father will be sailing away in the next few days. After spending the night in Miller’s apartment, Julie announces the next morning that she’s decided to stay, hoping that he will stay with her. When Miller learns from her that her father is due to dock at the Chinese settlement that night, he notifies the Coast Guard. At the dock, while the Coast Guard searches the vessel, Miller discovers a Chinaman hidden inside a large shark. When the Coast Guard attempt to arrest Kirk, he flees the scene but is wounded during his escape.

The next morning, Miller’s breaking story is published on the Standard’s front page. When a wounded Kirk makes his way back home, Julie learns that it was Miller who helped the Coast Guard uncover her father’s smuggling operation (of which she was unaware), and that she unknowingly revealed to him his landing location. Soon after, Miller, feeling guilty over the story’s impact to Julie’s life, arrives at her home and apologizes for the hurt he’s caused her, and announces that he loves her. Feeling used by his actions, an angry Julie sends him away.

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Later that night, Miller locates Kirk, who shoots him in the arm. Julie arrives to help her father escape, and seeing Miller wounded, she tells her father she cannot leave Miller to die. Seeing that she loves him, Kirk helps her take Miller to safety, after which Kirk dies. Later from his hospital bed, Miller acknowledges in his newspaper column that Kirk saved his life before he died. Sometime later, Miller returns to his apartment, where Julie is waiting to greet him. Noticing that she cleaned and transformed his place into a cozy home, he tells her he finally wrote the ending to his novel, “He marries the girl”. Julie acknowledges, “That’s a swell finish”, and the two embrace.

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Cast

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Production

Screenplay

Rights to the novel were bought by Edward Small and his partner Harry Goets in 1932. They made it through the Reliance Picture Corporation as the first of a six-film deal with United Artists.[2] Reliance co-produced the film with Joseph Schenck’s Art Cinema Corporation.[1]

Filming

I Cover the Waterfront was filmed from mid-February to early March 1933.[1]

Soundtrack

The film’s title song, “I Cover the Waterfront“, appears in the film only as an instrumental.[3] Written by Johnny Green and Edward Heyman, the song went on to become a jazz standard recorded by many artists, including Billie HolidayLouis ArmstrongFrank SinatraThe Ink Spots, and Ella Fitzgerald, among others.[4]

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Critical response

In his review for The New York Times, film critic Mordaunt Hall called the film “a stolid and often grim picture”.[5] While Hall felt the drama was not as good as some of director James Cruze’s previous work, the “clever acting of the principals”—especially that of Ernest Torrence—offset some of the film’s shortcomings.[5]

Hall found some of the scenes “more shocking than suspenseful” and felt a broader adaptation of Max Miller’s book may have been more interesting than the focus on the melodramatic series of incidents related to a sinister fisherman.[5]

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While acknowledging that “Colbert does well as Julie”, Hall did not find her convincing as a fisherman’s daughter because she does not look the type.[5] Hall reserved his highest praise for Ernest Torrence in his final screen performance.[5] Torrence died on May 15, 1933, shortly after the film was completed.

John Mosher of The New Yorker described the adaptation as a “commonplace screen romance,” but also praised the performance of the late Torrence, writing that he “was at the height of his power … One can foresee that many pictures will be empty things for lack of him.”[6] Variety called it “a moderately entertaining picture … The late Ernest Torrence has the meat part and his performance is in keeping with the standard he had set for himself. A pretty tough assignment they gave him, one in which it was necessary to capture sympathy in face of the worst sort of opposition from the script. He’ll be sorely missed on the screen.”[7]

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Remakes

I Cover the Waterfront was remade in 1961 by Edward Small as Secret of Deep Harbor.[3]

See also

References[edit]

  1. Jump up to:a b c “I Cover the Waterfront”American Film Institute. Retrieved June 10, 2016.
  2. Jump up^ Babcock, Muriel (September 24, 1932). “Notable Novel to be Filmed”. The New York Times. p. A7.
  3. Jump up to:a b “I Cover the Waterfront: Notes”. Turner Classic Movies. Retrieved May 18, 2014.
  4. Jump up^ “I Cover the Waterfront”. Discogs. Retrieved May 18, 2014.
  5. Jump up to:a b c d e Hall, Mordaunt (May 18, 1933). “The Late Ernest Torrence in His Last Picture…”The New York Times. Retrieved May 18, 2014.
  6. Jump up^ Mosher, John (May 27, 1933). “The Current Cinema”. The New Yorker. New York: F-R Publishing Corp. p. 49.
  7. Jump up^ “I Cover the Waterfront”. Variety. New York: Variety, Inc. May 23, 1933. p. 15.

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Big Pond, The (1930)


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The Big Pond (1930)

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Director: Hobart Henley

Cast: Maurice Chevalier, Claudette Colbert, George Barbier, Marion Ballou, Andree Corday, Frank Lyon, Nat Pendleton, Elaine Koch

72 min

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The Big Pond is a 1930 American Pre-Code romantic comedy film based on a 1928 play of the same name by George Middleton and A.E. Thomas.[1] The film was written by Garrett Fort, Robert Presnell Sr. and Preston Sturges, who provided the dialogue in his first Hollywood assignment, and was directed by Hobart Henley.

The film stars Maurice Chevalier and Claudette Colbert, and features George Barbier, Marion Ballou, and Andrée Corday, and was released by Paramount Pictures.

The Big Pond was nominated for the Academy Award for Best Actor for Maurice Chevalier, and also provided Chevalier with his first American hit song “Livin’ in the Sunlight, Lovin’ in the Moonlight” written by Al Sherman and Al Lewis.[2]

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Plot

Pierre Mirande (Maurice Chevalier), is a Venetian tour guide from a poor French family who falls in love with Barbara Billings (Claudette Colbert), a wealthy American tourist whose father (George Barbier). Although Barbara loves Pierre as well, her suitor, Ronnie (Frank Lyon) and her father see him as a fortune-hunter. Barbara’s mother (Marion Ballou) persuades her husband to give Pierre a job in his chewing-gum factory in the States. Despite living in a dingy boardinghouse and being given the hardest job in the plant, he manages to captivate his landlady (Andrée Corday) and the maid (Elaine Koch) with his humorous songs. Unfortunately, he falls asleep on the night he is to attend Barbara’s party, and is then fired when he is wrongly accused of spilling rum on some chewing gum samples. He wins back his job, and is promoted as well, when he sells liquor-coated chewing gum as a sales gimmick. Barbara disapproves, and plans to marry Ronnie, but Pierre whisks her away in a speedboat.

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Cast

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Songs

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Production

The Big Pond and its French language version La grande mare[6] were shot simultaneously at the Paramount Astoria Studios in AstoriaQueensNew York City.[7][8]Maurice Chevalier, Claudette Colbert, Andrée Corday and Nat Pendelton played the same roles in both versions.[6]

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Awards

Maurice Chevalier was nominated for a 1930 Academy Award for “Best Actor in a Leading Role” for his performance in The Big Pond as well as his performance in The Love Parade (1929).[8]

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French version

The French language version of The Big Pond, which was filmed simultaneously with the English version, was called La grande mare. The cast was:

  • Maurice Chevalier as Pierre Mirande
  • Claudette Colbert as Barbara Billings
  • Henry Mortimer as Mr. Billings
  • Maude Allen as Mrs. Billings
  • Andrée Corday as Toinette
  • William B. Williams as Ronnie
  • Nat Pendleton as Pat O’Day
  • Loraine Jaillet as Jennie

Writer Preston Sturges was fluent in French, but additional dialogue was provided by Jacques Bataille-Henri. The technical credits for the two versions are the same, except the editing for the French version was done by Barney Rogan.[6]

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Notes

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